⭐️.5
Intensity 🩸🩸 out of 🩸🩸🩸🩸🩸
Intensity 🩸🩸 out of 🩸🩸🩸🩸🩸
Let’s get the obvious out of the way. This is a bad film. You knew this going in. You were fully aware and your eyes were wide open. The question is why you decided to watch this?
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★★★1/2 out of ★★★★★
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The Conjuring: Last Rites is another solid entry into the Warren Saga. Once again, Vera Farmiga and Patrick Wilson are on point as Lorraine and Ed Warren, providing grounded and passionate performances. The film is once again loaded with first-rate jump scares and fantastic period piece production design. The ghost story this time out is a muddled mess, though, and some of the secondary characters feel forced, preventing it from achieving the greatness of the first entry in the franchise.
⭐️⭐️⭐️⭐️⭐️
Intensity 🩸🩸🩸 out of 🩸🩸🩸🩸🩸
Intensity 🩸🩸🩸 out of 🩸🩸🩸🩸🩸
It should come as no surprise, or for some of you it will come as massive surprise, but the Toxic Avenger is a great film. Not just a fun romp at the movies, but a true-blue brilliant piece of horror wrapped in some of the best satire seen in years!
⭐️⭐️⭐️1/2
The latest project from 'Under the Shadow' director, Babak Anvari. A tense, minimalist folk-horror thrill ride!
The latest project from 'Under the Shadow' director, Babak Anvari. A tense, minimalist folk-horror thrill ride!
★★★★ out of ★★★★★
Intensity 🩸🩸 out of 🩸🩸🩸🩸🩸
RABBIT TRAP offers a hypnotic serving of Welsh folk horror that boasts evocative sound design.
★★★1/2 out of ★★★★★
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Slayings! The supernatural?!? A child in peril! Seth Daly's gripping feature debut THE ROWS offers all this and more.
Apparently, the long TV format suits Alien perfectly. Fox continues its remarkable rehabilitation of its two valuable action/horror IPs, with Alien Earth doing for the xenomorph franchise what Prey did for the Predator franchise. It has injected lyrical symbolism into a series that has waxed and waned in intellectual rigor.
★★★★1/2 out of ★★★★★
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Crossword (2024) is a psychological thriller that pays close attention to the smallest details and is rich in symbolism. James is struggling to come to terms with the drowning of his young daughter, Lily. His grief is expressed through the daily crossword puzzle, which he believes is an omen communicating with him.
★★★★ out of ★★★★★
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Being an independent horror movie maker isn't easy. Eddie Mathews sacrifices everything in his power to keep his directing dreams alive. If that means living in his disapproving mother-in-law's house and pitching presidential bobbleheads as a side hustle, then that's what he has to do. The horror must be made!
★★★ out of ★★★★★
Intensity: 🩸1/2 out of 🩸🩸🩸🩸🩸
What the Tide Dragged In (Lo Que Trajo La Marea) is an emotionally charged, Chilean tale of sisterhood and loss. Two sisters go to the coast to comply with their mother's wish to have her ashes cast to the sea. Their mom warned them of the mysteries of the sea, and it has a vast power that will come to claim what it wants.
★★1/2 out of ★★★★★
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Teacher's Pet goes back to school and follows Clara, an overachieving foster care teenager who has become the target of a serial killer masquerading as a substitute teacher. The characters are compelling, even if the plot has some blind spots regarding distinctive red flags that should have exposed the villain's deception.
★★★★★ out of ★★★★★
Intensity: 🩸🩸🩸1/2 out of 🩸🩸🩸🩸🩸
Weapons has arrived in theaters, and it is one of the most original horror mysteries in memory. Give Zach Cregger the keys to the horror castle. He has elevated himself to the top of the ranks of horror storytellers. With Weapons, he has delivered an engrossing and wicked puzzle that comes together with shocking revelations, dark humor, and brutal viscera. The movie is a masterclass in character building, non-linear editing, and bravura acting from the entire cast.
★★★ out of ★★★★★
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Place famously eccentric actor, John Malkovich into a story about a messianic pop star leading a death cult commune, under the A24 umbrella and you have the makings of an art house classic, right? Almost. It's a combination of The Menu, Midsommar, and Charlie and the Chocolate Factory. This A24 production falls a bit shy of its incredible promise.
⭐️⭐️1/2
Intensity: 🩸🩸 out of 🩸🩸🩸🩸🩸
Intensity: 🩸🩸 out of 🩸🩸🩸🩸🩸
A fun found footage mash-up of Paranormal Activity (2007) and The Amityville Horror (1979) with some DIY home renovation YouTubers thrown in for good measure.
⭐️⭐️⭐️⭐️
Intensity: 🩸🩸🩸🩸 out of 🩸🩸🩸🩸🩸
Intensity: 🩸🩸🩸🩸 out of 🩸🩸🩸🩸🩸
Self-image, beauty norms, popularity. Grafted takes all that, mixes it with a corpse flower, and comes up with some murderously gnarly body horror.
