★★★ out of ★★★★★
Great White delivers some effective shark-attack–movie thrills with solid acting but not many new elements.
Tag Archive for ‘Shudder’
Mike’s Review: The Amusement Park (1973/2021)
★★★★ out of ★★★★★ Everyone gets old. It’s no more complicated than this little horrifying truism. The world of horror is filled with ghosts, homicidal nutcases, Pazzuzu, creepies, crawlies, and robot-monsters. But, nothing, repeat, nothing, is more frightening at the prospect of losing your mental and physical faculties and facing the sad and potential finite end of life.
Joseph’s Review: Seance
★★★1/2 out of ★★★★★
The directorial debut from renowned screenwriter Simon Barrett treads familiar territory but is crafted with great affection for a few different horror subgenres.
Trailer Alert! New George Romero Movie: The Amusement Park
The almighty George Romero has a new movie coming out in June 2021! Wait, hasn’t he been dead since 2017!?!? Indeed he has, but that doesn’t mean that he didn’t create a mountain of content never before seen by human eyes. In the same way that Prince will be releasing albums well in to the next century, Romero may have some additional gems that have never made their way out of the crypt. Until now!
Mike’s Review: Deadhouse Dark (2021)
★★ out of ★★★★★ The horror anthology is one of the true staples of the horror genre. Always clever, always engaging. As we’ve said before, anthology horror is the traditional extension of gathering around ye’ ole campfire and scaring the hell out of each other. They hearken back to the oldest root forms of scary storytelling. It’s always frightening to hear a scary story, until it’s not.
Movie News: RLJE Films & Shudder Announce Their Acquisition of North American Rights to “Great White”
What The Exorcist is to possession movies, Jaws is to shark movies: a classic film that will likely never be equaled in its subgenre. There have been some fine shark attack films during the past few years, though, and absolutely some fun ones. RLJE Films and Shudder are releasing their entry into sharksploitation and survival horror this summer with Great White, and it sounds like it should be a winner.
Joseph’s Review: The Banishing
★★★1/2 out of ★★★★★
The Banishing serves up several haunted house tropes, but it looks good while doing so, with solid performances and conspiracy angles.
Joseph’s Review: The Power
★★★★ out of ★★★★★
The Power is a riveting U.K. supernatural horror film set in a hospital during that country’s 1970s rolling blackouts, following a nurse on her first night on the job. Real-world horrors are exposed by an otherworldly force in this first-rate chiller.
Directed by Corrina Faith
Liz’s Review: Violation (2020)
★★★★ out of ★★★★★
Slow, steady and brutal, Violation is a beautiful gut-punch of a horror film.
Mike’s Book Report: Video Palace: In Search of the Eyeless Man: Collected Stories (2020)
★★★★ out of ★★★★★ The rise of the podcast generation paired with a nation’s emerging fascination with rampant conspiracy theories is the perfect backdrop for a horrifying and mercurial folk tale. In both the case of podcasts and conspiracies people don’t stop until they’ve reached the ever-loving bottom of the barrel. The problem is these barrels have no bottoms.
Eric’s Review: Jakob’s Wife (2021) (SXSW Festival)
★★★★ out of ★★★★★
Jakob’s Wife is an essay on a mid-life menopausal crisis, by way of vampirism. Jakob’s Wife delivers great character arcs and engaging acting. Barbara Crampton has been given a meaty role, and she delivers perhaps her best screen performance in memory. Larry Fessenden also is stellar as the well intentioned minister Jakob.
Butcher, Baker, Nightmare Maker (1982)
★★★★.5 out of ★★★★★
To describe this film, one must invoke the voice of Bill Hader’s Saturday Night Live character, Stefon. The audience cheers as Stefon slides in from stage right. Hands rise to face. Breathe deep. And release.
Mike’s Review: Shook (2021)
★★ out of ★★★★★ The tried and true tattered family dynamic. Kids love their Mom. Dad’s nowhere to be found. Sisters vigorously fight for their Mom’s love. Resentments emerge. The sister’s commitments to the family quickly fall to the insidious and ever-present need to feed the social media beast. We’ve all heard this tale before. Or have we?
Mike’s Review: Deadwax (2018)
★★★★ out of ★★★★★ It should come as no surprise that record collectors are an awfully weird and obsessive bunch. They perseverate over every possible pressing, color, variation, and vinyl release of individual artists. Their search is endless and somewhat pointless. They fixate on whether to open a sealed copy of a rare record. Most importantly, record collectors won’t stop until their search is complete. Dead or alive.
Mike’s Review: La Llorona (2020)
★★.5 out of ★★★★★ A stunningly beautiful film that follows a not so beautiful period of time in Guatemala’s tumultuous and unfortunate history. This horror film, that’s awfully light on the horror, shows audiences that sometimes the scares don’t come from ghouls, but they come from right-wing juntas.
