★★ out of ★★★★★
A small town cop works to unravel the mystery of a mangled body and missing child in The Breach.
★★★1/2 out of ★★★★★
Nature versus nurture...when you're the descendants of a serial killer, it's both.
★★★★.5 out of ★★★★★
We've all been waiting patiently for the new work by masterful filmmaker Jordan Peele. He has yet to disappoint with his previous cinematic efforts and continues to push a rather visionary envelope. Shrouded in years of mystery comes another enthralling horror entry with NOPE.
As we've already previously noted, UFO films are usually mostly in the science fiction camp, with maybe a toe in the horror genre. Trying to find the ones that firmly place two feet over into the horror side is no easy feat. NOPE is that film that harmoniously brings these camps together.
★★★★ out of ★★★★★
A hilarious, scathing and deadly look at misogyny through the lens of office politics.
The Womb ★★★★1/2 out of ★★★★★
The Devil's Deception
Southeast Asian creepfests The Womb and The Devils’ Deception are two of the finest pregnancy horror films in recent memory, with unforgettable images and unsettling goings-on.
★★★ out of ★★★★★
Raising some intriguing points about aging and boasting engrossing performances from Winona Ryder and Dermot Mulroney, Gone in the Night loses its way when it begins ramping things up in the suspense department.
★★★.5 out of ★★★★★
Just as zombie films really aren’t about zombies, nor are heist films about heists. Sure there’s the undead roaming across the screen and the heist film brings you the extra-elaborate scheme to get the goods, but neither is really about what they claim. If you’re a follower of horror (and we know you are) you know that many things in horror are simply devices to get to the heart of the matter. Human emotions.
★★★1/2 out of ★★★★★
Crime doesn't pay in Irish chiller Gateway --- it leads to madness and death.
★★★1/2 out of ★★★★★
Those who love lycanthropy folklore, films, and fiction should find plenty to enjoy about American Werewolves.
★★★★ If you have a stomach for extreme violence
★★1/2 If you can't handle it
Nati Morti will kick your ass, rip out your guts, and rub them all over your face. It is not, however, a non-stop gore festival. It has a big story to tell, and it has some moments of real poignancy. But, yes, you will need to be able to handle getting your guts ripped out.
★★★★ out of ★★★★★
We’ve said it before and we’ll say it again — comedy is a difficult task that’s made all the more difficult when it gets mixed up with its gory cousin, HORROR. To see it done well is one of the more pleasant sights
that a horror fan gets to ever see.
The new film, Stag, by quadruple threat (actress, writer, director, and producer) Alexandra Spieth marries these two ugly cousins together perfectly — ironically in the context of a weekend bridal party.
Liz: ★★★ out of ★★★★★
Eric: ★★★★ out of ★★★★★
Cozy up with The Creeping on a dark and stormy night!
★★★.5 out of ★★★★★
There’s a very real chance that this film may be the first of its kind. True story. One of one. The first ever. Well, that might be a little bit of a stretch, but it’s unlikely that there are any other found footage horror films made by Syrian teens who happen to be refugees living Lebanese settlement camps. If there are others out there we’d sure love to know about them.
★★★★ out of ★★★★★
How far will a pious man of the cloth go to help those in need? How far will he be pushed before things get insane? Christmas-set horror (uncomfortable) comedy The Leech has these answers, and it is an absolutely riveting, discomfiting experience.
★★★★ out of ★★★★★
It’s probably not too far out on a limb to say that Dave Grohl is an American treasure, but it turns out he actually is. From his time in Scream to Nirvana and his alt-grunge outfit the Foo Fighters, the man has done it all. Vacillating between documentaries with topics as varied as the Bad Brains, Lemmy, obscure record labels, and even Devo, Dave has covered nearly every possible music genre and sub-genre.
While he’s acted in a handful of fictional films, he’s never really touched on the world of horror. That is until now. Turns out he’s a pretty great actor. And, he’s also got a penchant for comedy.
This year’s “it” horror film is upon us! Sorry, Halloween Ends, you’ll have to wait your turn. The Black Phone is the long awaited horror opus directed by Scott Derrickson (Sinister, Exorcism of Emily Rose, and Deliver us from Evil) and written by Joe Hill (Locke and Key, Creep Show, and NOS4RA2).
