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Tag Archive for ‘Shudder’

Movie News: RLJE Films & Shudder Announce Their Acquisition of North American Rights to “Great White”

Movie News: RLJE Films & Shudder Announce Their Acquisition of North American Rights to “Great White”

What The Exorcist is to possession movies, Jaws is to shark movies: a classic film that will likely never be equaled in its subgenre. There have been some fine shark attack films during the past few years, though, and absolutely some fun ones. RLJE Films and Shudder are releasing their entry into sharksploitation and survival horror this summer with Great White, and it sounds like it should be a winner.

Mike’s Review: The Pale Door (2020)

Mike’s Review: The Pale Door (2020)

★★ out of ★★★★★ Witches are a tricky lot. Literally. Filled with deceit and deception. They conjur up horrible thoughts in your tiny little brain. They’re always on the hunt for a new (or renewed) sacrifice. Most importantly they travel in unrelenting satanic packs of malice. The Pale Door has more fiends than you can shake a stick at, but, unfortunately, doesn’t do a whole heck of a lot with this spooky pile of occult weirdos.

Mike’s Review: Z (2019)

Mike’s Review: Z (2019)

★★★ out of ★★★★★ With an increasing number of horror films eschewing the well-trodden path of gore, gags, and scream queens, there’s always the risk of re-calibrating too far to the other end of the scare spectrum. Over the last 20 years there’s been a trend towards melancholy and family trauma — Shudder calls it parental terror, we’re calling it melancholy horror. Sometimes the quiet and somber affairs work and sometimes they’re just weighty, boring, and devoid of scares. The Shudder original Z certainly ran that risk, but effectively shook itself off the melancholy mantle.

Mike’s Review: Three from Hell (2019)

Mike’s Review: Three from Hell (2019)

★★ out of ★★★★★ At Rob Zombie’s darkened dirtbag core is a full and unfiltered embrace of the age-old adage “if it ain’t broke, don’t fix it.” Slow motion. Hyperbolic acting (or in some cases no acting). Closeups so close you can count individual pores Captain Spaulding’s grease-paint soaked forehead. Weirdly rare and off-putting selection of non-Joe Walsh James Gang tracks. If you’ve seen House of a Thousand Corpses and Devil’s Rejects then you’ve been thoroughly exposed to Mr. Zombie’s cinema trickery.

Mike’s Review: The Boar (2017)

Mike’s Review: The Boar (2017)

🐷🐷.5 out of 🐷🐷🐷🐷🐷
The planet is running out of animals. Literally and figuratively. Hollyweird has given us sharks (Jaws 1-4), rabbits (Night of the Lepus), bears (Grizzy), fish (Piranha), and man’s best friend (Cujo). There’s even been birds, wolves, snakes, rats, and gators, and whatever the hell a sharktopus is supposed to be. One of the things that Hollyweird hasn’t gotten its money-grubbing paws on is the pig, javelina, or boar – until now.

Mike’s Review: The Witch in the Window (2018)

Mike’s Review: The Witch in the Window (2018)

★★★★ out of ★★★★★
Many have characterized this film as “Hallmark Horror.” Which is, of course, lazy short hand for the fact that the film has an emotional component and it manages to draw the audience in to a deep and meaningful concern for the main protagonists. Mind you this is not “This is Us” or some other network pablum, but a legitimate exploration of a father/son relationship in the throws of pre-teen puberty — set against HORROR, glorious horror.