★★★★ out of ★★★★★

Intensity: 🩸🩸out of 🩸🩸🩸🩸🩸

The Complex Forms is a master achievement in visual design. Everything, from the stunning black-and-white cinematography to the conceptual creature designs to the stark splendor of the sets and the pulsing orchestral score, pushes the envelope for an independent film budget. The story, however, though narratively simple, is very difficult to digest in one sitting. Multiple viewings may be required to understand the plot. And even then, you may be left scratching your head in confusion.

★★★★ out of ★★★★★

Intensity: 🩸🩸out of 🩸🩸🩸🩸🩸, with sexual assault trigger warnings.

DID I?, the winner of the Portland Horror Film Festival's Goule D'Or (Best Feature in Festival) Award, takes an honest approach to the cruelty and ramifications of Dissociative Identity Disorder (DID). The psychological thriller invests its time with Genevieve, a bookish junior editor at a publishing company who struggles with her alter ego, Stevie, who is a bit of a wild child. Her traumas are buried deep, and it puts several new wrinkles into the good/evil dichotomy that films that used what used to be called multiple personality disorder under the microscope.

★★★★ out of ★★★★★

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In the Name of God (Gudstjänst) explores how the pressure of grief can convince even the most pious among us to do horrible things. Theodor is a young priest who succumbs to a "righteous" Faustian deal, where he murders the wicked in exchange for healing gifts. It is a slippery slope that could doom his family and his priesthood. At what cost are miracles?

★★★★ out of ★★★★★

Intensity: 🩸🩸🩸out of 🩸🩸🩸🩸🩸 for copious comic gore

The Invisible Raptor is a crowd-pleaser, plain and simple. This spoof of Jurassic Park flips the script on the behemoth tentpole franchise by not trying to do digital dinosaurs at all. Instead, The team behind The Invisible Raptor did the monster movie without the monster, and it worked brilliantly. This is a meta-movie for the Easter Egg enthusiasts, but be warned, there is so much blood and shit in this movie that it isn't for the squeamish or the kiddos! (Though the twelve-year-old me would LOVE this movie.)

★★★ out of ★★★★★ The Strangers: Chapter 1 is an extremely faithful reboot of the 2008 thriller of the same name. The film follows nearly beat for beat with the original, which may be a good thing, as the original was a crackerjack scare ride. However, if you are familiar with the first movie, much of the starch is taken out of it. The predictability of the jump scares and the actions diminishes the scariness of it all. If you are new to this story, then game on!
★★★1/2 out of ★★★★★

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In the techno thriller Red Rooms, a model obssesses over a sensational murder trial, and searches for clues about the killer on the dark web. This French Canadian film explores society's voracious and voyeuristic desire for the darkest of true crime details, and the lengths some will go to find out the juicy, nasty details.

★★★1/2 out of ★★★★★

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The sexy body horror thriller film Kill Your Lover manifests a literal toxic relationship between a mismatched British couple who let things go a bit too far. This feature from The Overlook Film Festival will make you squirm uncomfortably. Come for the steamy sex scenes, then stay for the awkwardly painful dissolution of a partnership in body-altering collapse.

★★★ out of ★★★★★

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The Canadian slasher film, In a Violent Nature, roared out of the gates with much buzz from The Sundance Film Festival and was bolstered by a menacing trailer. It has a great-looking monster, and a few spectacularly gory kills will make this movie pop and evoke fond old memories. The advance word on this movie was that it reinvented the slasher film. It's different, to be sure. The odd pacing, however, cannot be ignored, and the movie plods along with its villain for far too much of the movie. It felt like a shorter film padded to make a feature-length time. High highs. Low lows.

★★★★ out of ★★★★★

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A bloodied woman on the run begins a frantic chase in John Rosman's debut thriller, New Life. This film holds its cards tight for half the movie, allowing the major implications of the plot lines to simmer before revealing the root causes of the pursuit, like a bomb drop. New Life transitions from political thriller to body horror in a dramatic shift that moved me from curious to engrossed.

★★★★1/2 out of ★★★★★

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🕷🕷🕷🕷🕷 out of 🕷🕷🕷🕷🕷 if you fear spiders!

Arachnophobes beware! Infested (Vermines, En français) is the pinnacle of spider horror. It is also an expertly done class struggle diatribe, using a scrappy group of young survivors of the French underclass pitted against both an infestation of fast-breeding and fast-growing venomous spiders and the law enforcement that should be protecting them.

★★★★★ out of ★★★★★

Intensity 🩸out of 🩸🩸🩸🩸🩸

Sasha is a young vampire who cannot develop her fangs because she has empathy for her potential victims and refuses to kill. Her family is concerned that this jeopardizes the family lineage and legacy and urges her to make her first kill. She meets Paul, a boy with suicidal wishes, and considers him as her first kill and a humane one. This movie does all the little things right and, consequentially, nails the big things.

