lightninli
JoinedMarch 18, 2018
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By day, Eric is a mild-mannered Architect, bringing great buildings to the good boys and girls of his hometown of Portland, Oregon. By night, he is a disreputable podcaster looking to promote the best and worst of horror movies!
Collection of horror film posters from The PHFF Horror Short Film Director Roundtable.

The PHFF Horror Short Film Director Roundtable

The Horror Short Film Director Roundtable is one of the most important things that we did at the Portland Horror Film Festival. It provided an elevated platform for horror short filmmakers. Oftentimes, this is ground zero for original horror ideas. Unless you are a Hollywood nepo-director, short film creation is where you learn your chops. I wanted to give these creatives an opportunity to share their experiences in making movies, both good and bad, so that we can all learn a little more about the craft.
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Close-up of a man with bloodied face and intense expression, horror scene from Dracula review.

Dracula: The Night Around Us (2026): PHFF Review

★★★★ out of ★★★★★

Intensity: 🩸🩸🩸 out of 🩸🩸🩸🩸🩸

Sometimes it takes an indie take on a classic to make the story scary again. Dracula: The Night Around Us does exactly that. It is a dark, brooding, modern take on the Bram Stoker classic. Literal chills ran through my nervous system. This film won the Goul D'Or award at the Portland Horror Film Festival for the best Feature at the Festival in 2026.

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Goth woman holding a Rue Morgue magazine with a spooky cover image.

Rue Morgue Editor Andrea Subissati Interview at PHFF 2026

The Bloody Judge for the 2026 Portland Horror Film Festival was Andrea Subissati, the Executive Editor of Rue Morgue. She is one of the most compelling voices within the horror community, and is a powerful advocate for women within the genre. Andrea was kind enough to set some time aside to talk some terror with us between feature film showings at the festival.
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Futuristic scene with glowing green lights and a mysterious figure in darkness.

Frogman Returns (2026) Review: Portland Horror Film Festival

★★★★ out of ★★★★★

Intensity: 🩸🩸 out of 🩸🩸🩸🩸🩸

The Frogman is back! The first Frogman was something of a found footage cult hit. Now, both the actual film and the film within the film have a bigger budget this time out, and the results go gonzo crazy. Forget the cryptids; this sequel takes the concept into cosmic insanity. See this in a full theater, as the audience I saw it with went completely bananas. It starts out like a natural extension of the first film, but expands the story into realms practically unthinkable. This feature won the Horde Award at the Portland Horror Film Festival as the audience choice for best film.

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Leather-clad woman with whip in a BDSM-themed room with bondage gear and neon lighting.

The Demonatrix (2026) Review: Portland Horror Film Festival

★★★1/2 out of ★★★★★

Intensity: 🩸🩸 out of 🩸🩸🩸🩸🩸

The Demonatrix is a cheeky, lightly racy horror-comedy that reflects on the economic troubles of the time. A dominatrix looking to get some extra income turns to hosting fake séances to make ends meet. When things inevitably go awry, she turns to a priest working in a church across the street from her kink studio. It's a silly, simple tale that features some great costumes and a couple of horror legends you will recognise.

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A woman standing alone at night on a deserted street with a flashlight and a book.

LandLord (2026): Portland Horror Film Festival Review

★★★★ out of ★★★★★

Intensity: 🩸🩸1/2 out of 🩸🩸🩸🩸🩸

LandLord poses the question "If vampires can't come into your home without an invitation, what happens if they own your housing?" A bounty hunter checks her conscience in order to save an orphaned boy from the predations of a vampire landlord consuming the tenants of a Lousiville housing complex. This gritty and moody debut from writer director Remington Smith was featured at the Portland Horror Film Festival.

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A terrifying figure in a dark uniform with a gas mask and axe in a dimly lit room.

