The movie that brought meta front and center to horror, and gave an adrenaline boost to a tired slasher genre is back with its fifth installment. The movie remains meta, and brings a fresh new group of victims... I mean characters... to the screen, along with a few old familiar friends. Is it any good? For a feature this significant it takes all three of the Scariest Things Podcasters to weigh in.
★★★.5 out of ★★★★★
Come for the insane 1970s Italian gore! Stay for the superb Goblin soundtrack! It’s all here! Frankly, is there anything more you could ever ask from a horror film? Well, maybe.
We warned you that we’d be back in the theaters in 2021 and we were! The Scariest Things Podcast, spread all across the globe, represented well in theaters far and wide. We were up close and personal for Conjuring III, Halloween Kills, Malignant, Candyman, and many, many others.
In 2020, the global pandemic gave us an interesting dynamic in film. Stripped down productions. The re-rise of independent horror. Big budget films either shelved, delayed, or cancelled all together. Last year’s horror scene definitely had a peculiar and, well, dystopian quality.
Enter 2021! The big budget films that coldly sat on the shelves for the last year, or in some cases years, or in other cases almost a half century, are now out in the theaters for us all to enjoy. And enjoy them we did! It shouldn’t be a terrible surprise that (often) the more money, time, energy, and talent you ply to your project the better quality you’ll receive in return. Mostly.
Here's some of the best from another spooky year...
★★.5 out of ★★★★★
There’s no telling if 2021’s My Cherry Pie qualifies as Oz-spoitation, but it sure looks, sounds, and feels like something straight off of 42nd street. It’s not the pastoral Picnic at Hanging Rock, nor is it the ever-haunting Lake Mungo. Think Wolf Creek with little-to-no-budget, an extra bit of nastiness, and a pinch of grindhouse.
When we caught wind of this (assuredly) horror comedy last month we weren't entirely clear if we were looking at an elaborate album hype, a hoax, or an actual film.
👻👻👻 out of 👻👻👻👻👻
Now 37 years in to the franchise you probably have a good idea of what to expect from the latest installment of the Ghostbusters, AKA Ghostbusters: Afterlife. Every thing that you think you’re going to see is guaranteed to be seen. There are some sly and not so sly references to the original 1984 Ghostbusters film. But, at the end of the day, Ghostbusters: Afterlife is largely an exact duplicate of its 1984 grandfather.
As ideas slowly become more and more (re) used and reworked filmmaking has progressively embraced the meta. In fact, things have become so meta sometimes it’s difficult to tell when one concept ends and the next begins.
Enter the recently announced horror offering featuring…the Foo Fighters?
★★★★1/2 and ★★★★ out of ★★★★★
A powerful sequel of a beloved classic slasher movie that establishes that this franchise is perhaps the headiest and most nuanced of all the slasher movies. Director Nia DaCosta shows real visionary talent, and with co-writer Jordan Peele, adds updated depth and texture to an already fascinating urban legend.
★★★★ out of ★★★★★
The son of De Palma’s Blow-Out! The grandson of Michelangelo Antonioni’s Blow-Up! A new vision of paranoid conspiracy theories as told through the latest fandangled piece of technology! Or in this case technologies.
★★ out of ★★★★★ What in the world happens when filmmakers run out of ideas? Well, it's rather simple. A) In most cases they go back to the well, B) there's always a sequel, or prequel, or a reboot, C) the idea is reimagined through the lens of an out of copyright idea, story, or myth, or D) they just run out of ideas. Sadly, for 2020's The Hunted, the answer is D.
★★★ out of ★★★★★ With an increasing number of horror films eschewing the well-trodden path of gore, gags, and scream queens, there's always the risk of re-calibrating too far to the other end of the scare spectrum. Over the last 20 years there's been a trend towards melancholy and family trauma -- Shudder calls it parental terror, we're calling it melancholy horror. Sometimes the quiet and somber affairs work and sometimes they're just weighty, boring, and devoid of scares. The Shudder original Z certainly ran that risk, but effectively shook itself off the melancholy mantle.
Mike’s Review: ★★★ out of ★★★★★
Eric's Review: ★★★1/2 out of ★★★★★
The big horror movie that everyone has been waiting for has landed. It: Chapter Two delivers a good looking, well-acted and often scary film that is also overly long, and has a mechanical narrative style, but is, in the end, an enjoyable outing.
Babysitters and horror go together like peanut butter and chocolate. You just can’t have one with out the other. This...
★★★ out of ★★★★★ Yes. Dolls are creepy. You know this. We know this. They just have a creep factor...
★★★ out of ★★★★★
Don’t say it…hissss it! The tagline from the trailer for the most unusual horror film ever made really hits the nail on the head.
