★★ out of ★★★★★ At Rob Zombie’s darkened dirtbag core is a full and unfiltered embrace of the age-old adage “if it ain’t broke, don’t fix it.” Slow motion. Hyperbolic acting (or in some cases no acting). Closeups so close you can count individual pores Captain Spaulding’s grease-paint soaked forehead. Weirdly rare and off-putting selection of non-Joe Walsh James Gang tracks. If you’ve seen House of a Thousand Corpses and Devil’s Rejects then you’ve been thoroughly exposed to Mr. Zombie’s cinema trickery.
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Mike’s Review: 31 — A Rob Zombie Film (2016)
★ out of ★★★★★
If you went to Sunset Strip and asked a hip-looking millennial what elements exemplified the grindhouse cinema era, what do you think the response would be? Confused? Indifferent? Bored? Titillated? Or do you think they’d start to rattle off a listed of oft-used Rob Zombie tropes and tripe?