★★ out of ★★★★★ The tried and true tattered family dynamic. Kids love their Mom. Dad’s nowhere to be found. Sisters vigorously fight for their Mom’s love. Resentments emerge. The sister’s commitments to the family quickly fall to the insidious and ever-present need to feed the social media beast. We’ve all heard this tale before. Or have we?
★★1/2 out of ★★★★★ Freaky takes the body swap idea from Freaky Friday, and gives it a slasher film twist. It's a fun concept, and is off and on entertaining, but the film's sloppy and predictable plot keep it from reaching the standard for similar Blumhouse fare like Happy Death Day.
★★★1/2 out of ★★★★★ Barbara Crampton steals the show in this Norwegian folk-horror affair replete with vivid nightmares, tentacles, and the sea.
★★★★ out of ★★★★★

Intensity 🩸🩸 out of 🩸🩸🩸🩸🩸

The latest offering from the collaborative team of Justin Benson and Aaron Moorhead once again delivers a philosophical, slow burn of a movie. This film about two paramedics in New Orleans uncovering the truth of a new synthetic drug that has time travel properties is grim and heady material. Brooding and moody can be a good thing if anchored properly, and Anthony Mackie holds this film down with a fine acting performance.

★★ out of ★★★★★ It’s everything you’ve ever wanted! It contains film footage likely derived from 10 different film shoots over the course of nearly 40 years. It’s got Nurse Ratched from One Flew Over the Cuckoos Nest (Louise Fletcher). It’s got Indiana Jones pal Salah (John Rhys-Davies). It’s got the super crooked hillbilly cop from Rambo, Galt (Jack Starrett). It’s sort of got a couple scenes with a grizzly bear. But just don’t be fooled, there’s not a whole heck of a lot of Charlie Sheen, Laura Dern, and George Clooney.
★★★★ out of ★★★★★ It should come as no surprise that record collectors are an awfully weird and obsessive bunch. They perseverate over every possible pressing, color, variation, and vinyl release of individual artists. Their search is endless and somewhat pointless. They fixate on whether to open a sealed copy of a rare record. Most importantly, record collectors won’t stop until their search is complete. Dead or alive.
★★★ out of ★★★★★ Osgood Perkin's horror take on the children's fairy tale is a brooding and moody spin on the most familiar of stories. It has some gorgeous art direction, and a winning performance by Alice Krige, but the plodding script tries to mask the intent of the story. It tries very hard to provide new wrinkles to the old fable, but ends up feeling over-long even at a fairly short run time of 82 minutes.
★★★1/2 out of ★★★★★ A worthy reboot of a much-beloved gateway horror fan favorite. Anne Hathaway chews up the scenery in the Robert Zemekis helmed adaptation of the Roald Dahl dark fantasy classic.
★★.5 out of ★★★★★ A stunningly beautiful film that follows a not so beautiful period of time in Guatemala's tumultuous and unfortunate history. This horror film, that's awfully light on the horror, shows audiences that sometimes the scares don't come from ghouls, but they come from right-wing juntas.
★★★1/2 out of ★★★★★ Sometimes cheesy, occasionally nonsensical, but kept solidly on the rails by an interesting story and some splattery goodness. Werewolves get all scientifical!
★★★★ out of ★★★★★ This super-fun, highly absurd horror comedy twists a family adventure movie with a gory tokusatsu vibe and delivers the mind-blowing goods. Directed by Steven Kostanski
Goal of the Dead soccer ball horror poster with blood splatters and dark background.
★★★.5 out of ★★★★★ One medium with possibly more sub-genres than horror is futbol, AKA, football, AKA soccer. There’s so many villains, tales, rivalries, and subtext to the beautiful game. Much like horror its a bottomless barrel of impossible possibilities. The other medium with more sub-genres than futbol and horror? Zombies.
★★★★ out of ★★★★★ When true film auteurs wander outside of their staid and classical lines and in to the horror genre there’s always the potential for some serious magic. Kubrick with the Shining, Freidkin with the Exorcist, Spielberg with Jaws, and even Danny Boyle with 28 Days Later. All these major film think-o-logists had a crack at horror and walked away proud at what they had accomplished, or so ashamed at the terror they had brought to the cineplex, they never came back to the genre. One of the greatest film auteurs of all time, Robert Altman, wandered in to horror with aplomb, but sadly his seminal effort has been forgotten in the sands of time.
★★ out of ★★★★★ Witches are a tricky lot. Literally. Filled with deceit and deception. They conjur up horrible thoughts in your tiny little brain. They’re always on the hunt for a new (or renewed) sacrifice. Most importantly they travel in unrelenting satanic packs of malice. The Pale Door has more fiends than you can shake a stick at, but, unfortunately, doesn’t do a whole heck of a lot with this spooky pile of occult weirdos.
★★★★ out of ★★★★★ Prepare for a big dose of fun, and a very cool-looking monster, in this creature feature/action movie mash-up about a young female officer on a danger-filled mission.
★★1/2 out of ★★★★★ The Last Thanksgiving is a gory '80s style slasher film that works on the decidedly soft premise that the Pilgrims succumbed to cannibalism to make it through the first Thanksgiving, and their descendants continue that tradition 400 years later. It delivers well on the hyper-violence, but it falls rather flat with character and plot. This is an empty calorie Thanksgiving feast.
★1/2 out ★★★★★ If you have a conventional sense of social norms.

★★★★ out of ★★★★★ if you are a Troma fan and appreciate trashy and depraved satire.

Inensity: 🩸🩸 for scatalogical nastiness

Lloyd Kaufman and team Troma return to their Shakespearean roots and turn this loose-bowel take on The Tempest into a skewering of the social norms of today's culture. This is the strongest, funniest, and most consistent Troma film I have seen since the '80s Troma glory days but it also pushes the censorship limbo bar so low that there may not be room to go more lowbrow than this.

★★1/2 out of ★★★★★ A super stylish and exceptionally well-scored film that’s partially in Danish and partially in English and…wait for it…features a character who’s half Danish and half American.
★★★★ out of ★★★★★ Just when you thought the zombie genre had plumb run out of ideas along comes a pretty interesting and pretty inventive take on on a concept that’s...uh...dying.
★★★★★ out of ★★★★★ After failing to crowd-fund their board game "Murder Bury Win", three young game designers get the opportunity of a lifetime to present their ideas to a scion of the game industry and finally get the big break they have been looking for. After initial fun and games, their dream pitch turns into a nightmare with tragic (and comic) consequences. Great characters + unique concept + greed motives = cinema gold!
★★★★ out of ★★★★★ How’d you like a little Chekhov with your Texas Chainsaw? A little Edward Albee with your Conjuring? Or even a dash of Ibsen with your Insidious? Sound too good to be true? Well it’s not.

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