★ out of ★★★★★
It’s always disappointing when someone takes one of your favorite horror sub-genres and brutally bastardizes it. The “we’re trapped in a secret military base and there’s only one way out” storyline takes some care and feeding. The situation is made even worse when it’s given the ham-fisted SyFy treatment. Little attention, little point, and little effort.
★★★★ out of ★★★★★
Last year brought us engaging septuagenarians battling it out the save their decrepit community center in VFW. Earlier this year saw the posthumous release of George Romero’s frightening PSA, Amusement Park. concerning the oft forgotten repugnance of elder abuse. Now, Amazon Studios is treating us to the latest in elder horror, Bingo Hell. The golden (girls) age is upon us with a new subgenera of horror, AARP horror. You heard it here first!
★★★★ out of ★★★★★
To be clear, horror is the human condition. Sure there’s ghosts, robots, cannibals, witches, and Jason Voorhees, but all these finely finessed sub-genres are really just an extension of the human condition. Much ink has been poured over this subject, but rarely does a horror documentary get at this hyper-simple truism.
★★★.5 out of ★★★★★
It’s always fascinating to see how something of little-to-no-value can bring out the worst in people as soon as they realize that someone else is interested in the same valueless item. This dynamic is made all the worse when it’s families fighting over the same scrap of trash. Worse yet? When that scrap of trash is the site of a 1979 horror film, the Whooper.
★.5 out of ★★★★★
Alright. Move along. Move along. There’s nothing to see here. Really, there’s nothing to see. A sad commentary on what should have been one of the most celebrated films this side of Halloween Kills. But, it’s true. The reimagining of the Slumber Party Massacre is a dull and uneven homage to its predecessor.
👻👻👻 out of 👻👻👻👻👻
The go-to move for horror filmmakers in the modern era is the tortured family dynamic. It’s creepy, hidden, sinister, and above all tragic. When you mix in a heaping dose of the death of a child, tragic can take a very dark complexion and make it, well, darker.
★★★★ out of ★★★★★
As demonic crooner Ronnie James Dio once famously opined “when you listen to fools, the mob rules.” Maybe this prescient piece of advice was being plied to the January 6 insurrection, maybe it was being plied to Halloween Kills, but just maybe Dio’s magical ways were sorting out many future truths.
★★★★ out of ★★★★★
The Last Matinee is a loving homage to film. More to the point it’s a loving homage and exploration of Argento, Fulchi, grindhouse cinema, slashers, grimy movie theaters, and quite possibly the great Lamberto Bava film Demons. Don’t be fooled though. While The Last Matinee pulls from many of the classics, it’s got its own unique style and flavor, and it’s cram-packed with EYEBALLS.
★★★★ out of ★★★★★
It’s fair to say that we might not know the full impact of the global pandemic tragedy for years or even decades. Some have been tragically impacted by the pandemic, some have wandered in a face-covered fog, and others have irresponsibly stuck their heads in the sand. Everyone has had choices to make during the pandemic and those choices have manifested in the horrible, but they’ve also been used for creativity and good.
★★★★.5 out of ★★★★★ In the latest installment of "If you're not watching Indonesian horror movies, you're blowing it," brings us 2020's The Queen of Black Magic. It's true. Indonesia is the new incubator for the creepiest crawlies that the horror genre has to offer. Every country has had their day in the sun. The UK plastered us with Hammer and Amicus throughout the 1960s. The US reimagined the genre with slashers and super killers throughout the 1970s and 80s. And Japan brought a whole new slate of water and hair-borne frights in the late 1990s and in to the early 2000s. Now it's Indonesia time to shine.
2019 was as year that was awfully similar to its most recent astrological brethren, 2018. There were some awfully big, earnest, and well-heeled horror offerings – while at the same time, 2019 served up the weird, the indy, and the quirky in spades!
★★.5 out of ★★★★★ Is this really too good to be true? Too bad to be believed? So ridiculous we all laugh with it? Or so horrible we curl up in a cringe-worthy ball of shame? Answer: All of ‘em.
★★★.5 out of ★★★★★ The new wave of horror cinema is officially upon us all. Gone are the jokey and...
★★★.5 out of ★★★★★
Say it ain’t so! A real life ghost story that just might be about real life GHOSTS! Not only is this a solid little flick with a gaggle of ghostly misdirection, it’s also a film that features THE Janeane Garofalo. Sadly, while Ms. Garofalo isn’t in the film too much, her absence is made up by lots and lots of strange and ghoulish apparitions -- or not.






























