If the new A24 film Undertone is considered to be “liminal horror” then count me as a true blue liminal horror fan. Operating in between the spaces, notes, and shadows, this is a film that evokes surreal and unsettling perspectives from — the nothingness.
Chain Reactions is an incredibly intellectualized love letter to one of the most gruesome films ever laid down on celluloid. Unlike the varied nature of many of Alexandre O. Philippe films — save for Leap of Faith William Friedkin on the Exorcist — the film is a straight forward and linear affair.
It should come as no surprise, or for some of you it will come as massive surprise, but the Toxic Avenger is a great film. Not just a fun romp at the movies, but a true-blue brilliant piece of horror wrapped in some of the best satire seen in years!
Intensity: 🩸🩸🩸🩸🩸 out of 🩸🩸🩸🩸🩸
This is a BRUTAL film with the biggest capital B that there ever was. Revenge with a capital R and blood with another capital B. NOTE: This film is not for the faint of heart!
Intensity: 🩸 🩸 🩸 out of 🩸🩸🩸🩸🩸
There’s only question that needs to be asked about 2024’s remake of Speak No Evil. Why?
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Be. Careful. What. You. Wish. For. The most quaint and playful of all the horror tropes is on full display in this masterful piece of body horror. Not your run of the mill body horror either. This is capital “B” body horror that would even make David Cronenberg blush.
An exceptionally silly film that breathes some new life into a rather (un)dead horror sub-genre — zombies. As We Know It takes a couple interesting pokes at horror comedy, zombies, and the process of getting to know people that you might really hate.
A quiet and ethereal film about and equally quiet and ethereal creature. The Wendigo may be the most ill-defined creature in all of horror. Not just because the Wendigo pulls directly from many different tales of Native American lore, but the fact that the perfect Wendigo film has yet to be made. Antlers from 2021 is close, but that’s a whole other story.
Let’s get the obvious out of the way. This is a bad film. You knew this going in. You were fully aware and your eyes were wide open. The question is why you decided to watch this?
Intensity: 🩸 out of 🩸🩸🩸🩸🩸
When a film becomes so firmly ensconced in our nation’s, nay the world’s, cultural zeitgeist there’s often nothing left to say about it. The film score, the triad of perfectly perfect actors, one of the best villains of all time, and more metaphorical subtext than you can shake a stick at.
Intensity: 🩸🩸🩸🩸 out of 🩸🩸🩸🩸🩸
28 Years Later is an exceptional cinematic achievement replete with iPhone footage, goat cams, and lots of drone footage. The problem is Danny Boyle and Alex Garland’s non-sequitur approach to the film has audiences ending up feeling like they’ve watched three films instead of one. Each act of the film ends up almost being an entirely different film.
Intensity: 🩸 🩸 🩸 out of 🩸🩸🩸🩸🩸
This is the first horror film in 2025 that you can safely skip. To be clear, it’s a good looking production with a great soundtrack, but The Wolf Man is one of the poorest excuses for a werewolf you’ll ever lay your eyes on.
Intensity 🩸🩸🩸🩸 out of 🩸🩸🩸🩸🩸
While there’s a surprising lack of Rottweilers, The First Omen is chock full of reproductive rights, secularism, mental health, religious repression, and a gang of scares — most of them well deserved. Most importantly, The First Omen is a GREAT horror film that will make even the most hardened horror heart thump.
Wait 30 minutes after eating before going for a Night Swim.
What’s the scariest thing you can include in a horror film? Why the unknown and the unfamiliar, of course. What’s more unknown and unfamiliar than the darkest musical art form, Black Metal? Well, really nothing. That is as scary as music gets.