The vengeful spirit of a hitman possesses a university student in the fun Japanese genre-mashup GHOST KILLER.
⭐️⭐️⭐️
A quirky, mildly violent, mystery-filled entry in the fun sub-genre of religious horror starring Bella Thorne, Rebecca De Mornay, and Ryan Phillippe.
A quirky, mildly violent, mystery-filled entry in the fun sub-genre of religious horror starring Bella Thorne, Rebecca De Mornay, and Ryan Phillippe.
★★★★ out of ★★★★★
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When a film becomes so firmly ensconced in our nation’s, nay the world’s, cultural zeitgeist there’s often nothing left to say about it. The film score, the triad of perfectly perfect actors, one of the best villains of all time, and more metaphorical subtext than you can shake a stick at.
★★★★ out of ★★★★★
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Are you a fan of obscure and cheesy cult films? Odds are, you would appreciate the efforts of Sinister Cinema, the Medford, Oregon-based distribution company that lovingly restored and distributed thousands of almost-forgotten films. This documentary from Jack Perez goes in-depth on the company that wouldn't let these films die.
★★★1/2 out of ★★★★★
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How is it that babysitting, traditionally the lowest common denominator flexible starter job, is so dangerous? Dooba Dooba is a lo-fi found footage film exploring the perils of a woman babysitting an odd girl full of tricks and dark secrets. If you think you know babysitter horror, think again; this movie has some wild twists. The film creates a moat of anxiety which will have you twitching from the dramatic irony of knowing too much, while the characters head blindly into awful decisions.
★★ out of ★★★★★
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In a slightly dystopian future, Mia Sheldon finds herself imprisoned at home for the crime of having a miscarriage. She has been acquitted of her husband's death, which was ruled a suicide. What opens as a promising premise slides into the overly familiar. Unfortunately, the film dodges what could have been a fascinating sociological critique. House of Ashes contains some humorous and chilling moments, but overall, the film fell a little flat.
★★★1/2 out of ★★★★★
Intensity 🩸🩸🩸🩸 out of 🩸🩸🩸🩸🩸
The Scariest Things reviews director Nathan Hertz's dark-humored body horror THINESTRA.
★★★★ out of ★★★★★
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It Needs Eyes examines the link between the dangers of obsessive and addictive behavior when coping with grief. "It", in this case, is the dark web. Brutal social media requires people to watch the dreadful material to have any power. It has found an addict, corrupting the otherwise innocent Rowan, who is struggling through grief by watching things she should not see. This is a beautiful, slow-burning movie featuring terrific performances from young actresses Raquel Lebish and Isadora Leiva. The film never terrifies, but the story will get under your skin and unnerve you.
★★★★ of ★★★★★
Intensity: 🩸🩸🩸🩸🩸 out of 🩸🩸🩸🩸🩸
This is a BRUTAL film with the biggest capital B that there ever was. Revenge with a capital R and blood with another capital B. NOTE: This film is not for the faint of heart!
★★★★ out of ★★★★★
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Alma and the Wolf spins a strange and surprising story that weaves themes of unfulfilled dreams and dark secrets. Ethan Embry, Li Jun Li, and the rest of the cast provide an emotionally poignant and ultimately tragic fable. Part psychological thriller, part folk horror, this film may be the best showcase of Embry's acting chops in his extensive filmography. This movie was the opening film at the Portland Horror Film Festival.
★★★★ of ★★★★★
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28 Years Later is an exceptional cinematic achievement replete with iPhone footage, goat cams, and lots of drone footage. The problem is Danny Boyle and Alex Garland’s non-sequitur approach to the film has audiences ending up feeling like they’ve watched three films instead of one. Each act of the film ends up almost being an entirely different film.
★★★★ of ★★★★★
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Predator: Killer of Killers is the second installment in the reinvigoration of the venerable action/sci-fi/horror franchise, following the 2023 release of Prey. Suffice it to say, the Predator franchise is in good hands. This animated feature picks up the baton from Prey, going back in history to epic battles between the Yautja (Predators, for the uninformed) and warriors of ages past. The production is gloriously illustrated, packed with action, and is written according to the mantra of show, don't tell.
⭐️⭐️⭐️⭐️
Intensity: 🩸🩸🩸🩸 out of 🩸🩸🩸🩸🩸
Intensity: 🩸🩸🩸🩸 out of 🩸🩸🩸🩸🩸
Toxic relationships, sexuality, vigilante justice, and meat. Lots of meat.
★★★★★ out of ★★★★★
Intensity: 🩸🩸🩸🩸 out of 🩸🩸🩸🩸🩸
Bring Her Back is the sophomore horror feature effort from the Australian Philippou brothers, who two years ago produced the surprise hit Talk To Me. I am happy to report that they have once again delivered a spine-tingling and intense thriller that will haunt your soul for years to come. Sally Hawkins provides a villainess for the ages, and the rest of the young cast become sympathetic pawns in a horrifying possession experiment. The movie is an excellent original story, but you need to be willing to sit through a slow, steady burn and withstand some savage gory moments.