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Mike’s Review: Offseason (2021) (SXSW Festival)

Mike’s Review: Offseason (2021) (SXSW Festival)

★★.5 out of ★★★★★ Pulling the perfect Lovecraftian film is a feat like no other. It’s been tried again and again. You might even say film makers repeated attempts to crawl inside Mr. Lovecraft’s tortured brain is rife with peril, failure, and madness. Or more to the point, it’s a cursed mission. Many have attempted to bring Lovecraft to the silver screen and most have failed. In the case, of 2021’s Offseason, it’s not so much a failure, but a dull attempt.

Mike’s Review: Grizzly II (2021)

Mike’s Review: Grizzly II (2021)

★★ out of ★★★★★ It’s everything you’ve ever wanted! It contains film footage likely derived from 10 different film shoots over the course of nearly 40 years. It’s got Nurse Ratched from One Flew Over the Cuckoos Nest (Louise Fletcher). It’s got Indiana Jones pal Salah (John Rhys-Davies). It’s got the super crooked hillbilly cop from Rambo, Galt (Jack Starrett). It’s sort of got a couple scenes with a grizzly bear. But just don’t be fooled, there’s not a whole heck of a lot of Charlie Sheen, Laura Dern, and George Clooney.

Mike’s Review: Images (1972)

Mike’s Review: Images (1972)

★★★★ out of ★★★★★ When true film auteurs wander outside of their staid and classical lines and in to the horror genre there’s always the potential for some serious magic. Kubrick with the Shining, Freidkin with the Exorcist, Spielberg with Jaws, and even Danny Boyle with 28 Days Later. All these major film think-o-logists had a crack at horror and walked away proud at what they had accomplished, or so ashamed at the terror they had brought to the cineplex, they never came back to the genre. One of the greatest film auteurs of all time, Robert Altman, wandered in to horror with aplomb, but sadly his seminal effort has been forgotten in the sands of time.

Mike’s Review: The Pale Door (2020)

Mike’s Review: The Pale Door (2020)

★★ out of ★★★★★ Witches are a tricky lot. Literally. Filled with deceit and deception. They conjur up horrible thoughts in your tiny little brain. They’re always on the hunt for a new (or renewed) sacrifice. Most importantly they travel in unrelenting satanic packs of malice. The Pale Door has more fiends than you can shake a stick at, but, unfortunately, doesn’t do a whole heck of a lot with this spooky pile of occult weirdos.

Mike’s Top 10 Horror Films of 2020

Mike’s Top 10 Horror Films of 2020

So many great intentions. This here podcaster was going to smash, crash, and rush to the theater to see all the latest spooky offerings Hollyweird had to offer. I “intended” to give a careful and thoughtful look at Halloween Kills (delayed to 2021), Antebellum (not willing to throw down for its initial asking price), St. Maude (weirdly delayed a bunch of times, but available for streaming overseas), and I’m Thinking of Ending Things (I saw this! But it was pretty so/so). 2020 was far from perfect, but despite all its real-world horrors, it brought a respite in the form of gaggle of scares, shrieks, and ghouls.

Mike’s Review: As Above So Below (2014)

Mike’s Review: As Above So Below (2014)

★★★ out of ★★★★★ Found footage films can be a tricky business. You really have to sell the conceit that someone, or in this case multiple people, are going to be carrying around camera and recording every single move they make — and they might even inadvertently catch a freaky apparition in the background. A tall task made even more grand by the sheer number of found footage films that have made their way to the bottom of the bargin bin at Best Buy.

Mike’s Review: Vampires vs. The Bronx (2020)

Mike’s Review: Vampires vs. The Bronx (2020)

★★★ out of ★★★★★ At the Scariest Things Podcast we pride ourselves for being THE gateway to the trends and tropes of the horror genre. Sure, sometimes we wander in to the deep and dark recesses of the genre. We give Anthropophagous an extra viewing here/there. We cringe when we (re)watch Audition. We think twice about watching A Serbian Film. But, mostly we want to invite everyone in to the never-ending thrill ride that is horror. Sometimes that thrill ride includes PG-13 fare like Vampires vs. the Bronx.

Mike’s Nightstream Review: The Queen of Black Magic (2020)

Mike’s Nightstream Review: The Queen of Black Magic (2020)

★★★★.5 out of ★★★★★ In the latest installment of “If you’re not watching Indonesian horror movies, you’re blowing it,” brings us 2020’s The Queen of Black Magic. It’s true. Indonesia is the new incubator for the creepiest crawlies that the horror genre has to offer. Every country has had their day in the sun. The UK plastered us with Hammer and Amicus throughout the 1960s. The US reimagined the genre with slashers and super killers throughout the 1970s and 80s. And Japan brought a whole new slate of water and hair-borne frights in the late 1990s and in to the early 2000s. Now it’s Indonesia time to shine.

Mike’s Nightstream Review: Leap of Faith William Friedkin on the Exorcist (2020)

Mike’s Nightstream Review: Leap of Faith William Friedkin on the Exorcist (2020)

★★★★ out of ★★★★★ There exists that great space in documentaries that take place decades after the event occurred. It’s this beautiful melange of revisionist history, lucid thoughts, purposeful sleepwalking, and repressed memories. All answers are correct and infallible when the documentary is filtered through the iconic lens of a single and thoughtful directorial darling. THE William Friedkin is the ultimate bridge between Hollywood’s glorious beginnings and the revolutionary young guns of the 1970s. It should come as no surprise the Friedkin has some rather insightful things to say about one of the greatest films of the 1970s, possibly the greatest horror film of all time, and in some camps, THE greatest film ever put down on celluloid — the Exorcist.