My Bloody Valentine at 45: An Interview with George Mihalka at PHFF 2026

My Bloody Valentine turns 45 years old this year. The director, George Mihalka, was the guest of honor at this year's Portland Horror Film Festival. George was kind enough to speak with the Scariest Things, who are huge fans of the film. Lost cutting room footage was recently found when the producer was absorbed by Lionsgate, allowing some of the missing gory effects to be brought back into the movie. So, it's time to revisit this movie and talk to the creator about why it remains important today.
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A woman leaning on a man sitting on a bed in a dimly lit bedroom.

Obsession (2026): Review

★★★★ out of ★★★★★

Intensity 🩸🩸🩸 out of 🩸🩸🩸🩸🩸

Obsession is the latest movie to apply the Monkey's Paw wish dilemma. Be careful what you wish for; you just might get it. This independent horror gem is the latest example of how original storytelling and great performances can launch a tiny-budget movie into the box-office stratosphere.

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Two women with contrasting hair colors posing together against a dark background.

Trash Queen (2027) Pre-Production Interview

Indie horror filmmakers Gabby Rosson and Emily Tullock are creating Trash Queen, a sci-fi horror comedy, starring Tulloch and legendary scream queen Lynn Lowery. They joined the Scariest Things to talk about what goes into developing a self-funded independent horror film. It is the journey of many an ambitious creator, and we talked about all of the joys and difficulties of crafting a horror movie. If you have ever wanted to produce a movie yourself, this may be an instructive conversation, so join us as we take a trip to the dump, for all the right reasons.
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Spooky horror film festival poster for Portland Horror Film Festival June 3-7, 2026, with bold red a.

The Portland Horror Film Festival 2026 Press Release

The Scariest Things, once again, is proud to be a sponsor of The Portland Horror Film Festival, and they have just announced their 2026 lineup. If you are attending, don't forget to join us for The Fifth Annual Horror Movie Greenlight Pitch event at Dot's Cafe following Saturday June 6th's movies at the Clinton Street Theater. We hope to see you there!
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A woman and a girl with disheveled hair in a dark, industrial setting, appearing tense and distresse.

Crypticon Seattle: Comfort Horror Panel Recording

Comfort Horror. It's a thing. It keeps the fandom fed. We come back time and again to get scared, and we love it. Why? This is the third of my series of Crypticon Seattle convention panel recordings. Panels are the lifeblood of this annual horror gathering, feeding the fandom's macabre knowledge cravings. Horror movies are the bonds this community shares, and to understand why, this panel examines the lure of horror for many of us. It seems antithetical that many of us crave the experience of being scared.
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A colorful collection of tiki mugs with tropical drinks and umbrellas at Crypticon Seattle 2026.

Crypticon Seattle 2026: Tiki Terror and Tropical Horror Panel

Feel the sweat and the tropical breezes; it's time to discuss Tiki Terrors and its tropical horror cousins. Transport yourself to an island in the South Pacific or the Caribbean. The exoticism and the removal from "civilization" provide the grounds for some evocative scares. These movies have been with us since the Golden Age. Think King Kong, The Mont Dangerous Game, and The Island of Lost Souls, and it found its heyday in the '50s and '60s. Listen and learn from veteran Crypticon panelists as they talk all things Tiki Terror.
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A woman holding a black and white cat at a street market during Crypticon Seattle 2026: Pets In Horr.

Crypticon Seattle 2026: Pets In Horror Panel

Crypticon Seattle, the great Pacific Northwest horror convention, has once again come and gone, but the memories linger. The panels are what make the convention feel like a class reunion. The panels are produced entirely by volunteer experts from across the region and are the ultimate in fan interaction. This is what it feels like to create a horror community, sharing our ideas and experiences with each other. This year, I decided to record some of the panels I participated in and attended to give you a sense of what happens at these events. This Pets in Horror panel was hosted by Brien Gorham, and I participated in it along with Kathy Fennesy and Todd Johnstson.
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A terrifying slasher movie bracket battle at Crypticon 2026 featuring iconic horror characters and i.

