⭐️⭐️1/2 out of ⭐️⭐️⭐️⭐️⭐️
Intensity: 🩸🩸 out of 🩸🩸🩸🩸🩸 (for possible triggers)
A solid entry in the Indie Slasher genre that starts off strong with a claustrophobic, trust-no-one vibe.
Intensity: 🩸🩸 out of 🩸🩸🩸🩸🩸 (for possible triggers)
A solid entry in the Indie Slasher genre that starts off strong with a claustrophobic, trust-no-one vibe.
🩸🩸🩸 out of 🩸🩸🩸🩸🩸 for horrific gun violence, some torture, and some crunchy re-animated dead.
Ted Geoghegan wrote and directed a nifty mystery box of a film wherein a group of WWII army officers support their friend, Lt. Colonel Hockstetter (Larry Fessenden) in his attempts to to reconnect with his recently deceased wife. A terrific veteran cast delivers the drama in this well constructed (and occasionally bloody) ghostly escape room of a story.
🩸🩸 out of 🩸🩸🩸🩸🩸
The WWI trench warfare horror film Bunker follows a mixed squad of British and American doughboys who are trapped in a deserted German bunker and encounter something far more sinister than enemy forces waiting for them. With the ongoing conflict in Ukraine, it's only appropriate that movie goers return to the horror of trench warfare.
Intensity: 🩸🩸 out of 🩸🩸🩸🩸🩸
A Korean couple fail to heed the warnings of a serial killer on the loose when embarking on a romantic chabak (car camping) excursion. A standout performance by Kim Minchae and a strong story foundation probably pushes one too many melodramatic twists at the end. Still an entertaining slasher film worth watching.
An oddly touching movie about family, loneliness, depression, and a creepy man who can swallow people whole.
🩸🩸🩸 out of 🩸🩸🩸🩸🩸
Come To Daddy is a movie with two lives. The first half is a taught father-son dysfunctional family character piece, and the second is a hyper violent fight for survival, featuring Elijah Wood.
🩸🩸🩸🩸 out of 🩸🩸🩸🩸🩸
A brutal and difficult to watch examination of a young woman laid low by a necrotic wasting case of VD. Emotionally rough and viscerally horrifying, this is not one for the weak of heart or stomach.
Intensity 🩸🩸🩸out of 🩸🩸🩸🩸🩸
Cuckoo is a wildly imaginative and original slice of mad science horror. It doesn't always feel coherent, but it constantly entertains with roaring action and fascinating characters. This is a showcase for rising star Hunter Schafer, who commands attention as the surly lead protagonist, Gretchen.
🩸 out of 🩸🩸🩸🩸🩸
Come for the kidnapping, stay for the teriyaki! Dead Mail...delivers the weird.
Intensity 🩸🩸1/2 out of 🩸🩸🩸🩸🩸
Eddie Izzard steals the show in Hammer Films' DOCTOR JEKYLL.
Intensity 🩸 out of 🩸🩸🩸🩸🩸
As we’ve said before, pulling off a horror comedy is one of the most precarious feats a director can attempt. The feat is made all the more difficult when it’s done on a micro-budget with limited to no resources. Easter Bloody Easter manages to walk this tight rope with aplomb, while pulling in one of the coolest Black Sabbath horror references since the semi-eponymous Black Sabbath in 1963.
🩸 out of 🩸🩸🩸🩸🩸
Eileen is a moody noir thriller of the highest caliber that delves into the deepest, darkest parts of the human psyche.
Intensity: 🩸🩸🩸
Positively leaping into the #1 spot of my "How Did I Miss This?" ranking, Maurice Devereaux's Montreal-based End Of The Line is a wicked little surprise. A gory mix of religious fanatics, old skool pagers, subway demons, and possibly tainted muffins!
★★ out of ★★★★★
A psychedelic art-school retelling of Robert W. Chamber’s King in Yellow, in desperate search of a coherent plot.