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Self-image, beauty norms, popularity. Grafted takes all that, mixes it with a corpse flower, and comes up with some murderously gnarly body horror.

Self-image, beauty norms, popularity. Grafted takes all that, mixes it with a corpse flower, and comes up with some murderously gnarly body horror.
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When a film becomes so firmly ensconced in our nation’s, nay the world’s, cultural zeitgeist there’s often nothing left to say about it. The film score, the triad of perfectly perfect actors, one of the best villains of all time, and more metaphorical subtext than you can shake a stick at.
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Are you a fan of obscure and cheesy cult films? Odds are, you would appreciate the efforts of Sinister Cinema, the Medford, Oregon-based distribution company that lovingly restored and distributed thousands of almost-forgotten films. This documentary from Jack Perez goes in-depth on the company that wouldn't let these films die.
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How is it that babysitting, traditionally the lowest common denominator flexible starter job, is so dangerous? Dooba Dooba is a lo-fi found footage film exploring the perils of a woman babysitting an odd girl full of tricks and dark secrets. If you think you know babysitter horror, think again; this movie has some wild twists. The film creates a moat of anxiety which will have you twitching from the dramatic irony of knowing too much, while the characters head blindly into awful decisions.
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In a slightly dystopian future, Mia Sheldon finds herself imprisoned at home for the crime of having a miscarriage. She has been acquitted of her husband's death, which was ruled a suicide. What opens as a promising premise slides into the overly familiar. Unfortunately, the film dodges what could have been a fascinating sociological critique. House of Ashes contains some humorous and chilling moments, but overall, the film fell a little flat.
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It Needs Eyes examines the link between the dangers of obsessive and addictive behavior when coping with grief. "It", in this case, is the dark web. Brutal social media requires people to watch the dreadful material to have any power. It has found an addict, corrupting the otherwise innocent Rowan, who is struggling through grief by watching things she should not see. This is a beautiful, slow-burning movie featuring terrific performances from young actresses Raquel Lebish and Isadora Leiva. The film never terrifies, but the story will get under your skin and unnerve you.
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This is a BRUTAL film with the biggest capital B that there ever was. Revenge with a capital R and blood with another capital B. NOTE: This film is not for the faint of heart!
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Alma and the Wolf spins a strange and surprising story that weaves themes of unfulfilled dreams and dark secrets. Ethan Embry, Li Jun Li, and the rest of the cast provide an emotionally poignant and ultimately tragic fable. Part psychological thriller, part folk horror, this film may be the best showcase of Embry's acting chops in his extensive filmography. This movie was the opening film at the Portland Horror Film Festival.
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28 Years Later is an exceptional cinematic achievement replete with iPhone footage, goat cams, and lots of drone footage. The problem is Danny Boyle and Alex Garland’s non-sequitur approach to the film has audiences ending up feeling like they’ve watched three films instead of one. Each act of the film ends up almost being an entirely different film.
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Predator: Killer of Killers is the second installment in the reinvigoration of the venerable action/sci-fi/horror franchise, following the 2023 release of Prey. Suffice it to say, the Predator franchise is in good hands. This animated feature picks up the baton from Prey, going back in history to epic battles between the Yautja (Predators, for the uninformed) and warriors of ages past. The production is gloriously illustrated, packed with action, and is written according to the mantra of show, don't tell.
Our hometown favorite film festival is kicking off its tenth annual showcase of independent horror films. World-renowned for their horror short films and underground horror features from across the globe, The Scariest Things is once again proud to be associated with them. Our team will cover the films, interview the filmmakers, and once again run the Horror Movie Greenlight Pitch experience at the Saturday night closing party, outdoors and under the stars at Dot's Cafe. Be part of the Portland Horror Film Fan community and join us!
Toxic relationships, sexuality, vigilante justice, and meat. Lots of meat.
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Bring Her Back is the sophomore horror feature effort from the Australian Philippou brothers, who two years ago produced the surprise hit Talk To Me. I am happy to report that they have once again delivered a spine-tingling and intense thriller that will haunt your soul for years to come. Sally Hawkins provides a villainess for the ages, and the rest of the young cast become sympathetic pawns in a horrifying possession experiment. The movie is an excellent original story, but you need to be willing to sit through a slow, steady burn and withstand some savage gory moments.
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Control Freak might be the itchiest movie ever made. Vy Nguyen is a self-help guru on the rise and on the cusp of great fame. Despite her outward confidence, she has developed a nervous habit of scratching the back of her head. The psychological effect is due to a curse handed down to her from her parents, and what starts as an itch threatens to destroy her and everything she has achieved. You will be scratching your head by the end of this movie. (For many reasons)
A spectacular documentary style, Lovecraft adjacent, conspiracy driven deep dive into a top secret government project. You have been warned.


























