Comfort Horror. It's a thing. It keeps the fandom fed. We come back time and again to get scared, and we love it. Why? This is the third of my series of Crypticon Seattle convention panel recordings. Panels are the lifeblood of this annual horror gathering, feeding the fandom's macabre knowledge cravings. Horror movies are the bonds this community shares, and to understand why, this panel examines the lure of horror for many of us. It seems antithetical that many of us crave the experience of being scared.
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By day, Eric is a mild-mannered Architect, bringing great buildings to the good boys and girls of his hometown of Portland, Oregon. By night, he is a disreputable podcaster looking to promote the best and worst of horror movies!
Feel the sweat and the tropical breezes; it's time to discuss Tiki Terrors and its tropical horror cousins. Transport yourself to an island in the South Pacific or the Caribbean. The exoticism and the removal from "civilization" provide the grounds for some evocative scares. These movies have been with us since the Golden Age. Think King Kong, The Mont Dangerous Game, and The Island of Lost Souls, and it found its heyday in the '50s and '60s. Listen and learn from veteran Crypticon panelists as they talk all things Tiki Terror.
Crypticon Seattle, the great Pacific Northwest horror convention, has once again come and gone, but the memories linger. The panels are what make the convention feel like a class reunion. The panels are produced entirely by volunteer experts from across the region and are the ultimate in fan interaction. This is what it feels like to create a horror community, sharing our ideas and experiences with each other. This year, I decided to record some of the panels I participated in and attended to give you a sense of what happens at these events. This Pets in Horror panel was hosted by Brien Gorham, and I participated in it along with Kathy Fennesy and Todd Johnstson.
At Crypticon Seattle, we held a Slasher Movie King of the Mountain Bracket Battle to decide the greatest slasher movie of all time. Cheers, groans, hoots, and pleading were all part of the event. I asked the audience to get loud, and they made it happen! The final four were from franchises that would not surprise you, but the actual champion was not a highly seeded favorite. Who won? Check out the full interactive bracket right here!
It's been twenty years, and now we are getting a sequel to Behind The Mask: The Rise of Leslie Vernon. I had a golden opportunity to interview Nathan Baesel, to discuss the announcement of the Kickstarter Campaign for the upcoming movie.
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The Southern Gothic film Parasomnia dips into the "dream demon" trope, infusing it with a voodoo twist and a delicious betrayal to spice up the story. Solid performances and carefully crafted character relationships help offset a somewhat pedestrian depiction of the demon.
Another year, another Overlook Film Festival, one of the premier genre festivals in the country. Unfortunately, this year, the main players of The Scariest Things were unable to attend the festival in person. Eric was able to get some of the films to stream, but, as is the norm, remote screeners were limited and did not include the showcase films. Fortunately for us, one of our loyal Patreon Contributors, Robin Marcotte, was in attendance again, and she helped fill in the gaps we missed. This year, there were a number of good films, and according to Robin, one GREAT film. This year, we watched fourteen films and thirty shorts. Give our recap a listen to hear our thoughts on the 2026 Overlook presentation.
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Buffet Infinity is a film as strange as its name. This lo-fi cosmic-horror oddity spins its story through local advertisements that slowly escalate from commercial competition to societal domination. It is a clever concept that takes a while to comprehend, but it manages to combine initially incongruent media into a cohesive story of dread and destruction.
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American Dollhouse is what you get when a slow-burning liminal horror film decides to step on the gas and slams you into psycho murder madness. Sarah is a woman who hasn't been given many breaks in her life. When she inherits her dilapidated childhood home, she thinks she has struck the lottery. Unfortunately, the house retains awful memories, and worse yet, has a psychotic neighbor who has a strange obsession with her. Tensions rise as the neighbor's behavior escalates into violence, pushing Sarah deeper into a nightmare that threatens everything around her.
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Embattled bride Grace is back, in Ready or Not 2: Here I come, and she's going to have to do it all over again. This time, her estranged sister will be by her side as a cadre of rival megalomaniacal families vie to murder her and claim the ultimate Satanic prize. This sequel is a bloody joy ride, and it extends the premise well, but a chunk of the magic of the first movie is missing.
Who is the greatest Final Girl of them all? You decide! Pick from final girls from across the decades to figure out who will survive THIS challenge. They thought it was hard getting away from their stalkers, but they never considered how hard it would be to win your vote!
Sweet, sweet revenge. A subgenre best served cold, with a side of yanked intestines. It is a foundational tool for horror, both from the protagonist and antagonist perspectives. Anger, jealousy, and embarrassment create grudges that stick, and payback, she is a comin'. Listen in to our recommendations for your revenge fantasy satisfaction.
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Ugly Cry joins the ranks of body horror movies written and directed by women that shine a light on the unfair beauty standards that women are held to. Emily Robinson wrote, directed, and stars in this dark comedy drama where facial expressions can doom you to getting a key acting job or not. "It's not body horror, but it is a film about the horror of having a body" (Robinson) This movie premiered at SXSW.
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Bagworm is intensely uncomfortable. Carroll is a loser living in a burned-out bungalow in decaying squalor. His love life reflects his living situation: rotting and getting worse. When this hammer salesman, ironically, steps on a rusty nail in his front yard, it adds a third leg to this stool of personal destruction. Tetanus overcomes him due to personal neglect, leading to madness and hallucinations. It is a story well told, and though it sprinkles in some humor, it is wrought with cringeworthy moments. Bagworm had its North American debut at SXSW.
We've got 2025 in the rear view window, and Hollywood has determined to not just relegate horror movies into the fall/Halloween schedule. Springtime apparently is a good time to have a big fear injection. So, we had to get the word out on movies you can anticipate coming to a theater near you!
