Eric’s Review: Love and Monsters (2020)

★★★★ out of ★★★★★ Ray Harryhausen would be proud! Love and Monsters defies expectations with more emotional resonance, visual wizardry, and storytelling surprises than you would expect. The monsters are spectacularly rendered, and convincingly animated. Dylan O'Brien is a joy to watch, in the best role of his young career. The most important thing to know is that this movie is worth the premium price for streaming entry.
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Eric’s Nightstream Review: Lapsis (2020)

★★★★1/2 out of ★★★★★ A grifter with good intentions, but in need of a lucky break, signs up for a job that seems too good to be true. Lapsis is a dystopian parable for the treadmill of old-fashioned hard work and the fear that technology is going to make you obsolete.
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Eric’s Nightstream Review: The Doorman (2020)

★★ out of ★★★★★ The Doorman is a throwback action movie, starring Ruby Rose as an ex-special forces soldier turned doorman battling Jean Reno and his squad of art thieves. The film gets bogged down in stale clichés and surprisingly bland action pieces. Not everything on Nightstream was awesome, or even horror.
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Lucky (2020) Review (Nightstream Festival)

★★★★ out of ★★★★★ May (Brea Grant) is an author who finds herself under repeated attack by a mysterious would-be killer. She mounts successful defense after successful defense, but each time she wins, the assassin disappears. It's an exercise of frustration and futility for May as nobody believes her and her proof proves to be elusive.
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Eric’s Nightstream Review: Mandibles (2020)

★★★★ out of ★★★★★ Two French dullards discover a giant housefly in the trunk of a car that they stole, and they realize that this monstrous insect could be their ticket to fame and fortune. Toro! From Quentin Dupieux, the director and twisted imagination behind Rubber (2010), the bonkers Mandibles was the festival closing feature for Nightstream.
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Eric’s Nightstream Review: May the Devil take You Too (2020)

★★★★ out of ★★★★★ The sequel to the Indonesian horror hit May the Devil Take You is a more than worthy successor to the storyline. Alfie, the survivor of the first film is drafted by a group of orphans to assist with the exorcism of their demon spirit of their wicked caretaker. Strong Sam Raimi and Wes Craven influences are in abundance in this bloody and fun showcase of what Indonesian Horror has in store.
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Mike’s Nightstream Review: The Hunted (2020)

★★ out of ★★★★★ What in the world happens when filmmakers run out of ideas? Well, it's rather simple. A) In most cases they go back to the well, B) there's always a sequel, or prequel, or a reboot, C) the idea is reimagined through the lens of an out of copyright idea, story, or myth, or D) they just run out of ideas. Sadly, for 2020's The Hunted, the answer is D.
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The Night (2020) Review: Nightstream Festival

★★★★★ out of ★★★★★ An exhausted Iranian couple that is struggling with fitting in their arrival in America crash in a hotel after a night of bickering. The hotel presents them with some hard, hard truths and becomes a haunted prison rather than the refuge they sought. Tightly scripted and wonderfully acted, the film finds its power through suggestion and implied concepts.
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Mike’s Nightstream Review: The Queen of Black Magic (2020)

★★★★.5 out of ★★★★★ In the latest installment of "If you're not watching Indonesian horror movies, you're blowing it," brings us 2020's The Queen of Black Magic. It's true. Indonesia is the new incubator for the creepiest crawlies that the horror genre has to offer. Every country has had their day in the sun. The UK plastered us with Hammer and Amicus throughout the 1960s. The US reimagined the genre with slashers and super killers throughout the 1970s and 80s. And Japan brought a whole new slate of water and hair-borne frights in the late 1990s and in to the early 2000s. Now it's Indonesia time to shine.
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The Scariest Things Podcast Episode CIX: The Son Of Horror Movie or Not!

Back from the grave, we are going back to one of our earliest and favorite podcasts, where we declare whether the horror adjacent films we know (and sometimes) love are horror movies or not! This is often a criticism of the criticism of films. "THAT'S NOT HORROR!" So, this is a hot take episode where we (mostly) take a definitive stance.
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Eric’s Review: The Deep Ones (Another Hole in the Head Film Festival) (2020)

★★★ out of ★★★★★ There's literally something fishy about this little beachside community, as a vacationing couple get entangled with a strange beachside community ritual. This is what you get if you mashup Rosemary's Baby with Humanoids from the Deep. The film telegraphs its punches, but it is clearly for fans who like their Lovecraft stories with a thin slice of sleazy.
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Mike’s Nightstream Review: Leap of Faith William Friedkin on the Exorcist (2020)

★★★★ out of ★★★★★ There exists that great space in documentaries that take place decades after the event occurred. It's this beautiful melange of revisionist history, lucid thoughts, purposeful sleepwalking, and repressed memories. All answers are correct and infallible when the documentary is filtered through the iconic lens of a single and thoughtful directorial darling. THE William Friedkin is the ultimate bridge between Hollywood's glorious beginnings and the revolutionary young guns of the 1970s. It should come as no surprise the Friedkin has some rather insightful things to say about one of the greatest films of the 1970s, possibly the greatest horror film of all time, and in some camps, THE greatest film ever put down on celluloid -- the Exorcist.
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Mike’s Review: Spiral (2020)

★★★★ out of ★★★★★ Horror movies really are the ultimate glimpse in to the soul of man. Society's reflection upon itself. Our most base thoughts, visions, hopes, dreams, and fears all laid bare for the universe to see. The historic period of time is largely irrelevant to the equation, because the result is always the same -- man's continued inhumanity to man.
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The Scariest Things Podcast Episode CVIII: Witches

Witches. They used to strike fear in communities throughout the world. But Sabrina, Samantha, and Hermione have taken some of the edge off of the concept of the witch. Can a movie about witches still provide scares? Abso-witching-lutely!
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Joseph’s Review: Death of Me

★★★1/2 out of ★★★★★ It’s folk horror island style in the latest from Darren Lynn Bousman. Engaging performances and an...
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