Crypticon Seattle 2026: The Slasher Movie King of the Mountain Bracket Battle Results

At Crypticon Seattle, we held a Slasher Movie King of the Mountain Bracket Battle to decide the greatest slasher movie of all time. Cheers, groans, hoots, and pleading were all part of the event. I asked the audience to get loud, and they made it happen! The final four were from franchises that would not surprise you, but the actual champion was not a highly seeded favorite. Who won? Check out the full interactive bracket right here!
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A haunting figure wearing a skull mask with spikes, evoking fear and unease.

Parasomnia (2026): Overlook Film Festival Review

★★★1/2 out of ★★★★★

Intensity 🩸🩸🩸 out of 🩸🩸🩸🩸🩸

The Southern Gothic film Parasomnia dips into the "dream demon" trope, infusing it with a voodoo twist and a delicious betrayal to spice up the story. Solid performances and carefully crafted character relationships help offset a somewhat pedestrian depiction of the demon.

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Buffet Infinity movie poster with a burger and fries, vintage comic style, humorous and surreal imag.

The Overlook Film Festival 2026 Recap: Ep. 211

Another year, another Overlook Film Festival, one of the premier genre festivals in the country. Unfortunately, this year, the main players of The Scariest Things were unable to attend the festival in person. Eric was able to get some of the films to stream, but, as is the norm, remote screeners were limited and did not include the showcase films. Fortunately for us, one of our loyal Patreon Contributors, Robin Marcotte, was in attendance again, and she helped fill in the gaps we missed. This year, there were a number of good films, and according to Robin, one GREAT film. This year, we watched fourteen films and thirty shorts. Give our recap a listen to hear our thoughts on the 2026 Overlook presentation.
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A man in a red shirt with hands raised inside a pawnshop.

Buffet Infinity (2026): Overlook Film Festival Review

★★★1/2 out of ★★★★★

Intensity 🩸🩸🩸 out of 🩸🩸🩸🩸🩸

Buffet Infinity is a film as strange as its name. This lo-fi cosmic-horror oddity spins its story through local advertisements that slowly escalate from commercial competition to societal domination. It is a clever concept that takes a while to comprehend, but it manages to combine initially incongruent media into a cohesive story of dread and destruction.

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American Dollhouse (2026): Overlook Film Festival Review

★★★★ out of ★★★★★

Intensity 🩸🩸🩸 out of 🩸🩸🩸🩸🩸

American Dollhouse is what you get when a slow-burning liminal horror film decides to step on the gas and slams you into psycho murder madness. Sarah is a woman who hasn't been given many breaks in her life. When she inherits her dilapidated childhood home, she thinks she has struck the lottery. Unfortunately, the house retains awful memories, and worse yet, has a psychotic neighbor who has a strange obsession with her. Tensions rise as the neighbor's behavior escalates into violence, pushing Sarah deeper into a nightmare that threatens everything around her.

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A woman with long blonde hair screams in terror during a tense scene in a dimly lit room.

Ready or Not 2: Here I Come (2026): Review

★★★1/2 out of ★★★★★

Intensity 🩸🩸🩸 out of 🩸🩸🩸🩸🩸

Embattled bride Grace is back, in Ready or Not 2: Here I come, and she's going to have to do it all over again. This time, her estranged sister will be by her side as a cadre of rival megalomaniacal families vie to murder her and claim the ultimate Satanic prize. This sequel is a bloody joy ride, and it extends the premise well, but a chunk of the magic of the first movie is missing.

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Revenge Horror! : Episode 210

Sweet, sweet revenge. A subgenre best served cold, with a side of yanked intestines. It is a foundational tool for horror, both from the protagonist and antagonist perspectives. Anger, jealousy, and embarrassment create grudges that stick, and payback, she is a comin'. Listen in to our recommendations for your revenge fantasy satisfaction.
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A woman with a distressed expression, partially covered by a blue sign reading "Ugly Cry" with dripp.