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Send Help is pure wicked entertainment. It borrows tropes from many genres. The ugly duckling turning into a swan. The horrible boss. Disaster survival. Obsession. All of these familiar elements are blended into something more than the sum of their parts. It's funny, brutal, and puts both of its main characters through real ethical paces. Your rooting interests may shift over the course of the movie, but it ends with a cynical twist that turns into the perfect sunset. (Fist pump!)
In a show of filmmaker confidence, the production team behind last year's award-winning independent teen thriller It Needs Eyes is going on a theatrical release tour. Check out this post to see if it's showing near you!
One of our favorite films from the Another Hole in the Head Film Festival back in 2024 is now available streaming. AHITH is known for its quirky, proudly independent genre films, and this movie does not disappoint. It can be difficult for little independent films to get good distribution. Sometimes good things come to patient filmmakers who wait for the right deal. Now, Cognitive has received a proper launch. Cognitive had a limited theatrical release in Los Angeles last month and is now available to the general public on Tubi, Sling TV, and Fandango.
Here come the stinkers! It's time to discuss the Worst Horror movies of 2025. Of course, just like our favorites, our disappointments are highly subjective. You may be surprised to discover that some of the movies we didn't enjoy have received plaudits from other critics. We have some fun internal disagreements, for sure. We know you love hearing us throw shade on movies. Enjoy the hot takes!
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Presence observes a family nearing a breaking point. The Paynes have just moved into a substantial craftsman home, and it came with a poltergeist. The audience watches from the ghost's perspective as it meanders around the house, ducking into closets and the shadows when necessary. This is a family drama first, with the apparition being the witness. You travel from room to room listening in on conversations intended to be private, and watch as certain decisions pull at the threads that threaten to undo the family. Presence is a quiet and beautiful film, though it is wrenching to watch. There is horror, but not in the traditional sense, and it arrives with a flourish at the conclusion of the movie.
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Night of the Zoopocalypse is a zany, goopy gateway horror film inspired by a Clive Barker graphic novel. A meteorite crashes into the Culpepper Zoo and infects the animals trapped inside, turning them into gelatinous mutant monsters. A wily wolf and a cantankerous mountain lion team up to try to save their zoo, with the help of a wacky assortment of untainted zoo-mates. This is a simple story, but it is a fine introduction to light horror for kids who want something a little gross and a little spooky.
If it's January, you know it's time for our Top 10 Horror Movies of 2025. You might think there is a group consensus, in a year that had so many good horror movies... but you'd be wrong! The best part of having a great sampler platter of movies to pick from is that there is something for everybody. This year, the box office and the awards programs agree, 2025 had a lot to offer.
Who's a good boy? Why, you are, Indy! In a monumental achievement, Indy the dog's performance in Good Boy earned him the Astra Award for Best Performance in a Horror or Thriller, beating out his esteemed human competition. In a year that has started off with so much social friction, it is amazing news like this that gives us hope. This win is for the underdog. How did Indy do it? Listen to my interview with director Ben Leonberg about how they pulled off this miraculous feat.
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Hot take: It's time to shelve the V/H/S franchise and do an autopsy scrub. V/H/S Halloween is the latest iteration of the venerable horror anthology franchise. V/H/S has become an enabler (and, by way of production, Shudder and Bloody Disgusting as well) of ugly, uninspired, and dull shaky-cam short films. With one exception, I don't think any of these segments would be good enough to make an average horror-film festival short-film block. It's a sad indictment of a once-proud series.
The end of the year means delivering on our opinions of the Best Horror Movies of 2025. I have now been playing horror journalist for my ninth year at The Scariest Things. Every year, I exclaim that we are in the midst of a Horror Renaissance. Never has that feeling felt more impactful than this past year. 2023 was close, but 2025 delivers the box office rewards as well as the critical praise. This was a year for new, fresh stories, supported by the studios and justified by the audiences. It also helped that a few franchises performed well, and we are likely to see the fruits of their success come Oscar season.
On with the list!
Consider Feel Good Horror as a palate cleanser for those of you looking for a bit of optimism and good vibes in your horror movies. For those of you who may have followed up on our recommendations from Episode 205: Mean Horror, we're making it up to you now. Triumph over evil! Protagonists for the win! Fist pumps all around. It's time for some emotional healing through horror with Episode 206: Feel Good Horror.
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Kombucha brings body horror to the workplace. Symbio is a company that positions itself as a place where struggling Liberal Arts creative types can achieve the same professional success as those who went into the technical fields and prospered. Luke is a struggling musician who takes the bait. Soon, he will find out that Symbio's secret to success lies in the mysterious drink Kombucha.
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False start. Production team. Five-yard penalty. Retry third down. Him (2025) is a rare commodity: a sports horror film, and sadly, it fumbled the opportunity away. The production is artistically very ambitious, but it fails to make much of its visual assertiveness. Too weird for your average football fan. Too much football for your average horror fan. Him proudly bears the backing of horror mogul Justin Peele, has the cinematic flair of a Peele film, but it lacks the skilled storytelling that the producer is known for.
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Final Destination has taught us that you can't cheat death. In Bloodlines, we reset the clock back to what might be the original sin for cheating death. It is 1969, and the site of the impending disaster is the Space Needle-like Sky View Tower. As is tradition for this series, a premonition of disaster saves all the would-be victims. Death is nothing if not patient, and it pursues the lucky survivors... and their descendants. This was a breath of fresh air into a series that had become stale.
Great Horror movies can often be a bummer. Vicious, unrelenting, and cruel films that deny us the happy ending and the victorious fist pump. Many horror fans, and a couple of the podcasters for The Scariest Things in particular, seek these films out. We are crossing bridges too far. No punch pulling. Beware and behold Episode 205: Mean Horror.






























