★★★1/2 out of ★★★★★. Underwater is a furiously paced movie that applies the pressure early (pun intended) and rarely lets you up for air (pun intended again). The familiar setting and lack of character arcs are overcome by a strong cast, great production values, and a simple but well-executed plot.
Welcome to Camp Nawgnamakit! (get it?)Come sit by the fire and be seranaded with tales of the tragic tale of revenge that is The Bloody Ballad of Squirt Reynolds! One of our favorite short films of last year has finally arrived for view courtesy of Antrum.
★★1/2 out of ★★★★★ What's the worst thing somebody just coming out of rehab should do to relax and find peace in the world? Go to a slasher camp re-enactment! This film telegraphs its moves like a brass band marching through the forest.
Can they pull it off again? The monster hit (both literally and figuratively) from 2018 is back, and pretty much everyone involved before is at it again. The first full trailer has dropped.
★★★ out of ★★★★★ This crazy mash-up cyberpunk-comedy-horror really shouldn't have worked. Surprisingly, it did. A movie that should have felt derivative comes out feeling like it has fresh ideas and has you on board for this Australian comic-bookish Satanic techno ride.
★★★★ out of ★★★★★ A stark and haunting minimalist horror-fantasy, about a vengeful father fulfilling his oath to bring down the monster that killed his daughter.
Once again Hollyweird cranked up the almighty money-making hype machine and got to work on some very fine artistry. While it's got to be more and more difficult for graphic designers to cram all of the fear, fright, and gore on to an iPhone screen, designers have not yet thrown in the towel!
BAD KITTY! How did this get past us? Ryan Reynolds is hearing voices from a good dog, and a bad bad cat. The cat is much more fun. This one came to our attention from appearing in Liz Williams' top movies of the decade. This was her sleeper film from 2014!
It was a great year for Horror Films, and without an individual film that was head and shoulders above the rest, making this a bit of a challenge to pick a top 10. There was a nice mix of film festival independent darlings, as well as some surprisingly good major studio offerings this year. If you haven't done so already, go listen to our favorite movies of the decade. I believe we are still in the middle of the golden age of quality horror stories.
There can be little doubt that the past decade has been another wonderful golden era for horror movies. The generational change of horror voices arrived in a big way in the Teens, and horror movies have found serious purchase in both critical and popular appeal. The Scariest Things brings the WHOLE TEAM to the podcast this week, as Robert and Joseph join Mike, Liz, and Eric to promote our favorite genre offerings from the past ten years.
2019 was as year that was awfully similar to its most recent astrological brethren, 2018. There were some awfully big, earnest, and well-heeled horror offerings – while at the same time, 2019 served up the weird, the indy, and the quirky in spades!
Two great tastes that go great together: You got your horror in my comedy! You got your comedy in my horror! Something in the brain likes the yin and yang of what scares us and what makes us laugh. The Scariest Things looks for some next level movies to make you howl with laughter as much as fear.
★★ out of ★★★★★ Tapping into the hipster zeitgeist, The Banana Splits Movie looked to provide nostalgic psychedelic infused wackiness with ironic ultra-violence layered on top. Instead, it's a depressing morass filled with unlikable characters.
★★★★ out of ★★★★★ Lex Luthor was right. This alien may look like us, but he is here to destroy us. This VERY dark take on the Superman parable is the very violent flip side of the Man of Steel, right down to the swing set and the waving wheat of Kansas.
🤡🤡.5 out of 🤡🤡🤡🤡🤡 Writing is a struggle. Too much exposition gives the appearance of being a churlish jerk who sucks all of the oxygen out of a room. While too little exposition has the air of being aloof, uncaring, and unwilling to let the audience in on the scares. Weirdly, Haunt vacillates between both words, but manages to tell this spooky story in the most ineffective way possible.

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