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As we’ve said before, pulling off a horror comedy is one of the most precarious feats a director can attempt. The feat is made all the more difficult when it’s done on a micro-budget with limited to no resources. Easter Bloody Easter manages to walk this tight rope with aplomb, while pulling in one of the coolest Black Sabbath horror references since the semi-eponymous Black Sabbath in 1963.
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Joseph reviews Graham Skipper's horror film The Lonely Man with the Ghost Machine, from Make Believe Seattle.
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Hunting Daze explores the complications of stacking up bad decisions when a male bonding session in the woods of Quebec is injected with a headstrong young woman and a mysterious stranger entering their insular group.
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Fandom, obsession and identity are illuminated in I Saw the TV Glow
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Eddie Izzard steals the show in Hammer Films' DOCTOR JEKYLL.
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Come for the kidnapping, stay for the teriyaki! Dead Mail...delivers the weird.
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SHIFT is a fun 1990s riff on Hitchcock’s Rear Window, complete with paranoia, mystery, and a sentient office chair.
Intensity and effectiveness of jump scares
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Oddity is the horror who-done-it, supernatural, revenge thriller, comedy you have been waiting for!
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In a genre overloaded with movies inspired by the Frankenstein story, Lisa Frankenstein fails to catch a spark.
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If fear of the unknown is the most primal of horrors, imagine living in a prehistoric world and arriving on a new barren continent. In the new British Paleolithic horror film Out of Darkness, a group of stone-age nomadic survivors cross the sea and find a land bereft of resources and quarry. Everything is unknown, their worldview is limited to their tribe and the stories passed down from their elders. Their only protection is a spear and a campfire. Scary times, indeed.
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I will give points to A Creature Was Stirring (2023) for trying to do something that was original. A were-porcupine (A Porcupinecanthrope?) is a new addition to the monster lexicon. It's a parenting horror piece. Also, a home invasion. And a drug horror story. The problem is that in execution, it never finds its proper footing, and the narrative gets lost.
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Joseph reviews Robert Morgan's UK macabre horror film STOPMOTION, a body horror movie full of unsettling stop-motion animation.