Mike’s Review: The Pale Door (2020)
★★ out of ★★★★★ Witches are a tricky lot. Literally. Filled with deceit and deception. They conjur up horrible thoughts in your tiny little brain. They’re always on the hunt for a new (or renewed) sacrifice. Most importantly they travel in unrelenting satanic packs of malice. The Pale Door has more fiends than you can shake a stick at, but, unfortunately, doesn’t do a whole heck of a lot with this spooky pile of occult weirdos.
Mike’s Review: Scare Me (2020)
★★★★ out of ★★★★★ How’d you like a little Chekhov with your Texas Chainsaw? A little Edward Albee with your Conjuring? Or even a dash of Ibsen with your Insidious? Sound too good to be true? Well it’s not.
Joseph’s Review: 32 Malasaña Street
A family hoping for a new start in life by moving to Madrid instead finds itself targeted by an angry ghost in 32 Malasaña Street, which makes up for any familiarity with technical quality and fine performances.
Mike’s Review: The Pool (2019)
★★★★ out of ★★★★★ So close. Not quite. Just about there. One more try. Close but no cigar. You’re right in the ballpark. Just. One. More. Inch. This is the prevailing and effectively repeated trope in the 2019 (U.S. release) Thai film, the Pool.
Joseph’s Review: Host
★★★1/2 out of ★★★★★ Host is highly effective Zoom-based horror in which the cast members were also responsible for their […]
Mike’s Review: Impetigore (2019)
★★★★.5 out of ★★★★★ Ghosts, doomed villages, tortured family dynamics, the blackest of black magic, and thousand year old Javanese curses all come home to roost in the latest spookfest from Joko Anwar. Possibly (read: possibly) the best horror film director out currently, Anwar knows his way around a story, cinematic shots, and the creation of truly sympathetic characters.
Mike’s Review: The Beach House (2019)
★★★.5 out of ★★★★★ If you’re not completely freaked out by the current pandemic, the strange and uneven response to the greatest crisis the world’s faced in the modern era, then have we got a film for you! This is not a fun filled family fete at the beach, oh no, The Beach House is a dark and twisted look at our current state of affairs filtered through the very real possibility that the worst is yet to come.
Mike’s Review: The Siren (2019)
★★.5 out of ★★★★★ A somber, quiet, and contemplative affair. This faux mythology, while largely devoid of dialogue, packs away some interesting social/sexual dynamics. Fans of Troma and Full Moon be forewarned, this film is NOT for you. While it is a monster movie that’s loosely based not the eastern European “Rusalka” water harpy myth, this is not the Toxic Avenger, nor is it the Evil Bong.
Mike’s Review: Z (2019)
★★★ out of ★★★★★ With an increasing number of horror films eschewing the well-trodden path of gore, gags, and scream queens, there’s always the risk of re-calibrating too far to the other end of the scare spectrum. Over the last 20 years there’s been a trend towards melancholy and family trauma — Shudder calls it parental terror, we’re calling it melancholy horror. Sometimes the quiet and somber affairs work and sometimes they’re just weighty, boring, and devoid of scares. The Shudder original Z certainly ran that risk, but effectively shook itself off the melancholy mantle.
Joseph’s Review: Cursed Films
★★★★ out of ★★★★★ Shudder’s Cursed Film series takes an entertaining, even-keeled, engaging, and often emotional look at why some […]
Mike’s Review: Three from Hell (2019)
★★ out of ★★★★★ At Rob Zombie’s darkened dirtbag core is a full and unfiltered embrace of the age-old adage “if it ain’t broke, don’t fix it.” Slow motion. Hyperbolic acting (or in some cases no acting). Closeups so close you can count individual pores Captain Spaulding’s grease-paint soaked forehead. Weirdly rare and off-putting selection of non-Joe Walsh James Gang tracks. If you’ve seen House of a Thousand Corpses and Devil’s Rejects then you’ve been thoroughly exposed to Mr. Zombie’s cinema trickery.
Mike’s Review: The Marshes (2020)
★★1/2 out of ★★★★★ Word has it that the kids are in to mash-ups. Girl Talk, Danger Mouse, a little Jay Z, a little Beatles. Throw it all together and see what sticks. 2020’s the Marsh (originally released in 2018 in Australia) does just that — but maybe a little too much.
Mike’s Review: The Boar (2017)
🐷🐷.5 out of 🐷🐷🐷🐷🐷
The planet is running out of animals. Literally and figuratively. Hollyweird has given us sharks (Jaws 1-4), rabbits (Night of the Lepus), bears (Grizzy), fish (Piranha), and man’s best friend (Cujo). There’s even been birds, wolves, snakes, rats, and gators, and whatever the hell a sharktopus is supposed to be. One of the things that Hollyweird hasn’t gotten its money-grubbing paws on is the pig, javelina, or boar – until now.
Mike’s Review: Horror Noire: A History of Black Horror (2019)
★★★★ out of ★★★★★
We’ve always loved horror, it’s just that horror hasn’t always loved us.
Mike’s Review: You Might be the Killer (2018)
★★★ out of ★★★★★
If something is around long enough it’s going to be parodied. There will be barbs, jabs, satire and plenty of loving imitation. Even the tropes and trends that surround a specific genre will get reworked, turned inside out, and devotedly re-re-re-imagined.