★★★★.5 out of ★★★★★
If 2022 has you a little jaundiced with reboots, sequels, prequels, and re-imaginations your feelings are not unwarranted. Let’s face it, Halloween Ends was confusing and largely devoid of Michael Myers. The Texas Chainsaw Massacre was silly and uncooked. Hellraiser was pretty to look at, but became an unnecessary and boring reboot.
Have no fear. The Indonesians are here to save us!
★★ out of ★★★★★
Pearl WILL be one of the more divisive films of the year. It will end up on some “best of” lists, but it could very well end up on some “worst of” lists. Why? Simple really. It’s a very uneven film. It contains some rather shocking bits, but it’s also equally underwhelming.
★★★.5 out of ★★★★★
The 1930s and 40s brought us ghoulish voodoo zombies. The 1960s and 70s graciously brought us trundling brain-fixated zombies. The early 2000s somewhat quixotically brought us hyper-speed zombies. And now in the 2020s we’re being treated (emphasis on the sarcasm) to sadistic, cruel, and mean-spirited zombies. Good, bad, or indifferent this is the brutish zombie world we now live in.
★★ out of ★★★★★
It’s a new form of vampirism! It’s vampirism without vampires! Morbius is that oh-so-special vampire that’s content with Gatorade mountain blueberry blast-looking blood and who doesn’t burst in to flames every time he sees a crucifix. The dawning of a new and decidedly less malevolent Dracula.
★★★.5 out of ★★★★★
It is oft said that being a parent is the most unique and rewarding experience one could ever have. Simultaneously it’s the most dull and common experience among us. There are highs and lows to be sure, but most of the relationships are spent having a meal, doing laundry, and trying to figure each other out.
Hellbender spends the large majority of its hour and 26 minute run time focused on the more mundane aspects of the parent child relationship, but that doesn’t mean it’s not a wild and peculiar odyssey.
Fingers crossed — firmly. We here at the Scariest Things Podcast wish nothing but goodwill towards one of, and possibly, the greatest horror directors of all time. But, sadly, Dario Argento Dario has slipped in recent years. Mother of Tears, Dracula 3D , Giallo, and, well, you get the idea. Contrasted with his earlier work you get the maddening sense that father time has finally caught up with this giallo genius.
★★★★.5 out of ★★★★★
Archive 81 is the best piece of horror that’s ever dropped on Netflix and rest assured we’ll be talking about this as one of the best things that 2022 will offer us. Yes, you heard that right.
★★ out of ★★★★★
A quiet and contemplative affair that sadly just remains a quiet and contemplative affair. No highs, no lows, and few scares.
★★★★ out of ★★★★★
It’s probably not too far out on a limb to say that Dave Grohl is an American treasure, but it turns out he actually is. From his time in Scream to Nirvana and his alt-grunge outfit the Foo Fighters, the man has done it all. Vacillating between documentaries with topics as varied as the Bad Brains, Lemmy, obscure record labels, and even Devo, Dave has covered nearly every possible music genre and sub-genre.
While he’s acted in a handful of fictional films, he’s never really touched on the world of horror. That is until now. Turns out he’s a pretty great actor. And, he’s also got a penchant for comedy.
★★★ out of ★★★★★
There’s nothing worse than living alone in a bleak and dreary apartment. Add Covid19 and some additional isolation. That’s pretty awful. Mix in conference calls with your patronizing ex-wife, her husband, and your best pal trying to help you transition in to the next phase of your life. Well, that’s really awful. Mix in some black magic, demons from another dimension, and true ghost hunters — then you’ve got a real recipe for demonic disaster.
★★.5 out of ★★★★★
Horror comedy is a tricky bit of business. Too far in either direction can produce blood curdling, or alternatively, cringe inducing results. While it’s pure joy to dabble in both, sometimes films need to pick a figurative lane.
★★ out of ★★★★★
In 1974 we were treated to a gory nightmare that served as a haunting metaphor for the Viet Nam War. Now, 48 years later we’re being served a vile and equally nightmarish metaphor for class war and the cultural disposability of the elderly. There’s even a nice treatise on the perversion of the current real estate market in the United States.
Director David Blue Garcia even throws in a discussion of gun violence in America, the growing tension between red and blue states, and some light rumination the country’s history of racial injustice. Sound like too much? Well, it is.
The sequel/re-quel that no one really asked for is right around the corner. This winter we’ll get to see more septuagenarians and/or octogenarians battle it out in a grudge match that began nearly 50 years ago! Why? Who knows. But it sure helped give the Halloween franchise a kick in the pants!
As ideas slowly become more and more (re) used and reworked filmmaking has progressively embraced the meta. In fact, things have become so meta sometimes it’s difficult to tell when one concept ends and the next begins.
Enter the recently announced horror offering featuring…the Foo Fighters?