★★★ out of ★★★★★
If something is around long enough it’s going to be parodied. There will be barbs, jabs, satire and plenty of loving imitation. Even the tropes and trends that surround a specific genre will get reworked, turned inside out, and devotedly re-re-re-imagined.
★★ out of ★★★★★ The tried and true tattered family dynamic. Kids love their Mom. Dad’s nowhere to be found. Sisters vigorously fight for their Mom’s love. Resentments emerge. The sister’s commitments to the family quickly fall to the insidious and ever-present need to feed the social media beast. We’ve all heard this tale before. Or have we?
★ out of ★★★★★
It’s always disappointing when someone takes one of your favorite horror sub-genres and brutally bastardizes it. The “we’re trapped in a secret military base and there’s only one way out” storyline takes some care and feeding. The situation is made even worse when it’s given the ham-fisted SyFy treatment. Little attention, little point, and little effort.
★.5 out of ★★★★★
Anthology horror films are so full of creepy goodness! Moral tales. Freaky through lines. Peculiar and off-putting horror hosts and narrators. They give us everything we desire in spooky bite-sized chunks. Until they don’t.
★★★★ out of ★★★★★ A strange and visionary tale of strange visions and a chainsaw fight. Directed by Panos Cosmatos There...
★★★★.5 out of ★★★★★ Ghosts, doomed villages, tortured family dynamics, the blackest of black magic, and thousand year old Javanese curses all come home to roost in the latest spookfest from Joko Anwar. Possibly (read: possibly) the best horror film director out currently, Anwar knows his way around a story, cinematic shots, and the creation of truly sympathetic characters.
★★★.5 out of ★★★★★ If you're not completely freaked out by the current pandemic, the strange and uneven response to the greatest crisis the world's faced in the modern era, then have we got a film for you! This is not a fun filled family fete at the beach, oh no, The Beach House is a dark and twisted look at our current state of affairs filtered through the very real possibility that the worst is yet to come.
★★★ out of ★★★★★
This hop, skip, and jump down memory lane provides an incredible gory realization that horror films from the 1980s were silly, confusing, and nasty bits of business. Sure they were rather amateur-ish, but they were also exciting jumping off points for the masters of horror for decades to come! There’s Sam Raimi, Ted Raimi, Greg Nicotero, Bruce Campbell, Renée Estevez, and even famed Tarantino producer, Lawrence Bender. Some parts are smaller than others, but rest assured, they’re all there!
★★★ out of ★★★★★
Great White delivers some effective shark-attack–movie thrills with solid acting but not many new elements.
★★★ out of ★★★★★ With an increasing number of horror films eschewing the well-trodden path of gore, gags, and scream queens, there's always the risk of re-calibrating too far to the other end of the scare spectrum. Over the last 20 years there's been a trend towards melancholy and family trauma -- Shudder calls it parental terror, we're calling it melancholy horror. Sometimes the quiet and somber affairs work and sometimes they're just weighty, boring, and devoid of scares. The Shudder original Z certainly ran that risk, but effectively shook itself off the melancholy mantle.
★ out of ★★★★★ Directed by Rob Jabbaz The Sadness, directed by Rob Jabbaz, begins the way your standard outbreak...
★★★.5 out of ★★★★★
The 1930s and 40s brought us ghoulish voodoo zombies. The 1960s and 70s graciously brought us trundling brain-fixated zombies. The early 2000s somewhat quixotically brought us hyper-speed zombies. And now in the 2020s we’re being treated (emphasis on the sarcasm) to sadistic, cruel, and mean-spirited zombies. Good, bad, or indifferent this is the brutish zombie world we now live in.
★★.5 out of ★★★★★
To be clear, there’s not a lot of running in 2022’s The Runner. There’s some trundling through the woods and there’s some “running shoes”, but it’s not entirely clear if you you could actually run in the shoes featured in this Shudder film. Think clunky hipster orthopedic running shoes. Probably not optimal for running.
★★.5 out of ★★★★★
We know them. We love them. They’re little rapscallions, religious zealots, and outcasts. But that’s why we love them! That said, the question is not whether we love them, but rather do we need to go back to the exact same Children of the Corn story 11 times. Really, it’s been 11 times and we’re not even counting the TV series.
