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Blackout is a fair-to-middling werewolf movie. With much respect to horror Godfather Larry Fessenden, this movie struggles to get out of second gear. The werewolf makeup is effective, and there are some gory scares, but weak supporting characters and excessive exposition bogs down this effort.
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The Girl with the Needle is one of the darkest, most haunting, and most moving horror-adjacent films in recent memory.
Movies with no dialog. Are we calling this a trend now? It seems like making a movie isn't enough of a challenge for some folks so they're upping the ante and going speechless. Albeit with mixed results.
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Be. Careful. What. You. Wish. For. The most quaint and playful of all the horror tropes is on full display in this masterful piece of body horror. Not your run of the mill body horror either. This is capital “B” body horror that would even make David Cronenberg blush.
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The Letter sumptuously recreates the era of H.P. Lovecraft's 1930's New England. This languidly paced mystery feels like a Call of Cthulhu adventure, set in an elaborate mansion, and stocked with scheming characters with old grudges. This little indie film has big aspirations and ambitions but could have used a little streamlining. Prepare yourselves for lots of exposition and dark musings in period dialogue, while appreciating the fine details and rich textures.
The Horror Community lost a Titan on Friday. Tony Todd, The Candyman, passed away at age 69 from complications of a lingering illness. He was the most iconic black character horror actor in history. The gravelly-voiced performer boasted over 256 IMdB acting credits to his name, but he will be remembered mostly for his horror roles that he was in from 1986 up to this day. The Scariest Things presents a review of his most iconic roles.
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Things Will Be Different mashes together three tropes that require finesse and careful mechanics. The film fuses a bank heist, a time paradox, and a "don't cheat fate" theme, creating an intricate and complex plot. The story strings together an array of plot threads that could throw time out of balance. It elegantly presents its plot, but inevitably it challenges the audience to keep pace with the story.
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Strange Harvest: Occult Murder in the Inland Empire documents a string of unsolved grisly murders in California's Inland Empire. This faux documentary is at once both sensational and plausible, treated as a real account of a heinous cosmically influenced serial killing spree. This film is hugely disturbing and is coated with a thick layer of bloody possible sauce.
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Filmmaker Jason Trost serves up a side-scrolling genre film that will have you digging out your favorite action horror video games.
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Cosmic Horror meets found footage in the parasomnia-infused Dream Eater. Documentarian Mallory and her boyfriend Alex retreat to a snowy cabin, celebrating Alex's 30th birthday. There, they hope to relax and get relief from Alex's violent sleepwalking episodes. Unfortunately, fate would have it that something ancient and evil is behind his psychological traumas, and Mallory struggles to make sense of it before it destroys them both.
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Director Cristian Ponce's terrific Brazilian chiller A MOTHER'S EMBRACE weaves an eerie nursing home filled with mysterious residents, something weird winding through water, and trauma from childhood into a suspenseful, mysterious work with a riveting third act.
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The Daemon was a perfect vessel to be unleashed at the H.P. Lovecraft Film Festival. The debut feature from Devino and Yohe taps into all of the key tropes of Cosmic Horror: coping with inner demons, battling psychoses and grief, dreams from the underworld, and elder gods rising from the deep. Add in some wonderfully grotesque body horror and you get a banger of a movie. Plus: we get Azathoth. If you know, you know.