★★★1/2 out of ★★★★★

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Abigail pits a group of misfit criminals up against their captive, a little ballerina dancer named Abigail. Much to their surprise, she's a powerful vampire. The movie is action packed, with plenty of gore and laughs, but is a station to station production that while fun, telegraphs its moves well in advance. It's empty calories, but, for many fans, sometimes this is exactly what you crave.

★★★★ out of ★★★★★

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Cuckoo is a wildly imaginative and original slice of mad science horror. It doesn't always feel coherent, but it constantly entertains with roaring action and fascinating characters. This is a showcase for rising star Hunter Schafer, who commands attention as the surly lead protagonist, Gretchen.

★★★★1/2 out of ★★★★★

Intensity 🩸🩸🩸🩸 out of 🩸🩸🩸🩸🩸

While there’s a surprising lack of Rottweilers, The First Omen is chock full of reproductive rights, secularism, mental health, religious repression, and a gang of scares — most of them well deserved.  Most importantly, The First Omen is a GREAT horror film that will make even the most hardened horror heart thump.

★★ out of ★★★★★

Intensity 🩸 out of 🩸🩸🩸🩸🩸

Is it a thriller? A sci-fi abomination? A psychedelic mishmash? A video game? An affront to Toho’s original vision? A horror film? Seriously, what the hell is this? Truth be told, it’s really of all these things crammed together in a gargantuan hodgepodge of CGI lunacy. Godzilla X Kong: The New Empire is a wildly chaotic film with an equally wild plot that makes little to no sense. Scratch that…no sense.

★★★ out of ★★★★★

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As we’ve said before, pulling off a horror comedy is one of the most precarious feats a director can attempt. The feat is made all the more difficult when it’s done on a micro-budget with limited to no resources. Easter Bloody Easter manages to walk this tight rope with aplomb, while pulling in one of the coolest Black Sabbath horror references since the semi-eponymous Black Sabbath in 1963. 

★★★ out of ★★★★★

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Hunting Daze explores the complications of stacking up bad decisions when a male bonding session in the woods of Quebec is injected with a headstrong young woman and a mysterious stranger entering their insular group.

★★★★ out of ★★★★★

Existential Dread 📺 📺 📺 📺 📺 out of 📺 📺 📺 📺 📺

Fandom, obsession and identity are illuminated in I Saw the TV Glow

★★★1/2 out of ★★★★★

Intensity 🩸🩸1/2 out of 🩸🩸🩸🩸🩸

Eddie Izzard steals the show in Hammer Films' DOCTOR JEKYLL.

★★★1/2 out of ★★★★★

🩸 out of 🩸🩸🩸🩸🩸

Come for the kidnapping, stay for the teriyaki! Dead Mail...delivers the weird.

★★★1/2 out of ★★★★★

Intensity 🩸🩸1/2 out of 🩸🩸🩸🩸🩸

SHIFT is a fun 1990s riff on Hitchcock’s Rear Window, complete with paranoia, mystery, and a sentient office chair.

★★★★1/2 out of ★★★★★

Intensity and effectiveness of jump scares

🩸🩸🩸 out of 🩸🩸🩸🩸🩸

Oddity is the horror who-done-it, supernatural, revenge thriller, comedy you have been waiting for!

★★ out of ★★★★★

🩸 out of 🩸🩸🩸🩸🩸

In a genre overloaded with movies inspired by the Frankenstein story, Lisa Frankenstein fails to catch a spark.

★★★★ out of ★★★★★

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If fear of the unknown is the most primal of horrors, imagine living in a prehistoric world and arriving on a new barren continent. In the new British Paleolithic horror film Out of Darkness, a group of stone-age nomadic survivors cross the sea and find a land bereft of resources and quarry. Everything is unknown, their worldview is limited to their tribe and the stories passed down from their elders. Their only protection is a spear and a campfire. Scary times, indeed.

★★1/2 out of ★★★★★

Intensity 🩸🩸 out of 🩸🩸🩸🩸🩸

I will give points to A Creature Was Stirring (2023) for trying to do something that was original. A were-porcupine (A Porcupinecanthrope?) is a new addition to the monster lexicon. It's a parenting horror piece. Also, a home invasion. And a drug horror story. The problem is that in execution, it never finds its proper footing, and the narrative gets lost.

★★★★ out of ★★★★★

Intensity 🩸🩸🩸🩸 out of 🩸🩸🩸🩸🩸

Joseph reviews Robert Morgan's UK macabre horror film STOPMOTION, a body horror movie full of unsettling stop-motion animation.

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