★★★★ out of ★★★★★
Mother Earth just may have it in for us, according to the South African Eco-Horror showcase Gaia, which had its World Premiere at the SXSW film festival. It's beautiful, quiet, creepy, and full of spores. (Cough! Cough!)
★★★★ out of ★★★★★
Intensity 🩸🩸 for vampiric violence
Jakob's Wife is an essay on a mid-life menopausal crisis, by way of vampirism. Jakob's Wife delivers great character arcs and engaging acting. Barbara Crampton has been given a meaty role, and she delivers perhaps her best screen performance in memory. Larry Fessenden also is stellar as the well intentioned minister Jakob.
South by Southwest (SXSW), the biggest arts and culture festival in the US had a fully virtual presentation in March. Mike and Eric take a moment to discuss the Midnighter Films presented at the big Austin streaming showcase.
★★.5 out of ★★★★★ Pulling the perfect Lovecraftian film is a feat like no other. It’s been tried again and again. You might even say film makers repeated attempts to crawl inside Mr. Lovecraft’s tortured brain is rife with peril, failure, and madness. Or more to the point, it’s a cursed mission. Many have attempted to bring Lovecraft to the silver screen and most have failed. In the case, of 2021’s Offseason, it’s not so much a failure, but a dull attempt.
★★.5 out of ★★★★★
Horror comedy is a tricky bit of business. Too far in either direction can produce blood curdling, or alternatively, cringe inducing results. While it’s pure joy to dabble in both, sometimes films need to pick a figurative lane.
★★★★ out of ★★★★★
Hypochondriac is really a film that hits the right place and the right time. Mental health, familial relationships, concern about physical health and well being, and our collective sense that we just might be lost in the universe. Hypochondriac delivers on all these fronts and manages to sneak in a couple legitimate scares!
★★★★★ out of ★★★★★
Just because you're paranoid, doesn't mean you are not being watched.
Moshari ★★★★ out of ★★★★★
Homesick ★★★ out of ★★★★★
Wild Bitch ★★★ out of ★★★★★
Joseph reviews three fine short films from SXSW.
★★★★ out of ★★★★★ Right around the corner from Horror Street, just next to Parallax View Way, and right near Marathon Man Drive, is a fascinating analog look at the lengths obsessives will go to in feeding their obsessions.
★★★ out of ★★★★★
A young woman who saw her family murdered tries to recreate through music the feeling that occurred at that time in this horror outing that is heavy on human suffering but light on logic.
Directed by Alex Noyer
Along with SXSW Online 2021’s incredible horror feature-film lineup, the festival offered plenty of fear fare in short form, too. Here are capsule reviews of four of these short-length shudder makers.
South By Southwest is one of the biggest festivals in the country. It encompasses film, music, comedy, education and technology...
★★.5 out of ★★★★★
Who’s ready for an early 1990s straight-to-VHS horror-filled romp in the hood? Silly caricatures? Thin and well-trod plot? A vague rip-off of 1980s slashers and a not-so subtle rip-off of the Saw franchise? If any of this sounds remotely interesting then you’re in for a treat! Bitch Ass has got it all.
Emergency: ★★★★ out of ★★★★★
as I was during the dark-comedy thriller Emergency. Its trio of protagonists have different views on what the right thing to do in their situation might be, and everything they do seems to get them in deeper and hotter water.
Blink: ★★★★ out of ★★★★★
A young woman named Mary (Sophie Thatcher) wakes up in a hospital bed, paralyzed and only able to communicate with the nurse on duty (Alicia Coppola) by blinking. Full Short included here!
★★★★ out of ★★★★★
A gripping film that finds a fine balance between the terror of having a stalker with dark humor rooted in the supernatural, Jethica is a must-see for fans of well-crafted independent cinema.
★★★★ out of ★★★★★
🩸🩸 out of 🩸🩸🩸🩸🩸 for mild gore and violence.
A hundred years on we’ve been blessed and not-so-blessed with hundreds, or maybe thousands or Frankenstein-related films. Remakes, reboots, re-imaginations, reworking of the Mary Shelley source material, and even re-re-working of Shelley’s book. The Frankenstein mythos has comfortable slipped into our collective horror zeitgeist.