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Ti West gives audiences the film they deserve
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Intensity 🩸🩸🩸 out of 🩸🩸🩸🩸🩸 Directed by Damian Mc Carthy The debut feature from the director of this year’s Oddity...
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A Quiet Place: Day One scales up the franchise experience in a big way, but it still delivers a wonderfully intimate story. Lupita Nyong'o and Joseph Quinn make for an improbable but appealing pair that radiates empathy amongst the chaos of an alien invasion apocalypse.
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In Ghost Game, a trio of mischief-makers stakes out an old manor with a dark legend surrounding it. Their goal: stay in the house without the new residents discovering them. Internal relationship conflicts, a disturbed resident family, and the potential of a supernatural haunt upend their Ghost Game efforts. A solid cat-and-mouse thriller with fun haunted house tropes propels this film, which was the centerpiece of the Portland Horror Film Festival.
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Combining folk horror with a chilling series of child murders based on actual crimes, director Chris Cronin’s debut feature The Moor makes for a truly unsettling experience.
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Madcap mayhem abounds in The Crazy Family, director Sogo Ishii’s punk-spirited dark satire on Japanese society in the early 1980s.
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The Complex Forms is a master achievement in visual design. Everything, from the stunning black-and-white cinematography to the conceptual creature designs to the stark splendor of the sets and the pulsing orchestral score, pushes the envelope for an independent film budget. The story, however, though narratively simple, is very difficult to digest in one sitting. Multiple viewings may be required to understand the plot. And even then, you may be left scratching your head in confusion.
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Intensity: 🩸🩸out of 🩸🩸🩸🩸🩸, with sexual assault trigger warnings.
DID I?, the winner of the Portland Horror Film Festival's Goule D'Or (Best Feature in Festival) Award, takes an honest approach to the cruelty and ramifications of Dissociative Identity Disorder (DID). The psychological thriller invests its time with Genevieve, a bookish junior editor at a publishing company who struggles with her alter ego, Stevie, who is a bit of a wild child. Her traumas are buried deep, and it puts several new wrinkles into the good/evil dichotomy that films that used what used to be called multiple personality disorder under the microscope.
Joseph reviews 4 short films from Film Maudit 2.0.
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In the Name of God (Gudstjänst) explores how the pressure of grief can convince even the most pious among us to do horrible things. Theodor is a young priest who succumbs to a "righteous" Faustian deal, where he murders the wicked in exchange for healing gifts. It is a slippery slope that could doom his family and his priesthood. At what cost are miracles?
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The Invisible Raptor is a crowd-pleaser, plain and simple. This spoof of Jurassic Park flips the script on the behemoth tentpole franchise by not trying to do digital dinosaurs at all. Instead, The team behind The Invisible Raptor did the monster movie without the monster, and it worked brilliantly. This is a meta-movie for the Easter Egg enthusiasts, but be warned, there is so much blood and shit in this movie that it isn't for the squeamish or the kiddos! (Though the twelve-year-old me would LOVE this movie.)
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The Strangers: Chapter 1 is an extremely faithful reboot of the 2008 thriller of the same name. The film follows nearly beat for beat with the original, which may be a good thing, as the original was a crackerjack scare ride. However, if you are familiar with the first movie, much of the starch is taken out of it. The predictability of the jump scares and the actions diminishes the scariness of it all. If you are new to this story, then game on!
Trippy Canadian feature Kryptic relies heavily on its Lynchian and Cronenbergian inspirations, tripping up on other areas in this dark fairy tale journey.
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In the techno thriller Red Rooms, a model obssesses over a sensational murder trial, and searches for clues about the killer on the dark web. This French Canadian film explores society's voracious and voyeuristic desire for the darkest of true crime details, and the lengths some will go to find out the juicy, nasty details.
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The sexy body horror thriller film Kill Your Lover manifests a literal toxic relationship between a mismatched British couple who let things go a bit too far. This feature from The Overlook Film Festival will make you squirm uncomfortably. Come for the steamy sex scenes, then stay for the awkwardly painful dissolution of a partnership in body-altering collapse.
