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A spectacular documentary style, Lovecraft adjacent, conspiracy driven deep dive into a top secret government project. You have been warned.
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⭐️⭐️⭐️1/2
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A gore-filled, action packed love letter to revenge westerns from days gone by. Entirely shot on 16MM film using gear from the 1960s making the whole film positively drip with vintage style.
★★★★1/2 out of ★★★★★
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Sinners proves positively that Ryan Coogler has mastered the art of making a horror blockbuster. He resides on a short list of directors who can not only deliver stunning artistic achievements, but at the same time knows how to please a demanding audience. Bathed in boozy, bluesy period atmosphere, it represents swampy cool, and celebrates the black experience of black culture in the 1930s Jim Crow South. Already a box office smash, the Academy should start preparing for another horror movie to crash the Oscar party come the next nomination period.
★★★★ out of ★★★★★
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Daydreamers (Nguoi Mat Troi) announces that Vietnamese horror has arrived, boldly and with style. It takes the traditional Western tropes of vampires and packages them in a wholly Vietnamese wrapper. Two vampire brothers have taken different paths in their acceptance of vampirism. The older brother, Marco, revels in the power that is bestowed upon him. His younger brother Nhat seeks freedom from the restrictions and curse of vampirism and seeks to become human again. Themes of family honor, redemption, recovery, betrayal, and forbidden love play strongly throughout the film.
★★★★ out of ★★★★★
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Sibling rivalry of the deadly kind abounds in Mexican chiller Don't Leave the Kids Alone. Here is The Scariest Things' review from Calgary Underground Film Festival 2025.
This is a SPOILER description of the tropes in Clown in a Cornfield. It isn't the actual review. Part of the fun with this movie was identifying all of the traditional themes and tropes that Clown in a Cornfield used to build up its story. This link was created so that people who didn't want to get spoiled for the film can avoid divulging the big story beats in the movie. For those of you who like spotting tropes like BINGO, read on! But, with a word of CAUTION, if you are spoiler sensitive.
A link back to the review is provided in this post.
★★★ out of ★★★★★
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Clown in a Cornfield is a return-to-basics teen slasher movie that gets all the little things right, but shares the same narrative limitations as its precedent source material. Sometimes hilarious, often bloody, this adaptation of a popular YA novel by Adam Cesare is tonally pitched still at a younger audience, and will likely be quite popular with the teen scene.
★★1/2 out of ★★★★★
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Ash is a big, bombastic science fiction horror film that wears its influences on its sleeves. It offers a thrilling opening sequence and a monstrous conclusion but gets completely lost in its storytelling. Director/composer Flying Lotus crafted lovely psychedelic visuals and composed a soundtrack that thunders with propulsive energy, but unmemorable characters prove to be this film's undoing.
★★★★.5 out of ★★★★★
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It Ends travels with four college students on a road trip as a last hurrah before sending one of their own into the working world. What was meant to be a simple food run becomes a trip down a dreadful and endless road. As the miles add up, the group struggles to determine why they have been dealt this fate, fearing that this might be the afterlife with no off-ramp in sight.
★★★★.5 out of ★★★★★
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Good Boy is a ghost story told from a dog's perspective. If you have ever wondered why your dog has been barking at shadows or unheard sounds, you will understand the mechanics of this film. Our furry best friends know things that we can't fathom. Indy is a loyal pet to his ailing owner, who has moved into an old home with a cursed reputation.
★★★★★ out of ★★★★★
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If we are honest with ourselves, most of us would identify more with the imperfect Elvira than the flawless Cinderella. Emilie Blichfeldt has produced a master class in deconstructing a modern myth. Beauty may only be skin deep, but its impact on one's self-worth can be devastating. The Ugly Stepsister is a boundary-pushing movie that is guaranteed to make you uneasy or even queasy and will leave an emotional mark on you.
★★★.5 out of ★★★★★
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In Redux Redux, a vengeful mother engages in a multiverse-hopping vendetta to exact justice on a serial killer who murdered her daughter. She hopes that in one of the alternate universes, she will find a world where her daughter is still alive. An interesting take, if a bit over-extended, on the causality loop of fate.
★★★★ out of ★★★★★
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How far will you go to protect your children from poor decision-making? Hallow Road hits the streets as a one-room black box stage thriller set in an automobile. Two parents race to the scene of an accident involving their daughter, as panic sets in and additional levels of tragedy are revealed. This movie will put you through the emotional wringer and has some cryptic plot twists hiding in the shadows.
