★★★.5 out of ★★★★★
Come for the insane 1970s Italian gore! Stay for the superb Goblin soundtrack! It’s all here! Frankly, is there anything more you could ever ask from a horror film? Well, maybe.
★★★.5 out of ★★★★★
Come for the insane 1970s Italian gore! Stay for the superb Goblin soundtrack! It’s all here! Frankly, is there anything more you could ever ask from a horror film? Well, maybe.
★ out of ★★★★★
It’s always disappointing when someone takes one of your favorite horror sub-genres and brutally bastardizes it. The “we’re trapped in a secret military base and there’s only one way out” storyline takes some care and feeding. The situation is made even worse when it’s given the ham-fisted SyFy treatment. Little attention, little point, and little effort.
We warned you that we’d be back in the theaters in 2021 and we were! The Scariest Things Podcast, spread all across the globe, represented well in theaters far and wide. We were up close and personal for Conjuring III, Halloween Kills, Malignant, Candyman, and many, many others.
★★★★ out of ★★★★★
Last year brought us engaging septuagenarians battling it out the save their decrepit community center in VFW. Earlier this year saw the posthumous release of George Romero’s frightening PSA, Amusement Park. concerning the oft forgotten repugnance of elder abuse. Now, Amazon Studios is treating us to the latest in elder horror, Bingo Hell. The golden (girls) age is upon us with a new subgenera of horror, AARP horror. You heard it here first!
In 2020, the global pandemic gave us an interesting dynamic in film. Stripped down productions. The re-rise of independent horror. Big budget films either shelved, delayed, or cancelled all together. Last year’s horror scene definitely had a peculiar and, well, dystopian quality.
Enter 2021! The big budget films that coldly sat on the shelves for the last year, or in some cases years, or in other cases almost a half century, are now out in the theaters for us all to enjoy. And enjoy them we did! It shouldn’t be a terrible surprise that (often) the more money, time, energy, and talent you ply to your project the better quality you’ll receive in return. Mostly.
Here’s some of the best from another spooky year…
★★★★ out of ★★★★★
To be clear, horror is the human condition. Sure there’s ghosts, robots, cannibals, witches, and Jason Voorhees, but all these finely finessed sub-genres are really just an extension of the human condition. Much ink has been poured over this subject, but rarely does a horror documentary get at this hyper-simple truism.
★★.5 out of ★★★★★
There’s no telling if 2021’s My Cherry Pie qualifies as Oz-spoitation, but it sure looks, sounds, and feels like something straight off of 42nd street. It’s not the pastoral Picnic at Hanging Rock, nor is it the ever-haunting Lake Mungo. Think Wolf Creek with little-to-no-budget, an extra bit of nastiness, and a pinch of grindhouse.
★★★.5 out of ★★★★★
It’s always fascinating to see how something of little-to-no-value can bring out the worst in people as soon as they realize that someone else is interested in the same valueless item. This dynamic is made all the worse when it’s families fighting over the same scrap of trash. Worse yet? When that scrap of trash is the site of a 1979 horror film, the Whooper.
When we caught wind of this (assuredly) horror comedy last month we weren’t entirely clear if we were looking at an elaborate album hype, a hoax, or an actual film.
★.5 out of ★★★★★
Alright. Move along. Move along. There’s nothing to see here. Really, there’s nothing to see. A sad commentary on what should have been one of the most celebrated films this side of Halloween Kills. But, it’s true. The reimagining of the Slumber Party Massacre is a dull and uneven homage to its predecessor.
👻👻👻 out of 👻👻👻👻👻
The go-to move for horror filmmakers in the modern era is the tortured family dynamic. It’s creepy, hidden, sinister, and above all tragic. When you mix in a heaping dose of the death of a child, tragic can take a very dark complexion and make it, well, darker.
As ideas slowly become more and more (re) used and reworked filmmaking has progressively embraced the meta. In fact, things have become so meta sometimes it’s difficult to tell when one concept ends and the next begins.
Enter the recently announced horror offering featuring…the Foo Fighters?
★★★★ out of ★★★★★
As demonic crooner Ronnie James Dio once famously opined “when you listen to fools, the mob rules.” Maybe this prescient piece of advice was being plied to the January 6 insurrection, maybe it was being plied to Halloween Kills, but just maybe Dio’s magical ways were sorting out many future truths.
★★★★ out of ★★★★★
The Last Matinee is a loving homage to film. More to the point it’s a loving homage and exploration of Argento, Fulchi, grindhouse cinema, slashers, grimy movie theaters, and quite possibly the great Lamberto Bava film Demons. Don’t be fooled though. While The Last Matinee pulls from many of the classics, it’s got its own unique style and flavor, and it’s cram-packed with EYEBALLS.
