It has become a Summer tradition: The Scariest Things joins forces with our Podcasting sisters from the East Coast, The Jersey Ghouls, to do some summer school homework. This year's assignment from Liz was to spin the Wheel of Misfortune and receive a Horror Movie Studio. We then were to report back on their history and legacy, along with some recommendations. It was an education for us, and we're passing it along to you!
★★ out of ★★★★★
Wait 30 minutes after eating before going for a Night Swim.
★★★★ out of ★★★★★
Strap in for the most uncomfortable ride of your life with Rob Savage's Dashcam.
In light of all the insurrectionist lunacy that we faced in early 2021, it's an incredible stroke of kismet that the horror gods would be throwing us the Forever Purge in the very same year. But they are.
Universal / Blumhouse is going back to a reliable well to theatrically release a pop-horror film: Freaky. The often re-booted classic kids comedy Freaky Friday is being genre-bent into becoming a horror film, from the team that did it once before with Happy Death Day.
★★★★1/2 out of ★★★★★
A fantastic heroine, an amphibious sea monster, and a tropical island. You should already be watching this movie.
Well, we're not sure who asked for this, but it's on the way. On December 13, 2019, we'll all get a chance to sit down and ingest the latest spooky offerings from Blumhouse in the form of the re-re-re-make of Black Christmas.
★★1/2 out of ★★★★★
Happy Death Day 2U not surprisingly repeats much of what made it good the first time, but to less effect.
Happy Death Day 2U not surprisingly repeats much of what made it good the first time, but to less effect.
Happy Death Day 2U not surprisingly repeats much of ... hey, wait a minute!
Get ready to stuff your stocking with the new short story collection Hark! The Herald Angels Scream from Blumhouse Books.
★★ out of ★★★★★
Save yourself 90 minutes and just laugh at the trailer.
A powerhouse production team puts their weight behind a new horror helmswoman.
Blumhouse's Jason Blum discusses the state of Horror Films with Dan Murrell of Screen Junkies.
★★★1/2 out of ★★★★★
Rinse and Repeat, with a Little Dying in Between.
★★★★ out of ★★★★★
Intensity 🩸 out of 🩸🩸🩸🩸🩸
Nanny is a gripping immigrant tale oozing with drama but light on horror. Anna Diop conveys the trauma of a mother struggling with the separation from her child, where supernatural events act as ominous harbingers.
★★★★ out of ★★★★★
Horror icon Brea Grant delivers a great-looking film with one cowboy-boot–wearing foot in modern gothic horror territory and the other in slasher-style fare, loading Nashville music scene chiller Torn Hearts with commentary on the price of fame.
★★ out of ★★★★★
Halloween Kills harkens back to the old traditions of the Halloween sequels. And that's not a good thing. The movie delivers expert gore effects and the cruel hyperviolence is superbly done. Old-school slasher fans will likely be quite pleased. But, for those who have grown accustomed to smart protagonists and the nuanced scripts of modern horror, you will be disappointed. This movie is simply an exhausting bloody trudge, setting up the next and nominally final chapter to this trilogy.
★★1/2 out of ★★★★★
Freaky takes the body swap idea from Freaky Friday, and gives it a slasher film twist. It's a fun concept, and is off and on entertaining, but the film's sloppy and predictable plot keep it from reaching the standard for similar Blumhouse fare like Happy Death Day.
★★★★ out of ★★★★★
What you can't see can kill you in this terrifying and timely update of Universal Pictures' The Invisible Man.
★★★ out of ★★★★★
Seann William Scott's first leading role in a horror movie puts family first.
We’ll just park this over here in the What the What!?!?!? category. Apparently, and justifiably, unsatisfied with the 2006 remake...
★★★★ out of ★★★★★
Blumhouse's first female director hits it out of the park.
★★.5 out of ★★★★★ It should come as no surprise, but technology’s bad. It’s, well, surprising how many times we...
Horror from India! And another Blumhouse production! Those guys are everywhere.
★★★★ out of ★★★★★
Shyamalan's Continued Return to Form, and a Chameleon Turn from James McAvoy.
Having fun with facial distortion phone applications.

























