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Tag Archive for ‘evil’

Mike’s Nightstream Review: The Queen of Black Magic (2020)

Mike’s Nightstream Review: The Queen of Black Magic (2020)

★★★★.5 out of ★★★★★ In the latest installment of “If you’re not watching Indonesian horror movies, you’re blowing it,” brings us 2020’s The Queen of Black Magic. It’s true. Indonesia is the new incubator for the creepiest crawlies that the horror genre has to offer. Every country has had their day in the sun. The UK plastered us with Hammer and Amicus throughout the 1960s. The US reimagined the genre with slashers and super killers throughout the 1970s and 80s. And Japan brought a whole new slate of water and hair-borne frights in the late 1990s and in to the early 2000s. Now it’s Indonesia time to shine.

Mike’s Review: Dr. Sleep (2019)

Mike’s Review: Dr. Sleep (2019)

★★★.5 out of ★★★★★
Nearly 1,000 pages of creepy thoughts, actions, and psychic happenings were laid out between the Shining and its murderous offspring, Dr. Sleep. It seemed impossible that 1) the Shining would be made in to a film, 2) that Stephen King would be so dissatisfied in one of the true horror greats, 3) that it would deserve a remake, 4) the story would evolve in to a 500 page psychedelic mishmash, and 5) that mishmash would be made in to its own celluloid opus. Seem fantastical? Well it is.

Mike’s Review: Three from Hell (2019)

Mike’s Review: Three from Hell (2019)

★★ out of ★★★★★ At Rob Zombie’s darkened dirtbag core is a full and unfiltered embrace of the age-old adage “if it ain’t broke, don’t fix it.” Slow motion. Hyperbolic acting (or in some cases no acting). Closeups so close you can count individual pores Captain Spaulding’s grease-paint soaked forehead. Weirdly rare and off-putting selection of non-Joe Walsh James Gang tracks. If you’ve seen House of a Thousand Corpses and Devil’s Rejects then you’ve been thoroughly exposed to Mr. Zombie’s cinema trickery.

Mike’s Review: The Witch in the Window (2018)

Mike’s Review: The Witch in the Window (2018)

★★★★ out of ★★★★★
Many have characterized this film as “Hallmark Horror.” Which is, of course, lazy short hand for the fact that the film has an emotional component and it manages to draw the audience in to a deep and meaningful concern for the main protagonists. Mind you this is not “This is Us” or some other network pablum, but a legitimate exploration of a father/son relationship in the throws of pre-teen puberty — set against HORROR, glorious horror.