★★★★ out of ★★★★★
The son of De Palma’s Blow-Out! The grandson of Michelangelo Antonioni’s Blow-Up! A new vision of paranoid conspiracy theories as told through the latest fandangled piece of technology! Or in this case technologies.
If you follow the ol’ Scariest Things Podcast you know that we love our posters! No poster is too weird, too gory, too strange, too horrifying, or too vague.
★ out of ★★★★★ It looks like a horror film. It acts like a horror film. It’s directed by cinema great and heir to the Hitchcock throne. Its promotional materials portend horror is just around the corner. But don’t be fooled, this super-star-packed 1970s telekinetic hype machine is nothing but a boring and unnecessarily long after-school special.
★★ out of ★★★★★
Gone are the days of Bub from Day of the Dead. Gone are the days of the zombie nurse, the fat guy, and the Hare Krishna from Dawn of the Dead. Gone are the half-dogs and headless zombies from Return of the Living Dead. Most importantly, gone is a fun but serious dissection of societal woes and man’s modern day pitfalls. IInstead we’re now being fed a pile of ghastly super-hero zombies, that shriek like space aliens, set inside a hyper-realized video game construct. It’s a sad state of affairs to be sure. One might even say that the zombie genre has jumped the shark, or in this case the albino zombie tiger.
Giallo and Texas Chainsaw mashed up? Uh, yes, please. We’d love to see that! Well, now you can! Those horror geniuses over at Netflix have officially dropped the official trailer for 2021’s A Classic Horror Story.
In light of all the insurrectionist lunacy that we faced in early 2021, it’s an incredible stroke of kismet that the horror gods would be throwing us the Forever Purge in the very same year. But they are.
Holy Beelzebub! The official/official trailer for The Conjuring III, AKA The Conjuring: The Devil Made Me Do it, is finally here! Complete with devils, god, witches, the Warrens, and waterbeds — which were a thing in 1981, trust us — this trailer has it all.
★★.5 out of ★★★★★ Pulling the perfect Lovecraftian film is a feat like no other. It’s been tried again and again. You might even say film makers repeated attempts to crawl inside Mr. Lovecraft’s tortured brain is rife with peril, failure, and madness. Or more to the point, it’s a cursed mission. Many have attempted to bring Lovecraft to the silver screen and most have failed. In the case, of 2021’s Offseason, it’s not so much a failure, but a dull attempt.
This Easter 🐰🐰🐰 you haven’t a hop in hell! Because…here comes Peter Cottonhell! If those aren’t two of the most hackneyed and shoe-horned taglines we don’t know what are. Because Beaster Day is real, it’s coming for you, and we’ve digested more crappy films that anyone should!
★★★★.5 out of ★★★★★ Don’t. Turn. This. Movie. Off. Seriously, it’s a slow burn in grand tradition of slow burn horror films, but the payoff off is so deliciously evil and filling. If you stop after the aspic and the salad course you’ll miss a rather grisly desert.
★★★★ out of ★★★★★ Make no mistake, Woodlands Dark and Days Bewitched: A History of Folk Horror is not a generalist survey course and this is not a casual hike in the woods. This is a full on PHD thrill ride in to one of the most mercurial of all horror genres, folk horror.
★★★★ out of ★★★★★ “If you go in to the woods go with an open mind.” Famed Bigfoot videographer, Bob Gimlin.
★★★★ out of ★★★★★ It should come as no surprise that record collectors are an awfully weird and obsessive bunch. They perseverate over every possible pressing, color, variation, and vinyl release of individual artists. Their search is endless and somewhat pointless. They fixate on whether to open a sealed copy of a rare record. Most importantly, record collectors won’t stop until their search is complete. Dead or alive.
★★.5 out of ★★★★★ A stunningly beautiful film that follows a not so beautiful period of time in Guatemala’s tumultuous and unfortunate history. This horror film, that’s awfully light on the horror, shows audiences that sometimes the scares don’t come from ghouls, but they come from right-wing juntas.
★★★.5 out of ★★★★★ One medium with possibly more sub-genres than horror is futbol, AKA, football, AKA soccer. There’s so many villains, tales, rivalries, and subtext to the beautiful game. Much like horror its a bottomless barrel of impossible possibilities. The other medium with more sub-genres than futbol and horror? Zombies.
★★★★ out of ★★★★★ When true film auteurs wander outside of their staid and classical lines and in to the horror genre there’s always the potential for some serious magic. Kubrick with the Shining, Freidkin with the Exorcist, Spielberg with Jaws, and even Danny Boyle with 28 Days Later. All these major film think-o-logists had a crack at horror and walked away proud at what they had accomplished, or so ashamed at the terror they had brought to the cineplex, they never came back to the genre. One of the greatest film auteurs of all time, Robert Altman, wandered in to horror with aplomb, but sadly his seminal effort has been forgotten in the sands of time.