★★★.5 out of ★★★★★
It is oft said that being a parent is the most unique and rewarding experience one could ever have. Simultaneously it’s the most dull and common experience among us. There are highs and lows to be sure, but most of the relationships are spent having a meal, doing laundry, and trying to figure each other out.
Hellbender spends the large majority of its hour and 26 minute run time focused on the more mundane aspects of the parent child relationship, but that doesn’t mean it’s not a wild and peculiar odyssey.
The almighty George Romero has a new movie coming out in June 2021! Wait, hasn't he been dead since 2017!?!? Indeed he has, but that doesn't mean that he didn't create a mountain of content never before seen by human eyes. In the same way that Prince will be releasing albums well in to the next century, Romero may have some additional gems that have never made their way out of the crypt. Until now!
★★★★ out of ★★★★★
Many have characterized this film as “Hallmark Horror.” Which is, of course, lazy short hand for the fact that the film has an emotional component and it manages to draw the audience in to a deep and meaningful concern for the main protagonists. Mind you this is not “This is Us” or some other network pablum, but a legitimate exploration of a father/son relationship in the throws of pre-teen puberty -- set against HORROR, glorious horror.
It’s never too late to get a Shudder subscription. Trust us, it’s worth it. To wit, Shudder’s announced a brand...
★★1/2 out of ★★★★★ Word has it that the kids are in to mash-ups. Girl Talk, Danger Mouse, a little Jay Z, a little Beatles. Throw it all together and see what sticks. 2020’s the Marsh (originally released in 2018 in Australia) does just that -- but maybe a little too much.
★★★1/2 out of ★★★★★ Host is highly effective Zoom-based horror in which the cast members were also responsible for their...
★★★★ out of ★★★★★
Intensity 🩸🩸 for vampiric violence
Jakob's Wife is an essay on a mid-life menopausal crisis, by way of vampirism. Jakob's Wife delivers great character arcs and engaging acting. Barbara Crampton has been given a meaty role, and she delivers perhaps her best screen performance in memory. Larry Fessenden also is stellar as the well intentioned minister Jakob.
★★.5 out of ★★★★★
Black gloves! The stabiest of stabbings! Groovy Goblin-esque soundtrack! Mysterious subterfuge! A nod (maybe) to the 1971 classic Cat O’ Nine Tails. Argento is back! Well, maybe he’s back. The vote’s still out on that wild proclamation.
★★★ out of ★★★★★
Influencer is the newest, hottest, and most hyped term of the last several years. Meaning many things to many people, including those that self-identify as influencers. For the rest of us it’s met with derision, disgust, and discounted as a cynical millennial side-hustle. All these things, and more, are modern truisms that we've all unwittingly had to learn about.
★★★★ out of ★★★★★ So close. Not quite. Just about there. One more try. Close but no cigar. You're right in the ballpark. Just. One. More. Inch. This is the prevailing and effectively repeated trope in the 2019 (U.S. release) Thai film, the Pool.
★★★ out of ★★★★★
It’s a rampaging robotic Santa versus a clever, foul-mouthed record store owner in Joe Begos’ holiday horror Christmas Bloody Christmas.
★★★★ out of ★★★★★ The rise of the podcast generation paired with a nation’s emerging fascination with rampant conspiracy theories is the perfect backdrop for a horrifying and mercurial folk tale. In both the case of podcasts and conspiracies people don’t stop until they’ve reached the ever-loving bottom of the barrel. The problem is these barrels have no bottoms.
👻👻👻 out of 👻👻👻👻👻
The go-to move for horror filmmakers in the modern era is the tortured family dynamic. It’s creepy, hidden, sinister, and above all tragic. When you mix in a heaping dose of the death of a child, tragic can take a very dark complexion and make it, well, darker.
Brand new Creepshow anthology series coming to Shudder!
★★★1/2 out of ★★★★★
The directorial debut from renowned screenwriter Simon Barrett treads familiar territory but is crafted with great affection for a few different horror subgenres.
★★★1/2 out of ★★★★★
The Banishing serves up several haunted house tropes, but it looks good while doing so, with solid performances and conspiracy angles.