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Mike’s Review: Army of the Dead (2021)

Mike’s Review: Army of the Dead (2021)

★★ out of ★★★★★ Gone are the days of Bub from Day of the Dead. Gone are the days of the zombie nurse, the fat guy, and the Hare Krishna from Dawn of the Dead. Gone are the half-dogs and headless zombies from Return of the Living Dead. Most importantly, gone is a fun but serious dissection of societal woes and man’s modern day pitfalls. IInstead we’re now being fed a pile of ghastly super-hero zombies, that shriek like space aliens, set inside a hyper-realized video game construct. It’s a sad state of affairs to be sure. One might even say that the zombie genre has jumped the shark, or in this case the albino zombie tiger.

Mike’s Review: Offseason (2021) (SXSW Festival)

Mike’s Review: Offseason (2021) (SXSW Festival)

★★.5 out of ★★★★★ Pulling the perfect Lovecraftian film is a feat like no other. It’s been tried again and again. You might even say film makers repeated attempts to crawl inside Mr. Lovecraft’s tortured brain is rife with peril, failure, and madness. Or more to the point, it’s a cursed mission. Many have attempted to bring Lovecraft to the silver screen and most have failed. In the case, of 2021’s Offseason, it’s not so much a failure, but a dull attempt.

Mike’s Review: Grizzly II (2021)

Mike’s Review: Grizzly II (2021)

★★ out of ★★★★★ It’s everything you’ve ever wanted! It contains film footage likely derived from 10 different film shoots over the course of nearly 40 years. It’s got Nurse Ratched from One Flew Over the Cuckoos Nest (Louise Fletcher). It’s got Indiana Jones pal Salah (John Rhys-Davies). It’s got the super crooked hillbilly cop from Rambo, Galt (Jack Starrett). It’s sort of got a couple scenes with a grizzly bear. But just don’t be fooled, there’s not a whole heck of a lot of Charlie Sheen, Laura Dern, and George Clooney.

Mike’s Review: Images (1972)

Mike’s Review: Images (1972)

★★★★ out of ★★★★★ When true film auteurs wander outside of their staid and classical lines and in to the horror genre there’s always the potential for some serious magic. Kubrick with the Shining, Freidkin with the Exorcist, Spielberg with Jaws, and even Danny Boyle with 28 Days Later. All these major film think-o-logists had a crack at horror and walked away proud at what they had accomplished, or so ashamed at the terror they had brought to the cineplex, they never came back to the genre. One of the greatest film auteurs of all time, Robert Altman, wandered in to horror with aplomb, but sadly his seminal effort has been forgotten in the sands of time.

Mike’s Review: The Pale Door (2020)

Mike’s Review: The Pale Door (2020)

★★ out of ★★★★★ Witches are a tricky lot. Literally. Filled with deceit and deception. They conjur up horrible thoughts in your tiny little brain. They’re always on the hunt for a new (or renewed) sacrifice. Most importantly they travel in unrelenting satanic packs of malice. The Pale Door has more fiends than you can shake a stick at, but, unfortunately, doesn’t do a whole heck of a lot with this spooky pile of occult weirdos.

Mike’s Top 10 Horror Films of 2020

Mike’s Top 10 Horror Films of 2020

So many great intentions. This here podcaster was going to smash, crash, and rush to the theater to see all the latest spooky offerings Hollyweird had to offer. I “intended” to give a careful and thoughtful look at Halloween Kills (delayed to 2021), Antebellum (not willing to throw down for its initial asking price), St. Maude (weirdly delayed a bunch of times, but available for streaming overseas), and I’m Thinking of Ending Things (I saw this! But it was pretty so/so). 2020 was far from perfect, but despite all its real-world horrors, it brought a respite in the form of gaggle of scares, shrieks, and ghouls.