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Tag Archive for ‘2020 horror’

Mike’s Nightstream Review: The Queen of Black Magic (2020)

Mike’s Nightstream Review: The Queen of Black Magic (2020)

★★★★.5 out of ★★★★★ In the latest installment of “If you’re not watching Indonesian horror movies, you’re blowing it,” brings us 2020’s The Queen of Black Magic. It’s true. Indonesia is the new incubator for the creepiest crawlies that the horror genre has to offer. Every country has had their day in the sun. The UK plastered us with Hammer and Amicus throughout the 1960s. The US reimagined the genre with slashers and super killers throughout the 1970s and 80s. And Japan brought a whole new slate of water and hair-borne frights in the late 1990s and in to the early 2000s. Now it’s Indonesia time to shine.

Mike’s Nightstream Review: Leap of Faith William Friedkin on the Exorcist (2020)

Mike’s Nightstream Review: Leap of Faith William Friedkin on the Exorcist (2020)

★★★★ out of ★★★★★ There exists that great space in documentaries that take place decades after the event occurred. It’s this beautiful melange of revisionist history, lucid thoughts, purposeful sleepwalking, and repressed memories. All answers are correct and infallible when the documentary is filtered through the iconic lens of a single and thoughtful directorial darling. THE William Friedkin is the ultimate bridge between Hollywood’s glorious beginnings and the revolutionary young guns of the 1970s. It should come as no surprise the Friedkin has some rather insightful things to say about one of the greatest films of the 1970s, possibly the greatest horror film of all time, and in some camps, THE greatest film ever put down on celluloid — the Exorcist.

Mike’s Book Report: Devolution (2020)

Mike’s Book Report: Devolution (2020)

★★★★ out of ★★★★★ The perfect metaphor/antidote to 2020. Well-meaning people set out to change the world, lessen their foot print, and revel in their own brainy viewpoint. Only to be horrifically outdone by the unplanned mysteries of mother nature and her largely uncaring and brutish ways. Devolution is exists in a very real space with very real consequences. It’s everything that 2020 has offered. From the hopefully earnest to the horrifically primal.

Mike’s PHFF Review: Uncle Peckerhead (2020)

Mike’s PHFF Review: Uncle Peckerhead (2020)

★★★★ out of ★★★★★ Pulling off a feature length film takes some serious gumption. Pulling off a film that balances impeccable comedic timing, a fully realized soundtrack, empathetic characters, complicated friendships, and a heaping dose of spatter gore — well, that’s a whole different story. Directed by horror short filmmaker Matthew John Lawrence, Uncle Peckerhead hits every single note and simultaneously manages to bang out a gory film that would make Herschell Gordon Lewis blush.

Mike’s Review: Blood Quantum (2020)

Mike’s Review: Blood Quantum (2020)

★★★★ out of ★★★★★ Much of the history of native peoples in horror film, or in this case Canada’s First Nation people, has been beset by misunderstandings, skepticism about tribal rituals, and outright racism. These troubling portrayals throughout horror’s uneven relationship with non-Euro traditions has manifested itself in a series of clumsy attempts to capture the native condition. This, in turn, has played out with mysterious and prescient shamans, strange and incomplete tribal rites, and silly depictions of day-to-day tribal life. That was the case until 2020, with the release of the superb Blood Quantum.

Mike’s Review: The Isolation Horrors (2020)

Mike’s Review: The Isolation Horrors (2020)

★★★★ out of ★★★★★ More often than not the horror story teller is beset with complex stories, radical exposition, and meandering narrative. The horror fan and the horror filmmaker so desperately want to hear and tell a compelling and multi-layered story. But as we all know too well, these stories are overtaken by this well-meaning desire and evolve in to a product so complex that they forget their intended purpose — the SCARES! The prescient and timely The Isolation Horrors is superbly aware of this exposition trap and manages to create an exquisite economy of horror story telling.