All the horror provenance is certainly there, but is the Black Phone any good? As we often do, the Scariest Things Podcast team is bringing our collective thoughts to the table to look inside this big budget spook show.
★★1/2 out of ★★★★★
The celebrated king of body horror, David Cronenberg, returns to the genre he helped define after a long absence with his new feature, Crimes of the Future. It is a film that is a vision distinctly and uniquely his own. It has a talented and attractive cast. It comes back to body horror in a big way, and yet the film narratively underwhelms.
★★★★.5 out of ★★★★★
On the edge of the 40th anniversary of the seminal John Carpenter-Stephen King mashup it’s high time we pay proper due to a legitimate horror classic. Coupled with the fact that Blumhouse is in the works of producing a questionable remake — due in 2022/2023 — and the fact that this 1983 joint is now streaming on Netflix in UHD, it makes it the perfect time to consider where this fits in to the pantheon of horror greats.
★★★1/2 out of ★★★★★
An author goes to the end of the world for her art in Welcome, Violeta!
★★★★ out of ★★★★
According to director Ana Lily Amirpour, her latest outing, Mona Lisa and the Blood Moon “…is New Orleans AF.” While we’re probably not the best judges of whether anything, let alone New Orleans, is AF, but for purposes of this discussion we’ll say it is.
★★★★.5 out of ★★★★★
Being a drug mule is the absolute worst. Mind you, this reviewer has never been a drug mule, but there’s a nagging feeling that muling drugs for miscreants, reprobates, and slackened dolts is an awful time. The only thing worse than being a drug mule? When the drug mules are forced in to servitude in the name of Cronenbergian insects and a web of gnarly body horror.
★★★★ out of ★★★★★
Intensity 🩸🩸 For awkward adult situations and torture
A posh housewarming party fizzles out, due to a host who tries just a little too hard to impress. A couple of glamorous strangers stick around after everyone else clears out and the remainder of the evening becomes far more exciting than the hosts were ready for. Cringe-inducingly funny and immediately accessible, Who Invited Them had its world premiere at the Overlook Film Festival.
★★★★ out of ★★★★★
Controversial, visionary, avant garde, those are just some ways to describe filmmaker Gaspar Noé and Lux Æterna definitely reinforces those characteristics.
★★★ out of ★★★★★
Charlotte Colbert's debut feature She Will is a bewitching feast for the senses.
★★★1/2 out of ★★★★★
A ritzy couples therapy retreat becomes a trap for one of the guests who becomes a pawn in a larger Faustian deal of sin, temptation, and betrayal in The Summoned, which had its world premiere at the Overlook Film Festival. The Scariest Things also got the opportunity to interview the cast and crew of this twisty morality play.
★★ out of ★★★★★
Confusing where it tries to be enigmatic, supernatural hotel-horror The Overnight can’t quite grasp the brass ring for which it reaches.
★★★★ out of ★★★★★
Neil Maskell is back for revenge in Paul Andrew Williams' Bull.
★★★ out of ★★★★★
Terror-in-the-skies feature Row 19 is a bit of a bumpy ride, but committed performances and a fair share of supernatural puzzlement make it worth seeking out.
★★★.5 out of ★★★★★
The 1930s and 40s brought us ghoulish voodoo zombies. The 1960s and 70s graciously brought us trundling brain-fixated zombies. The early 2000s somewhat quixotically brought us hyper-speed zombies. And now in the 2020s we’re being treated (emphasis on the sarcasm) to sadistic, cruel, and mean-spirited zombies. Good, bad, or indifferent this is the brutish zombie world we now live in.
★★★★ out of ★★★★★
If we’ve learned anything it’s that horror movies are one big bag of smoke and mirrors. It’s a ruse, a put on, a sham. So much disbelief needs to be suspended to make the entire haunted house of cards structurally sound. If there’s any loose horror screws the entire effort collapses in a pile of unscary dust.
But when it works? Oh boy, does it work!






























