★★.5 out of ★★★★★
Part hucksterism. Part faux science. Part Unsolved Mysteries. All exploitation. This film is a sad commentary on many levels, but it’s also a fascinating peek into horror history that’s impossible to turn away from.
★★.5 out of ★★★★★
Part hucksterism. Part faux science. Part Unsolved Mysteries. All exploitation. This film is a sad commentary on many levels, but it’s also a fascinating peek into horror history that’s impossible to turn away from.
In 2020, at the height of the global pandemic, the braintrust over at Morgan Creek Entertainment, announced — with very minimal fanfare, that they’d be taking a crack at one of the most vaunted franchises of all time — The Exorcist.
To get the Scariest Things Podcast ready for 2023, and potentially the most polemic film in years, we sat down and poured through the entire EXORCIST universe. Some brilliant, some soup-soaked, some awfully-awful, and some filled with the most horrifying images ever put to film.
So many great intentions. This here podcaster was going to smash, crash, and rush to the theater to see all the latest spooky offerings Hollyweird had to offer. I “intended” to give a careful and thoughtful look at Halloween Kills (delayed to 2021), Antebellum (not willing to throw down for its initial asking price), St. Maude (weirdly delayed a bunch of times, but available for streaming overseas), and I’m Thinking of Ending Things (I saw this! But it was pretty so/so). 2020 was far from perfect, but despite all its real-world horrors, it brought a respite in the form of gaggle of scares, shrieks, and ghouls.
★★★★ out of ★★★★★ There exists that great space in documentaries that take place decades after the event occurred. It’s this beautiful melange of revisionist history, lucid thoughts, purposeful sleepwalking, and repressed memories. All answers are correct and infallible when the documentary is filtered through the iconic lens of a single and thoughtful directorial darling. THE William Friedkin is the ultimate bridge between Hollywood’s glorious beginnings and the revolutionary young guns of the 1970s. It should come as no surprise the Friedkin has some rather insightful things to say about one of the greatest films of the 1970s, possibly the greatest horror film of all time, and in some camps, THE greatest film ever put down on celluloid — the Exorcist.