Ugly Cry (2026): SXSW Review

★★★★ out of ★★★★★

Intensity 🩸🩸 out of 🩸🩸🩸🩸🩸

Ugly Cry joins the ranks of body horror movies written and directed by women that shine a light on the unfair beauty standards that women are held to. Emily Robinson wrote, directed, and stars in this dark comedy drama where facial expressions can doom you to getting a key acting job or not. "It's not body horror, but it is a film about the horror of having a body" (Robinson) This movie premiered at SXSW.

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A woman resting in a cluttered, dimly lit room with damaged walls and old furniture.

Bagworm (2026): SXSW Review

★★★1/2 out of ★★★★★

Intensity 🩸🩸 out of 🩸🩸🩸🩸🩸

Bagworm is intensely uncomfortable. Carroll is a loser living in a burned-out bungalow in decaying squalor. His love life reflects his living situation: rotting and getting worse. When this hammer salesman, ironically, steps on a rusty nail in his front yard, it adds a third leg to this stool of personal destruction. Tetanus overcomes him due to personal neglect, leading to madness and hallucinations. It is a story well told, and though it sprinkles in some humor, it is wrought with cringeworthy moments. Bagworm had its North American debut at SXSW.

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Looking Forward To in 2026: Episode 209.

Looking Forward To in 2026: Episode 209

We've got 2025 in the rear view window, and Hollywood has determined to not just relegate horror movies into the fall/Halloween schedule. Springtime apparently is a good time to have a big fear injection. So, we had to get the word out on movies you can anticipate coming to a theater near you!
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A woman with long, wavy hair looks thoughtfully at a man holding a knife in a lush, green outdoor se.

Send Help (2026) Review

★★★★1/2 out of ★★★★★

Intensity 🩸🩸🩸 out of 🩸🩸🩸🩸🩸

Send Help is pure wicked entertainment. It borrows tropes from many genres. The ugly duckling turning into a swan. The horrible boss. Disaster survival. Obsession. All of these familiar elements are blended into something more than the sum of their parts. It's funny, brutal, and puts both of its main characters through real ethical paces. Your rooting interests may shift over the course of the movie, but it ends with a cynical twist that turns into the perfect sunset. (Fist pump!)

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Cognitive (2025) receives a Wide Streaming Release

One of our favorite films from the Another Hole in the Head Film Festival back in 2024 is now available streaming. AHITH is known for its quirky, proudly independent genre films, and this movie does not disappoint. It can be difficult for little independent films to get good distribution. Sometimes good things come to patient filmmakers who wait for the right deal. Now, Cognitive has received a proper launch. Cognitive had a limited theatrical release in Los Angeles last month and is now available to the general public on Tubi, Sling TV, and Fandango.
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A cat playing with a litter scoop in a cat litter box.

The Worst Horror Movies of 2025: Episode 208

Here come the stinkers! It's time to discuss the Worst Horror movies of 2025. Of course, just like our favorites, our disappointments are highly subjective. You may be surprised to discover that some of the movies we didn't enjoy have received plaudits from other critics. We have some fun internal disagreements, for sure. We know you love hearing us throw shade on movies. Enjoy the hot takes!
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Presence (2025): Review

★★★★ out of ★★★★★

Intensity 🩸🩸 out of 🩸🩸🩸🩸🩸

Presence observes a family nearing a breaking point. The Paynes have just moved into a substantial craftsman home, and it came with a poltergeist. The audience watches from the ghost's perspective as it meanders around the house, ducking into closets and the shadows when necessary. This is a family drama first, with the apparition being the witness. You travel from room to room listening in on conversations intended to be private, and watch as certain decisions pull at the threads that threaten to undo the family. Presence is a quiet and beautiful film, though it is wrenching to watch. There is horror, but not in the traditional sense, and it arrives with a flourish at the conclusion of the movie.

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