Do you have faith in M. Night Shyamalan to deliver a good movie? Recent returns would suggest that he's still got the touch. The Visit, Split, and Old suggest that his over-indulgent tendencies may be behind him. And if you watch the trailer for Knock at the Cabin, I think you'll find yourself convinced that he's got something special coming.
★★ out of ★★★★★ Pearl WILL be one of the more divisive films of the year. It will end up on some “best of” lists, but it could very well end up on some “worst of” lists. Why? Simple really. It’s a very uneven film. It contains some rather shocking bits, but it’s also equally underwhelming.
Vienna’s SLASH Film Festival is set to kick off in a couple of days, and it’s a stunner! From the world premieres of Austrian features Rupture and Mother Superior to the opening episodes of Lars von Trier’s Kingdom Exodus to a fine selection of other horror features and shorts from around the globe boasting monsters, murderers, and all other sorts of mayhem, SLASH Film Festival is a can’t-miss event.
★★★★.5 out of ★★★★★ This might seem like a stretch, but you’ve never seen a film quite like 2022’s Men. Really. It’s in a pretty singular place in the world of psychedelic horror. Frankly, there’s nothing that really compares to this shocking bit of A24 business. Unless you count David Cronenberg’s 1979 classic the Brood as a contemporary — but that was 43 years ago.  Men, directed by friend of horror, Alex Garland (28 Days Later and Annihilation) is exactly the film that 2022 needed, nay required. By managing to expertly weave through a minefield of trauma, sexual repression, male insecurity, and post-#metoo movement dynamics, Garland turns in one of the best horror films of the year. 
Bon Jour! If you like your horror with a bit of an esprit de viscéral, then this will be the episode for you! The French language horror films bring a bit of the nasty, the savage, and also at times, the absurd. There is a tradition of breaking conventions with much of French art, and that includes their cinema tastes. And, this extends naturally to their willingness for their horror movies going to extremes. So join us in extracting out what makes French Language Horror so potent in Episode 151!
⭐️⭐️⭐️1/2 out of ⭐️⭐️⭐️⭐️⭐️ A beautifully shot slow-burn B-movie with a goofy looking alien, fun dialog, and a visceral closing act. Meteor showers, man. What's not to love?
★★★ out of ★★★★★ As a horror film Moloch really has everything you’d ever want. Well-placed scares. A little blood, but not too much. Ghost-ish characters. Possession — sort of. Pre-christian Low Country mythology. And even -- gasp -- pagan demon cults!
★★1/2 out of ★★★★★

Intensity:🩸🩸 out of 🩸🩸🩸🩸🩸

The horror western Ghosts of the Ozarks is a curiosity. It feels like a wholly original concept and yet it telegraphs all its plot movements. It is populated full of interesting characters with some pretty notable actors, but in their fun quirkiness, they end up playing like one-note caricatures. And, in spending most of its time world-building, the film fails to propel the story in any dramatic or scary way.

Aficionados of the weird, the wild, and the wonderful, prepare yourselves for two days of stimulating cinema as The International Fortean Film Festival presents its 2022 edition on September 2 and 3 in Gloucester, U.K. From the supernatural to cryptozoology to alien life and far beyond, the fest has selected a tantalizing array of narrative and documentary features and short films.
★★★★1/2 out of ★★★★★ A cosmic horror odyssey that never leaves the bathroom! Glorious is one hell of a film!
★★★ out of ★★★★★ Distress Signals is a micro-budget survival thriller, done simply, and executed well. This is a lost in the woods scenario, a story that we can all identify with. In its simplicity though, I found myself wishing there was more dramatic tension and more visceral threat. As thrillers go, this is more solitary drama than thrills.
★★★★ out of ★★★★★ The unique and stylistically powerful art of Mike Mignola is put into the shadowy spotlight of the documentary of the Hellboy artist. A documentary is only as interesting as the subject material, and Mr. Mignola proved to be a fascinating study of a complex individual and a late blooming artistic genius.
★★★ out of ★★★★★ Prepare yourself for a lot of lunacy and absurdity, and arm yourself with a heaping helping of willing suspension of disbelief, and you should have an entertaining time with Orphan: First Kill, the prequel to 2009’s Orphan.
★★★.5 out of ★★★★★ Many horror films try, but equally, many films fail to concoct the perfect period piece. Often times concepts for period pieces in the world of horror seem to be centered around someone’s uncle who has a really mint 1977 Trans Am. Seems like an easy tasked to build an entire film around some funky vintage clothes and a sweet ride, but more often than not it’s a task where many fail.

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