★★★★★ out of ★★★★★ An exhausted Iranian couple that is struggling with fitting in their arrival in America crash in a hotel after a night of bickering. The hotel presents them with some hard, hard truths and becomes a haunted prison rather than the refuge they sought. Tightly scripted and wonderfully acted, the film finds its power through suggestion and implied concepts.
★★★★.5 out of ★★★★★ In the latest installment of "If you're not watching Indonesian horror movies, you're blowing it," brings us 2020's The Queen of Black Magic. It's true. Indonesia is the new incubator for the creepiest crawlies that the horror genre has to offer. Every country has had their day in the sun. The UK plastered us with Hammer and Amicus throughout the 1960s. The US reimagined the genre with slashers and super killers throughout the 1970s and 80s. And Japan brought a whole new slate of water and hair-borne frights in the late 1990s and in to the early 2000s. Now it's Indonesia time to shine.
★★★ out of ★★★★★ There's literally something fishy about this little beachside community, as a vacationing couple get entangled with a strange beachside community ritual. This is what you get if you mashup Rosemary's Baby with Humanoids from the Deep. The film telegraphs its punches, but it is clearly for fans who like their Lovecraft stories with a thin slice of sleazy.
★★★★ out of ★★★★★ There exists that great space in documentaries that take place decades after the event occurred. It's this beautiful melange of revisionist history, lucid thoughts, purposeful sleepwalking, and repressed memories. All answers are correct and infallible when the documentary is filtered through the iconic lens of a single and thoughtful directorial darling. THE William Friedkin is the ultimate bridge between Hollywood's glorious beginnings and the revolutionary young guns of the 1970s. It should come as no surprise the Friedkin has some rather insightful things to say about one of the greatest films of the 1970s, possibly the greatest horror film of all time, and in some camps, THE greatest film ever put down on celluloid -- the Exorcist.
★★★★ out of ★★★★★ Horror movies really are the ultimate glimpse in to the soul of man. Society's reflection upon itself. Our most base thoughts, visions, hopes, dreams, and fears all laid bare for the universe to see. The historic period of time is largely irrelevant to the equation, because the result is always the same -- man's continued inhumanity to man.
★★★1/2 out of ★★★★★ It’s folk horror island style in the latest from Darren Lynn Bousman. Engaging performances and an...
★★★★ out of ★★★★★ A Pentecostal rogue preacher attempting to perform a dubious gay conversion "therapy" session ends up summoning a demon instead. Whoops! Filled with colorful characters, this South African possession tale weaves a well-connected tale with some fun and occasionally brutal story threads.
★★★1/2 out of ★★★★★ Follow the bread crumbs in this clever take on what would at first glace feel like a conventional ghost story / psychological horror tale. It ends up spinning things in a way that is surprisingly satisfying and ends up being exactly as the title suggests: Unfamiliar.
★★ out of ★★★★★ A lovely vacation in the canals in the English countryside gets turned upside-down when the vacationers are attacked by a band of toxic mutant cannibals. This wanted to be The Hills Have Eyes: UK. Unfortunately, it plays out a bit flaccid around the edges, rather like the mutants it showcases.
★★★ out of ★★★★★ I mean, really, who are we to ever question the greatness of the great Charlie Kaufman. A visionary. A cinematic poet. A deep thinker that throws head-scratchers our way every chance he gets. A repertoire filled with unimpeachable films. One after another. BUT, he's never really dabbled in the horror genre, nor has he dealt with a storyline so chilling, unnerving, and downright baffling. And it kind of shows.
★★★1/2 out of ★★★★★ Three home invaders and a hapless girlfriend break into the wrong house in this sinister, often...
★★★.5 out of ★★★★★ Not all horror films need to be over-wrought. They needn't be filled with hyper-complex multi-layered lore. CGI has its time and place, but that time in place is not in every time and every place. On occasion horror is able to lean simply on human emotions, quaint spaces, and languid settings. If you need a reprieve from the hustle and bustle of 21st century horror then Beyond the Woods is waiting for you...just beyond the woods.
★★★1/2 out of ★★★★★ Fine performances and some clever variations on stalker-cinema tropes make Blinders  a strong recommendation for fans...
★ out of ★★★★★ All the old adages about aging are sadly true. While there are a handful of unique exceptions to aging, largely the process is mean, maddening, and without fail. The longer you stay in the game the harder it is to compete at your once prolific rate. That 12th album, might not quite be as fresh as that first lighting in a bottle 30 years prior. That 300th game might be a tad disinclined. It's just a fact of our meager little life on planet earth and this impact is felt by all -- including Dario Argento.
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A brutal and difficult to watch examination of a young woman laid low by a necrotic wasting case of VD. Emotionally rough and viscerally horrifying, this is not one for the weak of heart or stomach.

★★★★ out of ★★★★★ This Russian take on a cosmic creature wreaking havoc on Earth is a winning effort that...

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