★★★ out of ★★★★★ A trippy third act and solid performances highlight this vampire outing. Directed by Aaron Pagniano Writer/director...
★★★★ out of ★★★★★ Probably the bleakest feel-bad horror film of this year, Bryan Bertino’s latest is a triumph of...
A family hoping for a new start in life by moving to Madrid instead finds itself targeted by an angry ghost in 32 Malasaña Street, which makes up for any familiarity with technical quality and fine performances.
★★★ out of ★★★★★ At the Scariest Things Podcast we pride ourselves for being THE gateway to the trends and tropes of the horror genre. Sure, sometimes we wander in to the deep and dark recesses of the genre. We give Anthropophagous an extra viewing here/there. We cringe when we (re)watch Audition. We think twice about watching A Serbian Film. But, mostly we want to invite everyone in to the never-ending thrill ride that is horror. Sometimes that thrill ride includes PG-13 fare like Vampires vs. the Bronx.
★★★★ out of ★★★★★
Fright-fare favorite Brea Grant helms a dark comedy with loads of suspense, as a drug-addicted, organ-harvesting nurse tries to keep things under control on an especially wild night.
★★★★ out of ★★★★★
Ray Harryhausen would be proud! Love and Monsters defies expectations with more emotional resonance, visual wizardry, and storytelling surprises than you would expect. The monsters are spectacularly rendered, and convincingly animated. Dylan O'Brien is a joy to watch, in the best role of his young career. The most important thing to know is that this movie is worth the premium price for streaming entry.
★★★★1/2 out of ★★★★★
A grifter with good intentions, but in need of a lucky break, signs up for a job that seems too good to be true. Lapsis is a dystopian parable for the treadmill of old-fashioned hard work and the fear that technology is going to make you obsolete.
★★★★ out of ★★★★★
Breaking Surface will have you on the edge of your seat and gasping for breath.
★★ out of ★★★★★
The Doorman is a throwback action movie, starring Ruby Rose as an ex-special forces soldier turned doorman battling Jean Reno and his squad of art thieves. The film gets bogged down in stale clichés and surprisingly bland action pieces. Not everything on Nightstream was awesome, or even horror.
★★★ out of ★★★★★
Delicious cherry pie. Would you like some eternal imprisonment with that or just coffee?
★★★★ out of ★★★★★
May (Brea Grant) is an author who finds herself under repeated attack by a mysterious would-be killer. She mounts successful defense after successful defense, but each time she wins, the assassin disappears. It's an exercise of frustration and futility for May as nobody believes her and her proof proves to be elusive.
★★★ out of ★★★★★
Sweeping cosmic weirdness has been achieved in The Hill and the Hole, an adaptation of a 1942 Fritz Leiber short story. Buoyed by stellar cinematography but burdened by an inscrutable plot, this film might be best understood under heavy hallucinogens.
★★★★ out of ★★★★★
Two French dullards discover a giant housefly in the trunk of a car that they stole, and they realize that this monstrous insect could be their ticket to fame and fortune. Toro! From Quentin Dupieux, the director and twisted imagination behind Rubber (2010), the bonkers Mandibles was the festival closing feature for Nightstream.
★★★1/2 out of ★★★★★
Jeffrey Combs lends his voice to a smooth-talking lump of bathroom mold in this slow moving psychotronic film. Did I mention Jeffrey Combs? Jeffrey Combs!
★★★★ out of ★★★★★ This French offering is one of the better horror anthologies you are likely to see this...
★★★★ out of ★★★★★
The sequel to the Indonesian horror hit May the Devil Take You is a more than worthy successor to the storyline. Alfie, the survivor of the first film is drafted by a group of orphans to assist with the exorcism of their demon spirit of their wicked caretaker. Strong Sam Raimi and Wes Craven influences are in abundance in this bloody and fun showcase of what Indonesian Horror has in store.
★★★ out of ★★★★★ Exit is an experimental U.K. film with surreal, sometimes trippy elements that combines social and political...
★★ out of ★★★★★ What in the world happens when filmmakers run out of ideas? Well, it's rather simple. A) In most cases they go back to the well, B) there's always a sequel, or prequel, or a reboot, C) the idea is reimagined through the lens of an out of copyright idea, story, or myth, or D) they just run out of ideas. Sadly, for 2020's The Hunted, the answer is D.
★★★★★ out of ★★★★★
An exhausted Iranian couple that is struggling with fitting in their arrival in America crash in a hotel after a night of bickering. The hotel presents them with some hard, hard truths and becomes a haunted prison rather than the refuge they sought. Tightly scripted and wonderfully acted, the film finds its power through suggestion and implied concepts.
Read the review of The Night, and then click here for some SPOILER Interpretations of the structure of the movie.
★★★★.5 out of ★★★★★ In the latest installment of "If you're not watching Indonesian horror movies, you're blowing it," brings us 2020's The Queen of Black Magic. It's true. Indonesia is the new incubator for the creepiest crawlies that the horror genre has to offer. Every country has had their day in the sun. The UK plastered us with Hammer and Amicus throughout the 1960s. The US reimagined the genre with slashers and super killers throughout the 1970s and 80s. And Japan brought a whole new slate of water and hair-borne frights in the late 1990s and in to the early 2000s. Now it's Indonesia time to shine.
★★★★★ out of ★★★★★
Creative, gory, action packed and absolutely hilarious- Bloody Hell, it's great!
★★★ out of ★★★★★
There's literally something fishy about this little beachside community, as a vacationing couple get entangled with a strange beachside community ritual. This is what you get if you mashup Rosemary's Baby with Humanoids from the Deep. The film telegraphs its punches, but it is clearly for fans who like their Lovecraft stories with a thin slice of sleazy.
★★★★ out of ★★★★★ There exists that great space in documentaries that take place decades after the event occurred. It's this beautiful melange of revisionist history, lucid thoughts, purposeful sleepwalking, and repressed memories. All answers are correct and infallible when the documentary is filtered through the iconic lens of a single and thoughtful directorial darling. THE William Friedkin is the ultimate bridge between Hollywood's glorious beginnings and the revolutionary young guns of the 1970s. It should come as no surprise the Friedkin has some rather insightful things to say about one of the greatest films of the 1970s, possibly the greatest horror film of all time, and in some camps, THE greatest film ever put down on celluloid -- the Exorcist.
★★★ out of ★★★★★ Directed by Aneesh Chaganty Run is the story of a mother named Diane (Sarah Paulson) who...
★★★★1/2 out of ★★★★★
Once upon a time in Estonia, there was a spooky anthology gem that stitched together four fantastical tales of dread. Though only one of them truly feels like a Fairy Tale, each of them spins scintillating storytelling and backs them up with stylish visuals.
★★★1/2 out of ★★★★★
When your school is built on the ruins of a creepy old hospital you're just asking for trouble.
★★★★ out of ★★★★★ Horror movies really are the ultimate glimpse in to the soul of man. Society's reflection upon itself. Our most base thoughts, visions, hopes, dreams, and fears all laid bare for the universe to see. The historic period of time is largely irrelevant to the equation, because the result is always the same -- man's continued inhumanity to man.
★★★★ out of ★★★★★
A classic in the mockumentary/found footage genre is finally available to a wider audience!
★★★1/2 out of ★★★★★ It’s folk horror island style in the latest from Darren Lynn Bousman. Engaging performances and an...