★★★★ out of ★★★★★
Straight outta the Pacific Northwest comes another joint from the same team that brought you 2018’s Big Legend. A far more daring, if not a little less linear, than their first outing with Bigfoot, 2021’s The Stairs is a complex bit of business wrapped up in a cautionary camping tale.
★★★ out of ★★★★★
Man Under Table is a surreal, darkly comic commentary on the trials and tribulations of independent filmmaking. It has an air of dread and bleakness of the horror-adjacent kind.
★★★1/2 out of ★★★★★
Throw the script overboard and set sail with Mareld!
★★★1/2 out of ★★★★★
A group of paranormal investigators gains access to an abandoned amusement park in Malaysia called Miimaland, as part of a challenge by a shady hustler. What starts out as an amusing lark becomes a deadly curse trap that proves to be a haunted destiny for the crew.
★★1/2 out of ★★★★★
edges, particularly the dialogue, but it has a lot of heart. The introduction of indigenous Borneo Iban villagers is respectfully done and makes this quintessentially Malaysian. You do root for the film, even while wincing at its deficiencies.
★★★★ out of ★★★★★
An insightful take on a classic ghost story. Director Alex Galvin manages to maintain the melancholy tragedy of the Henry James Gothic tale, while adding in an appropriate modern twist that adds an extra layer of meaning to the proceedings.
★★★ out of ★★★★★
Horror takes to the skies once again with Netflix's latest blood-soaked vampires-on-a-plane romp.
🔪🔪🔪🔪 out of 🔪🔪🔪🔪🔪
Just when you thought it was safe to go to the movies, or watch a horror film, or be a woman, along comes a nasty bit of business courtesy of Frodo Baggins.
Here are three reviews from South Korea's Bucheon International Fantastic Film Festival, for a highly artistic Spanish historical chiller, a moody Vietnamese horror based on Asian urban legends, and a fine Hong Kong psychological horror thriller.
★★★★1/2 out of ★★★★★
The ultimate road rage movie that collides with a nail-biting home invasion film. This Dutch film absolutely pours the intensity on in a way unseen in many a year. A rude and headstrong man picks the wrong enemy in a highway tailgating incident, subjecting his entire family to the revenge of a nuanced killer who uses rat poison as his weapon of choice.
★★★ out of ★★★★★
Once more into the maze! It's still full of tricks, traps, misdirection, and impossible challenges. As it was the last time, the killer escape rooms are hugely imaginative, even if the overriding plot isn't. It's an entertaining low-calorie thrill ride that is as entertaining and exciting as a roller coaster, but it has about as much nuance and character development as an carnie ride as well.
★★★ out of ★★★★★
Great White delivers some effective shark-attack–movie thrills with solid acting but not many new elements.
★★★1/2 and ★★★★ out of ★★★★★
The Purge series has a way of reflecting the anxieties of the moment, and the latest installment, The Forever Purge, pours gasoline on the subject of immigration and the ugly political divide within the United States. It is a ferocious dystopian view that if you squint, is frightening as to how close we are to this dark reality. Your feelings about this film may get framed largely from your political point of view.
★ out of ★★★★★ It looks like a horror film. It acts like a horror film. It’s directed by cinema great and heir to the Hitchcock throne. Its promotional materials portend horror is just around the corner. But don’t be fooled, this super-star-packed 1970s telekinetic hype machine is nothing but a boring and unnecessarily long after-school special.
★★★1/2 out of ★★★★★
This horror comedy about two ghosts trying to work their way out of purgatory features humor that ranges from the broad to the uncomfortable, and is brought to cinematic life by a game cast.
★★★★ out of ★★★★★
The new park ranger in town teams up with the local mail delivery person to try and calm down the unconventional locals when it seems a werewolf may be on the loose in this lighthearted creature-feature comedy.
★★★ out of ★★★★★
In 1984, an ambitious epidemiologist with flexible ethics is called on by the government of the USSR to investigate -- and collect samples from -- a top secret research site built inside the deepest hole ever drilled into the Earth.
★★★ out of ★★★★★
Where does Annie Clark end and her St. Vincent rock star persona begin? Her friend Carrie Brownstein attempts to document that until the answer to that question winds up in an absurd, sometimes surreal blur in this ambitious mockumentary.
★★ out of ★★★★★
Some will say the epicenter of the Fulci universe lie in the greatness of the gory triptych: The New York Ripper, The House by the Cemetery, and The Beyond. Others will point to the earlier, less gory but equally frightening confines of The Psychic, Don't Torture a Duckling, and A Lizard in a Woman's Skin. No matter where you fall on the Lucio Fulci spectrum it’s awfully hard to argue about his immense and ever-lasting output. Stanley Kubrik only directed 13 films. But Fulci? He directed 61.
★★★1/2 out of ★★★★★
Killer pants. Designer jeans to die for. Corporate greed meets its match in a pair of pants thirsting for vengeance.
★★★★ out of ★★★★★ Once a film franchise crosses over in to four, five, or six sequels, or god forbid a complete reboot, it deserves lampooning and a heaping dose of criticism. That many sequels is often a reflection of the imagination tank run completely dry. Take your original story/villain and wash, rinse, and repeat.
★★★ out of ★★★★★ Umm what just happened? Was that a dream? Did I just have a stroke? Did my ego and id simultaneously implode? Unclear on all fronts. One thing is certain. This is a film like no other and it’s not something you can ever unsee.
Destined to be one of the most talked-about and divisive fright-fare films of the year, auteur Mickey (Climate of the Hunter) Reece's possession-horror feature brings "But is it horror?" to a whole new level.
★★★ out of ★★★★★ Directed by Prano Bailey-Bond Enid (Niamh Algar) is a film censor in London who’s job it is...
★★★★ out of ★★★★★ Everyone gets old. It’s no more complicated than this little horrifying truism. The world of horror is filled with ghosts, homicidal nutcases, Pazzuzu, creepies, crawlies, and robot-monsters. But, nothing, repeat, nothing, is more frightening at the prospect of losing your mental and physical faculties and facing the sad and potential finite end of life.
Along with the terrific feature-film lineup from Twisted Dreams Film Festival’s 2021 virtual version, the festival serves up plenty of short-form fright fare, too. Here is a second set of capsule reviews of just a few of the short films on offer.
★★★ out of ★★★★★ Written and Directed by Ben Wheatley During the lockdown of 2020, while the rest of us...
Along with the terrific feature-film lineup from Twisted Dreams Film Festival’s 2021 virtual version, the fest serves up plenty of superb short-form fright fare, too. Here are capsule reviews of just a few of the short films on offer.
★★★1/2 and ★★★★ out of ★★★★★
The highly anticipated return of the demonologist duo, The Warrens, has arrived on the big screen. It starts off with a ferocious roar of an opening scene, and largely holds its dramatic tension to the finish of this exorcism mystery meets courtroom drama.






























