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Tag Archive for ‘2022 horror’

Mike’s Review: Studio 666 (2022)

Mike’s Review: Studio 666 (2022)

★★★★ out of ★★★★★

It’s probably not too far out on a limb to say that Dave Grohl is an American treasure, but it turns out he actually is. From his time in Scream to Nirvana and his alt-grunge outfit the Foo Fighters, the man has done it all. Vacillating between documentaries with topics as varied as the Bad Brains, Lemmy, obscure record labels, and even Devo, Dave has covered nearly every possible music genre and sub-genre. 

While he’s acted in a handful of fictional films, he’s never really touched on the world of horror. That is until now. Turns out he’s a pretty great actor. And, he’s also got a penchant for comedy. 

Mike’s Review: Night’s End (2022)

Mike’s Review: Night’s End (2022)

★★★ out of ★★★★★

There’s nothing worse than living alone in a bleak and dreary apartment. Add Covid19 and some additional isolation. That’s pretty awful. Mix in conference calls with your patronizing ex-wife, her husband, and your best pal trying to help you transition in to the next phase of your life. Well, that’s really awful. Mix in some black magic, demons from another dimension, and true ghost hunters — then you’ve got a real recipe for demonic disaster. 

Mike’s Review: Hellbender (2022)

Mike’s Review: Hellbender (2022)

★★★.5 out of ★★★★★

It is oft said that being a parent is the most unique and rewarding experience one could ever have. Simultaneously it’s the most dull and common experience among us. There are highs and lows to be sure, but most of the relationships are spent having a meal, doing laundry, and trying to figure each other out. 

Hellbender spends the large majority of its hour and 26 minute run time focused on the more mundane aspects of the parent child relationship, but that doesn’t mean it’s not a wild and peculiar odyssey.

Mike’s Review: Texas Chainsaw Massacre (2022)

Mike’s Review: Texas Chainsaw Massacre (2022)

★★ out of ★★★★★

In 1974 we were treated to a gory nightmare that served as a haunting metaphor for the Viet Nam War. Now, 48 years later we’re being served a vile and equally nightmarish metaphor for class war and the cultural disposability of the elderly. There’s even a nice treatise on the perversion of the current real estate market in the United States.

Director David Blue Garcia even throws in a discussion of gun violence in America, the growing tension between red and blue states, and some light rumination the country’s history of racial injustice. Sound like too much? Well, it is.