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Sometimes it takes an indie take on a classic to make the story scary again. Dracula: The Night Around Us does exactly that. It is a dark, brooding, modern take on the Bram Stoker classic. Literal chills ran through my nervous system. This film won the Goul D'Or award at the Portland Horror Film Festival for the best Feature at the Festival in 2026.
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The Frogman is back! The first Frogman was something of a found footage cult hit. Now, both the actual film and the film within the film have a bigger budget this time out, and the results go gonzo crazy. Forget the cryptids; this sequel takes the concept into cosmic insanity. See this in a full theater, as the audience I saw it with went completely bananas. It starts out like a natural extension of the first film, but expands the story into realms practically unthinkable. This feature won the Horde Award at the Portland Horror Film Festival as the audience choice for best film.
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The Demonatrix is a cheeky, lightly racy horror-comedy that reflects on the economic troubles of the time. A dominatrix looking to get some extra income turns to hosting fake séances to make ends meet. When things inevitably go awry, she turns to a priest working in a church across the street from her kink studio. It's a silly, simple tale that features some great costumes and a couple of horror legends you will recognise.
What starts off as a creepy little film about a curse spirals into one of the most uncomfortable viewing experiences of the year.
Intensity: 🩸🩸1/2 out of 🩸🩸🩸🩸🩸
LandLord poses the question "If vampires can't come into your home without an invitation, what happens if they own your housing?" A bounty hunter checks her conscience in order to save an orphaned boy from the predations of a vampire landlord consuming the tenants of a Lousiville housing complex. This gritty and moody debut from writer director Remington Smith was featured at the Portland Horror Film Festival.
Sure, it shares a name with the notorious (and notoriously bad) Faces of Death (1978). The twist? This one's actually a blast.
Horror allows the perfect mirror for society to look at the entirety of these fragile foibles to gain a better understanding of the truly precarious nature of the plight of the teen. In his feature length debut director Michael Pickle looks to tackle all these issues in the context of a troubled high school senior who is haunted by the worst kind of spirits —the malevolent kind.
Horror films in the modern era tend to tilt towards the academic and erudite. Sure there’s still wealth of garbage floating around in the ocean, including Minnie’s Midnight Massacre, Spiders on a Plane, and Meth Gator. However, these two worlds — trash and highbrow — seldom come together in perfect harmony.
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Obsession is the latest movie to apply the Monkey's Paw wish dilemma. Be careful what you wish for; you just might get it. This independent horror gem is the latest example of how original storytelling and great performances can launch a tiny-budget movie into the box-office stratosphere.
What do you get when you mash up Alice in Wonderland with Rosemary’s Baby, add in hint of Midsommar, and include the American sister of the most famous scream queen, with an Italian writer and director for a film that’s shot in Germany? Why you get The Sect — AKA The Devil’s Daughter.
In the latest installment of the Breakfast Club meets Final Destination we’re treated to a modern fixation that clumsily follows a gaggle of hyper-stereotypical teens. This one has it all. The stoner (Rel), the loner (Chrys), the brain (Ellie), the jock (Dean), and the beauty queen (Grace). More miraculous? They’re all best friends. Even more miraculous? The loner is a former drug addict who is new to the school and everyone is dying to hang with her.
There are certain things in life worth obsessing over. In fact, there may be a direct correlation between the importance of the obsession and the meaninglessness of the object of fascination. Your favorite soccer club. The hunt for the perfect slice of pizza. The original pressing of the 1971 German prog LP that no one — except for you — has ever heard of. All these things and many more deserve your undivided and undying attention.
What if a film tried to mash up the Oedipus complex with vampires, Crips, Bloods, crooked cops, not-so-crooked cops, vampire cops, mother/son tensions, father/son tensions, and African mysticism? Not possible, right?
Truth be told Dolly is a pretty boring affair. That said, the film is punctuated with some pretty exceptional pieces of gore — including one moment that may not have ever been laid down on celluloid.
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The Southern Gothic film Parasomnia dips into the "dream demon" trope, infusing it with a voodoo twist and a delicious betrayal to spice up the story. Solid performances and carefully crafted character relationships help offset a somewhat pedestrian depiction of the demon.
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Goody Goody delivers pregnancy horror aplenty!
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Buffet Infinity is a film as strange as its name. This lo-fi cosmic-horror oddity spins its story through local advertisements that slowly escalate from commercial competition to societal domination. It is a clever concept that takes a while to comprehend, but it manages to combine initially incongruent media into a cohesive story of dread and destruction.
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American Dollhouse is what you get when a slow-burning liminal horror film decides to step on the gas and slams you into psycho murder madness. Sarah is a woman who hasn't been given many breaks in her life. When she inherits her dilapidated childhood home, she thinks she has struck the lottery. Unfortunately, the house retains awful memories, and worse yet, has a psychotic neighbor who has a strange obsession with her. Tensions rise as the neighbor's behavior escalates into violence, pushing Sarah deeper into a nightmare that threatens everything around her.
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Embattled bride Grace is back, in Ready or Not 2: Here I come, and she's going to have to do it all over again. This time, her estranged sister will be by her side as a cadre of rival megalomaniacal families vie to murder her and claim the ultimate Satanic prize. This sequel is a bloody joy ride, and it extends the premise well, but a chunk of the magic of the first movie is missing.
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Iron Lung is an impressive directorial debut from longtime Youtuber Markiplier, a love letter to psychological indie horror, and a huge win for the fake blood industry.
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Ugly Cry joins the ranks of body horror movies written and directed by women that shine a light on the unfair beauty standards that women are held to. Emily Robinson wrote, directed, and stars in this dark comedy drama where facial expressions can doom you to getting a key acting job or not. "It's not body horror, but it is a film about the horror of having a body" (Robinson) This movie premiered at SXSW.
If the new A24 film Undertone is considered to be “liminal horror” then count me as a true blue liminal horror fan. Operating in between the spaces, notes, and shadows, this is a film that evokes surreal and unsettling perspectives from — the nothingness.
Intensity 🩸🩸🩸1/2 out of 🩸🩸🩸🩸🩸
Virtuosos get violent in Pretty Lethal as a troupe of American ballerinas find themselves in a dangerous situation facing Hungarian mobsters. This fun feature delivers genre thrills at an allegro pace.
If staring at video game for an hour and fifteen minutes is your idea of a swell time, then this might be the found footage film you’ve been waiting for all these years. The chaos isn’t too terribly chaotic. It’s far more controlled than any film in the VHS series, but not as staid as the now bland nature of the Blair Witch Project.
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Bagworm is intensely uncomfortable. Carroll is a loser living in a burned-out bungalow in decaying squalor. His love life reflects his living situation: rotting and getting worse. When this hammer salesman, ironically, steps on a rusty nail in his front yard, it adds a third leg to this stool of personal destruction. Tetanus overcomes him due to personal neglect, leading to madness and hallucinations. It is a story well told, and though it sprinkles in some humor, it is wrought with cringeworthy moments. Bagworm had its North American debut at SXSW.
Intensity 🩸🩸1/2 out of 🩸🩸🩸🩸🩸
A young woman abandoned in the forest falls in with a pair of bank robbers in Canadian thriller A SAFE DISTANCE.
