★★★ out of ★★★★★ With an increasing number of horror films eschewing the well-trodden path of gore, gags, and scream queens, there’s always the risk of re-calibrating too far to the other end of the scare spectrum. Over the last 20 years there’s been a trend towards melancholy and family trauma — Shudder calls it parental terror, we’re calling it melancholy horror. Sometimes the quiet and somber affairs work and sometimes they’re just weighty, boring, and devoid of scares. The Shudder original Z certainly ran that risk, but effectively shook itself off the melancholy mantle.