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The Canadian slasher film, In a Violent Nature, roared out of the gates with much buzz from The Sundance Film Festival and was bolstered by a menacing trailer. It has a great-looking monster, and a few spectacularly gory kills will make this movie pop and evoke fond old memories. The advance word on this movie was that it reinvented the slasher film. It's different, to be sure. The odd pacing, however, cannot be ignored, and the movie plods along with its villain for far too much of the movie. It felt like a shorter film padded to make a feature-length time. High highs. Low lows.
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A bloodied woman on the run begins a frantic chase in John Rosman's debut thriller, New Life. This film holds its cards tight for half the movie, allowing the major implications of the plot lines to simmer before revealing the root causes of the pursuit, like a bomb drop. New Life transitions from political thriller to body horror in a dramatic shift that moved me from curious to engrossed.
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🕷🕷🕷🕷🕷 out of 🕷🕷🕷🕷🕷 if you fear spiders!
Arachnophobes beware! Infested (Vermines, En français) is the pinnacle of spider horror. It is also an expertly done class struggle diatribe, using a scrappy group of young survivors of the French underclass pitted against both an infestation of fast-breeding and fast-growing venomous spiders and the law enforcement that should be protecting them.
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Sasha is a young vampire who cannot develop her fangs because she has empathy for her potential victims and refuses to kill. Her family is concerned that this jeopardizes the family lineage and legacy and urges her to make her first kill. She meets Paul, a boy with suicidal wishes, and considers him as her first kill and a humane one. This movie does all the little things right and, consequentially, nails the big things.
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Abigail pits a group of misfit criminals up against their captive, a little ballerina dancer named Abigail. Much to their surprise, she's a powerful vampire. The movie is action packed, with plenty of gore and laughs, but is a station to station production that while fun, telegraphs its moves well in advance. It's empty calories, but, for many fans, sometimes this is exactly what you crave.
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Cuckoo is a wildly imaginative and original slice of mad science horror. It doesn't always feel coherent, but it constantly entertains with roaring action and fascinating characters. This is a showcase for rising star Hunter Schafer, who commands attention as the surly lead protagonist, Gretchen.
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While there’s a surprising lack of Rottweilers, The First Omen is chock full of reproductive rights, secularism, mental health, religious repression, and a gang of scares — most of them well deserved. Most importantly, The First Omen is a GREAT horror film that will make even the most hardened horror heart thump.
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Is it a thriller? A sci-fi abomination? A psychedelic mishmash? A video game? An affront to Toho’s original vision? A horror film? Seriously, what the hell is this? Truth be told, it’s really of all these things crammed together in a gargantuan hodgepodge of CGI lunacy. Godzilla X Kong: The New Empire is a wildly chaotic film with an equally wild plot that makes little to no sense. Scratch that…no sense.
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As we’ve said before, pulling off a horror comedy is one of the most precarious feats a director can attempt. The feat is made all the more difficult when it’s done on a micro-budget with limited to no resources. Easter Bloody Easter manages to walk this tight rope with aplomb, while pulling in one of the coolest Black Sabbath horror references since the semi-eponymous Black Sabbath in 1963.
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Joseph reviews Graham Skipper's horror film The Lonely Man with the Ghost Machine, from Make Believe Seattle.
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Hunting Daze explores the complications of stacking up bad decisions when a male bonding session in the woods of Quebec is injected with a headstrong young woman and a mysterious stranger entering their insular group.
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Fandom, obsession and identity are illuminated in I Saw the TV Glow
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Eddie Izzard steals the show in Hammer Films' DOCTOR JEKYLL.
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Come for the kidnapping, stay for the teriyaki! Dead Mail...delivers the weird.
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SHIFT is a fun 1990s riff on Hitchcock’s Rear Window, complete with paranoia, mystery, and a sentient office chair.