★★★★.5 out of ★★★★★
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The post-apocalyptic Canadian survival tale 40 Acres is a savage and emotional story that tests the boundaries of Darwinian society at the brink. In the end, when countries and governments fail, the family unit survives. This movie has increased prominence due to the current tensions between Canada and the US. The sense of dread only increases when the plausibility factor of this story has increased tenfold in recent months. The plot mirrors a thrilling opening scene with a devastating closing act, which stacks the deck heavily against our protagonists. Pulses will pound.
SXSW review of the superb short horror film VIDOE BARN, a valentine to video rental stores and a fine entry in the cinematic subgenre of high strangeness involving videotapes.
Memories of abuse are not the only things haunting an elderly mother and her adult son in the disquieting supernatural chiller THE HOME.
★★★★ out of ★★★★★
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The stakes are as high as the coke-snorting estate agent protagonist in director Gerard Johnson’s suspenseful thriller ODYSSEY.
★★★★ out of ★★★★★
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The Gorge is the ultimate mash-up film. Science fiction, romance, war, and horror are all bottled into one package. What The Gorge does best is character building. Anya Taylor-Joy and Miles Teller have real star power and great chemistry. The action sequences rock, with great choreography and impressive production values. The monsters, though, are a mixed bag and are window-dressing MacGuffins to the main event, romance.
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All 57 inhabitants of a tiny town on the Mexico/Arizona border are murdered in a single night. Was it the barbaric work of a lone drifter? Or is the truth even stranger? This documentary dives in to shed some light on the mystery.
All 57 inhabitants of a tiny town on the Mexico/Arizona border are murdered in a single night. Was it the barbaric work of a lone drifter? Or is the truth even stranger? This documentary dives in to shed some light on the mystery.
★★★ out of ★★★★★
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Companion is one big love triangle. Literally and figuratively. It deftly balances a series of human and non-human relationships, while at the same time trying to thread a very delicate needle between comedy, horror, and the sci-fi thriller genres.
★★★★ out of ★★★★★
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Here for Blood mixes wrestling suplexes and a murderous KISS-like death cult with a babysitting plot. Surprisingly, the movie pulls it off. The movie's action pounds through the plot with splattery glee and aplomb. Moreover, the unlikely partnership between hulking Shawn Roberts and 10-year-old Maya Miseljevic is pure magic.
★★★1/2 out of ★★★★★
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When the world begins to fall apart, civilizations do some pretty crazy shit. Caitlin Cronenberg's first feature film, Humane, explores the possibilities in this dark satire. The Canadian government offers compensation for voluntary euthanasia. A prominent and wealthy family patriarch intends to make a grand political, patriotic gesture, but it goes horribly, bloodily wrong.
⭐️⭐️1/2 out of ⭐️⭐️⭐️⭐️⭐️
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A summoned creature. A history of genocide. A hotbed of disappearances. The sleepy little town of Newport's Valley has a lot going for it. Why not book a room at the Barn Owl Inn and see for yourself?
★★★★ out of ★★★★★
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Don't Move is a surprisingly tight and tense thriller that knows the story it wants to tell and keeps its focus. The result is a highly stressful viewing that keeps you calculating the odds in anticipation of escape from our heroine who spends a large portion of the movie paralyzed.
★★ out of ★★★★★
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There’s only question that needs to be asked about 2024’s remake of Speak No Evil. Why?
★★1/2 out of ★★★★★
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Brimming with inventive promise, Never Let Go is a movie of half-moves that never resolves its post-apocalyptic and psychological horror concepts. Halle Berry tries her best, but it becomes a frustrating endeavor by its conclusion.
★★1/2 out of ★★★★★
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This is the first horror film in 2025 that you can safely skip. To be clear, it’s a good looking production with a great soundtrack, but The Wolf Man is one of the poorest excuses for a werewolf you’ll ever lay your eyes on.
★★★ out of ★★★★★
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This one’s a real puzzler. On the one hand it’s a full-on gross-out B-movie, with questionable acting and an equally questionable plot. On the other hand Terrifier 3 is a real achievement. The gore is certainly like nothing you’ve ever seen before — unless you already watched Terrifier 1 and 2 -- and the mean-spirited depravity is something to behold. This is a film that would have Herschell Gordon Lewis, Tom Savini, and Lucio Fulci hunched over a stain-soaked toilet.
★★★★ out of ★★★★★
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Your Monster is that rare Horror Rom-Com that succeeds on multiple levels. It takes the breakup film and mashes it up with the Beauty and the Beast and Imaginary Friend tropes. And then it pours madness sauce on top. The comedy hits. The romance is likable and endearing. And, though it saves the horror for quite a long stretch, Your Monster eventually delivers a great coup de grace of horror.
★★★★★ out of ★★★★★
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Nosferatu is a staggering accomplishment. Visually stunning, with sublime acting, Nosferatu is everything you would hope for in a horror costume drama. It helps that the director is the master of the period-piece horror movie.